100 books like American Building

A must read for exploring the qualitative, cultural, and social sensations of heat and coolth and understanding the thermodynamics of building design that elicits ways that we use, remember, and care about the energy that provides comfort (or discomfort) for building occupants.

Often in our environmental systems courses, we ask students to write down their most memorable thermal experience. Responses range from very hot to very cold and include many contrasting events, such as skiing, then sitting around a campfire. Thermal Delight gives experience after experience for us to consider how our comfort might be tempered or enjoyed and sets the foundation for designing with climate.

As designers, should we make our buildings not-uncomfortable or make them delightful?

Likely the first energy “guidebook” for architects. Published during the 1970s oil crises, Mazria lays out a design process for saving energy through passive solar design.

The book is full of foundational knowledge, core principles, concepts, early data on material properties based on research done at the University of Oregon, clear definitions, and lots of black and white hand drawings showing solar positions, angles, and access for buildings. Though no longer in print, copies are still available, and the content is still relevant today.

As more design process is relegated to blackbox software that “may” consider many of the same variables dealt with in the Handbook, it is wise to refer to Mazria to conceptually back up important design decisions. [As an aside, Ed Mazria is currently the CEO of Architecture 2030.]

For much of the history of architecture material availability has been a key design concern.

More recently (say the past 50 years) operational energy has become a concern (both socially via codes and individually via cost). We are now in transition to a design landscape where carbon emissions are replacing energy consumption as the currency of concern.

Life Cycle Assessment does an excellent job of bringing the issue of carbon to the forefront and explaining how designers and owners rationally account for the carbon damage inflicted by their buildings. An easy read but not at all simpleminded. 

Architecture is often referred to as an art and a science. This is a reasonably accurate statement in the abstract. In practice, we often assess architecture visually (artistically) and assume (hope) that the science is there (even if hidden). In fact, physics always has the last word.

Fire and Memory reminds us that thermodynamics matters and that buildings are essentially anti-entropic constructs. Who can resist a proposition such as “whether to use the wood to build a small shelter or as firewood for a bonfire. An entire theory of architecture is encapsulated in this simple question.” Or a chapter titled “Energy as the Currency of Nature.”

This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.

I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.

It is opinionated, not afraid to criticise as well as applaud. 

Lloyd Kahn has long been a leading light in DIY home building, and wrote for The Whole Earth Catalog in its counter-culture heyday. Shelter still inspires the reader with photographs and descriptions of home-built cabins and alternative dwellings from around the world; the range of techniques and materials covered is impressively wide.

Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings. 

This is an outlier that maybe not many have heard about or read. It features two award-winning designers who define, and illustrate, some 200 “rules of good architecture”. The artwork and lettering are by Malcolm Wells—an architect well-known for his sharp wit and off-beat leanings (underground houses being one). The messaging is accurate and timeless. The tone is light, as is the author’s back-and-forth banter. Wells’s illustrations bring the message home with clarity and force. It is a book that is at the same time funny, useful, and beautiful. Good luck finding one! 

The American explorer Hiram Bingham “discovered” the abandoned Inca resort of Machu Picchu in 1911 (in fact a local indigenous farmer led him to the ruins). He took home human bones and artifacts which Peru has been demanding back ever since, but to look at this story as simply a tale of colonialist exploitation would do it a disservice. Bingham was a colorful, big-hearted character who understood the importance of what he had found. The author captures his life and complicated legacy with grace and erudition, compellingly situating him in the Inca revivalist milieu of early twentieth century Cuzco. Anyone travelling to Peru should read it.  

On Altering Architecture belongs to a small and unique collection of publications that are involved in distinguishing the discipline of working with existing buildings. In the book, Scott constructs an inspired argument for the understanding of the significance of environmental design disciplines such as Interior design and installation art. The book is divided into twelve chapters, each an essay on reuse and overlapping disciplines. 

Each chapter is full of insightful and interesting case studies, expertly analysed and explained. On Altering Architecture is an absorbing and fascinating book that is packed with ideas, witty asides, mischievous digressions, and provocative thoughts. In parts the tone of the book is conversational, in others authoritative, each blends seamlessly into each other providing a compelling read.