Here are 100 books that Jane Austen's Wardrobe fans have personally recommended if you like
Jane Austen's Wardrobe.
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I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
I love every one of Jane Austen’s novels. I have no favorites, so I can’t recommend only one. They are so funny, but they’re also full of life, love, sadness, loss, families, friends, disappointments, and surprises.
They all end in a marriage, but so do Shakespeare’s comedies–it’s just what happens in a comedy, along with many other things. I’ve read them all more times than I can count but I always find something new to love every time I reread any of them.
Jane Austen revolutionized the literary romance, using it as a platform from which to address issues of gender politics and class consciousness among the British middle-class of the late eighteenth century. The novels included in this collection from the elegant Knickerbocker Classics series-Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, and Lady Susan-represent all of Austen's complete novels, and provide the reader with an entrance into the world she and her memorable characters inhabited.
With witty, unflinching morality, Austen portrays English middle-class life as the eighteenth century came to a close and the nineteenth century began.…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
There are more comprehensive biographies of Jane Austen, but I love this one, which charts the relationship between Jane and her favorite brother, Henry. He was a banker for a while but also a soldier and became an Anglican minister.
E.J. Clery has done tons of research but she also writes beautifully and brings it all together into a moving and fascinating story that shows a new side of Jane Austen. I discovered that Jane didn’t just stay home writing and embroidering but often went to London and stayed with her brother and his wife (their cousin Eliza). They went to the theatre together, they had parties, and she met French aristocrats who’d escaped from the Revolution.
When it was announced that Jane Austen would appear on the new GBP10 note in 2017, few were aware that a GBP10 Austen banknote already existed - issued by her favourite brother. Handsome, clever and enterprising, Henry Austen founded a bank business and charmed his way into the top rank of aristocratic society before going spectacularly bust in the financial crash of 1816. He left an enduring legacy, however, for it was Henry who supported Jane's dream of becoming a published author.Literary critic and cultural historian E. J. Clery presents a radically new vision of the much-loved novelist, revealing how…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
Kathryn Sutherland is a professor at Oxford, but that doesn’t mean her writing is dry and dusty. I find her one of the best guides for why Jane Austen is such an enduring success. She’s written a few books about Austen.
I chose this one because it explains where Austen fits in cultural history: what books she read and how she has influenced writers, dramatists, filmmakers, and everyone else ever since. It also tells the story of how her novels came into being, physically–as manuscripts and as printed books.
Through three intertwined histories Jane Austen's Textual Lives. offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
John Wiltshire brings a perspective to Jane Austen’s novels that is old and new. I am in awe of how he can take a passage from one of her novels and dive deeply into it, finding worlds of meaning in the familiar text. He writes beautifully and eloquently about these hidden depths.
One of the unusual things about Wiltshire as a literary scholar is that he is also an expert on health and psychology. But he doesn’t psycho-analyze Austen or try to diagnose her at a distance: he uses words and phrases and even punctuation in the novels to look beneath the surface of the narrative at the moods and relationships they reveal.
In this major study, leading Austen scholar John Wiltshire offers new interpretations of Jane Austen's six novels, Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion (1818). Much recent criticism of Austen has concentrated on the social, historical and intellectual context of her work, but Wiltshire turns attention back to Austen's prose techniques. Arguing that each of Austen's works has its own distinct focus and underlying agenda, he shows how Austen's interest in psychology, and especially her treatment of attention and the various forms of memory, helped shape her narratives. Through a…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Maria Hayward is my go-to author for all things clothing and fashion in Tudor England. In this book, she focuses on dress during Henry VIII’s reign, and the sumptuary legislation that regulated what people could wear. However, this is more than just a study of legislation. Hayward also uses wills, portraits, inventories and letters to describe and analyse the actual clothes owned by people from across the social spectrum. Of particular use to newcomers to the history of fashion is the information she provides about the different types of fabric and accessories, and her glossary.
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's…
I’ve always wanted to know why people acquire the things they choose, how they get them, and what they do with them. For years, too, I’ve been fascinated by the period when modernity was being born, a time full of worldwide exploration, the founding of new nations and societies, and the invention of new ways of making, transporting, and distributing all sorts of goods and services. I discovered that studying consumers, consumer goods, and trade from the mid-seventeenth to the late eighteenth century was the perfect way to satisfy my curiosity. The Material Atlantic is my report about what I’ve learned.
When we think of fashion, we tend to envisage attention-getting, usually very expensive clothing. And because many of those pieces have been carefully preserved, most historical works also focus on costly luxury apparel.
But as John Styles, one of today’s most imaginative historians, demonstrates in this gorgeous book, fashion is not just a matter of big-name designers who show in Milan, Paris, or New York. Having discovered a wealth of new sources—fabric swatches pinned onto orphan records are just one of them—Styles reconstructs the ways in which ordinary Britons created apparel styles during the first “Consumer Revolution.”
This inventive and lucid book sheds new light on topics as diverse as crime, authority, and retailing in eighteenth-century Britain, and makes a major contribution to broader debates around consumerism, popular culture, and material life.
The material lives of ordinary English men and women were transformed in the years following the restoration of Charles II in 1660. Tea and sugar, the fruits of British mercantile and colonial expansion, altered their diets. Pendulum clocks and Staffordshire pottery, the products of British manufacturing ingenuity, enriched their homes. But it was in their clothing that ordinary people enjoyed the greatest change in their…
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
On a lighter note, this book is a wonderful journey through what everyone wore, not just the fashions but the uniforms, the make-do-and-mend, maternity wear, underclothes, knitting for the soldiers, wartime washing-day, trousers for women (shock! horror!), a kit for lady footballers and lady drivers, and how the war changed women’s clothing along with their lives. Full of illustrations, delicious cartoons, and WW1 advertisements, this book is quite simply a wonderful read, as well as wonderfully informative.
Imagine 'stepping into someone else's shoes'. Walking back in time a century ago, which shoes would they be? A pair of silk sensations costing thousands of pounds designed by Yantonnay of Paris or wooden clogs with metal cleats that spark on the cobbles of a factory yard? Will your shoes be heavy with mud from trudging along duckboards between the tents of a frontline hospital... or stuck with tufts of turf from a football pitch? Will you be cloaked in green and purple, brandishing a 'Votes for Women' banner or will you be the height of respectability, restricted by your…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
This beautifully illustrated book explores Austen’s life and her interactions with the world as a novelist.
Jane’s teenage writings, her music books, and the story of her surviving pelisse (a type of coat) are all discussed, along with the magic of her remaining correspondence. (Sadly, after Jane died, her sister Cassandra burnt many of her letters to protect her emotional life from strangers’ prying eyes).
Austen’s fiction manuscripts, several of which survive, offer clues to how she worked. Jane’s status as a novelist at the time of her death in 1817 is also discussed, and compared with her competitors.
This collection of essays offers an intimate history of Austen's art and life told through objects associated with her personally and with the era in which she lived. Her teenage notebooks, music albums, pelisse-coat, letters, the homemade booklets in which she composed her novels and the portraits made of her during her life all feature in this lavishly illustrated collection.
By interpreting the outrageous literary jokes in her early notebooks we can glimpse the shared reading activities of Jane and her family, together with the love of satire and home entertainment which can be traced in the subtler humour of…
When I was a kid, I knew that my gender was different. I didn’t feel like a boy or a girl, but I didn’t know the word “nonbinary.” There were no kid’s books about people like me. I grew up with a lot of questions, which drove me to become a doctor of Women’s and Gender Studies and an expert on transgender history. Now I’m passionate about writing the kind of picture books that I needed as a child. If you want the kids in your life to understand transgender identity and feel loved whatever their gender may be, you’ll enjoy the books on my list.
When we talk about transgender pride, the voices of Native people are often nowhere to be heard. 47,000 Beads is an exception. This beautiful book tells the story of Peyton, a pow-wow dancer who has stopped feeling comfortable wearing a dress. This book helped me understand more about Indigenous children who are Two-Spirit – a pan-Native term for people whose genders are sacred in their tribal nation, but unintelligible to the white people who colonized the United States. I’m so glad I was able to read it and I hope you will be too.
Peyton loves to dance, and especially at Pow Wow, but her Auntie notices that she’s been dancing less and less. When Peyton shares that she isn't comfortable wearing a dress anymore, Auntie Eyota asks some friends for help to get Peyton what she needs.
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
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