Fans pick 77 books like Lies We Sing to the Sea

True confession, I love just about everything Amy Harmon writes, but this book blew my socks off. Not only did it stand out as unique among the typical fantasies, but it was exquisitely well written. Ms. Harmon has a way with the English language that made me fall in love with reading in a way I hadn’t in a long, long time. While it is true that the heroine was a pretty morally upright character, Ms. Harmon never comes across as preachy, and the character’s choices were well thought out.

If you’ve ever wondered what it would be like if all the iconic fairy tale characters were friends and lived in the modern world, then this is the novel for you. Kill Me Softly is the ultimate fairy tale mashup, with heroes and heroines—and of course, villains—from Sleeping Beauty, Snow White, Beauty and the Beast, and countless others, all living in one enchanted town where magic comes in two forms: blessings and curses. The reader follows a teenage orphan as she gradually comes to understand what it means to have the mark that brands her as an inevitable victim, though her stubborn determination to change her fate and go against the norm is a welcoming variation. With a plot chock-full of intrigue, love triangles, and dark twists, this YA novel is sure to charm.   

I highly recommend this book, especially if you’re in a reading slump. This is the exact one that brought me out of mine. I needed to not only feel I was in another world but escape my very own.

With Stephanie Garber’s writing ability being able to make you hear, taste, feel, see and smell every single detail of her words, I promise you’ll never want to leave her vision. Jacks starts out very mischievous and cruel, but his protective behavior of his “little fox” leaves you begging for his heart. It’s no wonder they call him the prince of hearts.

There’s so much mystery and puzzle pieces to put together, you’ll feel like a detective while lost in a story of love.

Don’t Date Rosa Santos is one of the only books I’ve ever been able to read more than once (I’ve read it three times!). It made me laugh and cry and hug the book to my chest. I still am not over this book, and may never be! It’s my all-time favorite comfort read. 

The myth of Medusa as told by her and her two Gorgon sisters. I’ve read many versions of Medusa’s story but I particularly like this one.

She’s typically treated just as an obstacle for the hero Perseus but in this book, she’s a given a voice—as an assault survivor, as the unjust victim of a god’s anger, as the baby sister of two immortal “monsters.”

The Gorgons completely rearrange their lives to accommodate the needs of their mortal sister who they love more than anything in the world. And Medusa, though she’s called a monster, makes the conscious decision to live in solitude rather than endanger others with her deadly gaze.

The definition of “monster” gets so blurry it becomes meaningless after reading this book.

A remarkable, inter-generational tale about madness amongst accomplished medical men. When the Toronto journalist James FitzGerald reached his father’s age at the time of his death by suicide, he felt the haunting pull of family history. His father and grandfather had both killed themselves, sleeping in the same bedroom in the same house.

Dr. John G. Fitzgerald founded the lab that first produced insulin for diabetics, and was also instrumental in the development of a diphtheria vaccine. His son was also a highly respected doctor. Both were pulled under by the riptide of depression at a time when successful, bread-winning men did not talk of mental anguish.

Resolved not to follow in their footsteps, James FitzGerald instead went into therapy and wrote this intensely gripping book about the shadow side of masculine privilege and the history of medicine and psychiatry in the first half of the 20th century.

No novelization of “The Goblin Market,” a poem by Christina Rosetti, has convinced me of the market’s allure like Not Good for Maidens. Lou, the novel’s main character, reflected my feelings in the beginning of the story, expressing confusion as to why anyone would enter the market knowing its horrors.

But as the past timeline of the novel developed, in which Lou’s Aunt May visited the market and began an unexpected sapphic romance, and as Lou had her own experiences related to the market in the present timeline, it was easier to understand why someone would be tempted. 

In their respective timelines, Lou and May search for themselves, desperate to forge identities unbound by family and duty. The market, in a way, grants them unique paths toward freedom, and I found that to be a compelling take on a classic I was never enchanted by before. Bovalino’s prose, illuminating… show more.

This book is not a fairy tale, per se, but it shares many of the elements of fairy tales. Set in 19th century Europe, the novel is filled with starving orphans, a child transformed into a doll, a wicked puppet master, an evil witch, and a magic necklace. This book combines two of my favorite genres, historical fiction and fantasy, and includes mystery and magic at every turn. I could read this book again and again!

The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes. 

In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult. 

Warning: This book contains scenes and situations not suitable for children.

This award-winning novel follows Oscar, a young Dominican-American man from New Jersey struggling with his present as a self-confessed “ghetto-nerd” and the legacy of his family’s past. The book is a dazzling example of how complicated our relationship to our family can be. I read and reread passages trying to decode Diaz’s choice in language and how he created such a compelling cast of characters. Told in vary perspectives and points of view and leaping gloriously back and forth in time, the book brazenly displays how the past is never truly past when it comes to matters of family.