Here are 7 books that The Passive Solar Energy Book fans have personally recommended if you like
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Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
A must read for exploring the qualitative, cultural, and social sensations of heat and coolth and understanding the thermodynamics of building design that elicits ways that we use, remember, and care about the energy that provides comfort (or discomfort) for building occupants.
Often in our environmental systems courses, we ask students to write down their most memorable thermal experience. Responses range from very hot to very cold and include many contrasting events, such as skiing, then sitting around a campfire. Thermal Delight gives experience after experience for us to consider how our comfort might be tempered or enjoyed and sets the foundation for designing with climate.
As designers, should we make our buildings not-uncomfortable or make them delightful?
Our thermal environment is as rich in cultural associations as our visual, acoustic, olfactory, and tactile environments. This book explores the potential for using thermal qualities as an expressive element in building design.
Until quite recently, building technology and design has favored high-energy-consuming mechanical methods of neutralizing the thermal environment. It has not responded to the various ways that people use, remember, and care about the thermal environment and how they associate their thermal sense with their other senses. The hearth fire, the sauna, the Roman and Japanese baths, and the Islamic garden are discussed as archetypes of thermal delight…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
For much of the history of architecture material availability has been a key design concern.
More recently (say the past 50 years) operational energy has become a concern (both socially via codes and individually via cost). We are now in transition to a design landscape where carbon emissions are replacing energy consumption as the currency of concern.
Life Cycle Assessment does an excellent job of bringing the issue of carbon to the forefront and explaining how designers and owners rationally account for the carbon damage inflicted by their buildings. An easy read but not at all simpleminded.
Life Cycle Assessment addresses the dynamic and dialectic of building and ecology, presenting the key theories and techniques surrounding the use of life cycle assessment data and methods.
Architects and construction professionals must assume greater responsibility in helping building owners to understand the implications of making material, manufacturing, and assemblage decisions and therefore design to accommodate more ecological building. Life Cycle Assessment is a guide for architects, engineers, and builders, presenting the principles and art of performing life cycle impact assessments of materials and whole buildings, including the need to define meaningful goals and objectives and critically evaluate analysis assumptions.…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Architecture is often referred to as an art and a science. This is a reasonably accurate statement in the abstract. In practice, we often assess architecture visually (artistically) and assume (hope) that the science is there (even if hidden). In fact, physics always has the last word.
Fire and Memory reminds us that thermodynamics matters and that buildings are essentially anti-entropic constructs. Who can resist a proposition such as “whether to use the wood to build a small shelter or as firewood for a bonfire. An entire theory of architecture is encapsulated in this simple question.” Or a chapter titled “Energy as the Currency of Nature.”
Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building.
In Fire and Memory, Luis Fernández-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a "metaphorical plundering" of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the…
When asked to describe the nonfiction genre I work in, I often say “true crime-adjacent,” meaning that while there is crime in my books, I’m more interested in the people, circumstances, and culture in which those crimes occur than the act itself. I love books that go deep into character analysis and motivation, as well as the author’s inclination toward the subject. These true crime-adjacent books are all-absorbing, thought-provoking page-turners, with stories so wild you won’t believe they’re completely real.
You might be wondering why a book about yoga is on this list, and I tell you it’s because crime is everywhere! Lorr does incredible immersive journalism and for this book he embedded with Bikram yoga teachers and ended up breaking the story of Bikram Choudhury’s sexual misconduct. The book deconstructs the culture of cult-like thinking to reveal how crimes are perpetrated, excused, and covered up, and you’ll learn a lot about yoga in the process. Lorr is also hilarious but in a more maximalist gonzo manner.
Author Benjamin Lorr wandered into a yoga studio—and fell down a rabbit hole
Hell-Bent explores a fascinating, often surreal world at the extremes of American yoga. Benjamin Lorr walked into his first yoga studio on a whim, overweight and curious, and quickly found the yoga reinventing his life. He was studying Bikram Yoga (or "hot yoga") when a run-in with a master and competitive yoga champion led him into an obsessive subculture—a group of yogis for whom eight hours of practice a day in 110- degree heat was just the beginning.
So begins a journey. Populated by athletic prodigies, wide-eyed…
My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
Power. We all need it. In the future, a lot of it will be solar. By 2050, half or more of global energy will come via photovoltaic technologies. That’s 100+ billion solar panels, with an annual churn of 2-4 billion. Which makes the solar industry one of the most important on the planet. Solar Power takes a hard look inside the solar industry: its materials, processes, facilities, workforces, waste streams, and landscapes. Mulvaney pulls no punches, but his fundamental message is simple: there are a lot of different ways to make and deploy 100 billion solar panels. The choices we make will have huge implications for how the benefits, costs, and risks of solar energy get distributed across different groups of people. Just like any other giant industry.
In this important new primer, Dustin Mulvaney makes a passionate case for the significance of solar power energy and offers a vision for a more sustainable and just solar industry for the future. The solar energy industry has grown immensely over the past several years and now provides up to a fifth of California's power. But despite its deservedly green reputation, solar development and deployment may have social and environmental consequences, from poor factory labor standards to landscape impacts on wildlife.
Using a wide variety of case studies and examples that trace the life cycle of photovoltaics, Mulvaney expertly outlines…
I am a farm girl who lives in rural Texas, surrounded by big blue skies, cornfields, and winding gravel roads. After avidly reading every children’s book and young adult novel I could find, including classics like Louisa May Alcott and J.R.R. Tolkien, I took to writing without thinking twice about it. I’ve published over 10 MG, YA, and New Adult books and I alternate between writing realistic family dramas and high fantasy, with a dose of science fiction that sprang up on its own and fits neatly somewhere between the other two. And then I read more books and plan to write more of them too.
This charming chapter book turns a typical story about three children and a new pet on its head by exploring a creative idea—the adoption of a stern, dignified small robot instead. And Sir Scrap Metal is no ordinary robot, but a secret agent working for an animal protection agency. While the kids solve a mystery with his help, the transfer of furry friend to cold titanium friend was very skillful. I never thought I could care about a robot as much as a dog or cat, but this book reminded me what pet stories are about. To those who love them, pets are both superheroes who complete special missions and also buddies who want to belong—whether they bark or meow or chirp or emit monotone robotic statements.
Young sister, Dree, saves a battered and broken robot from being recycled by a dubious store owner, Mr Fitch, while on vacation with her two older brothers at Grandma's cottage near Lake Superior. Her new companion turns out to be a very sophisticated robot, Sir_12.80, used to track illegal animal smuggling baring an inscription Sir_12.80. It is being sought for its black box data by its creator, Agent Rouso, after it was thrown from a helicopter and dragged along the rocky shore by a big slobbery dog. Renamed Sir Scrap Metal by Dree, and restored via solar energy the little…
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