Fans pick 83 books like Ink & Sigil

A bit of a cheat, I confess, as this is a play. But what a play. Stories within stories. Characters so real, they are flesh and blood. And so much magic, real magic, delivered by a fairy queen and king, fairies, and a hobgoblin called Puck. As an author I learn so much from Shakespeare’s plots. He is able to describe human behaviour so well. I enjoy losing myself in magic or fantasy, suspending reality. (I just thought of Harry Potter). 

There is a world of difference between the fairies of folk-lore and the ‘airy-fairy’s’ to use one of Katherine Brigg’s descriptions that infest popular media. Disney’s depiction of Peter Pan & Tinkerbelle as ordinary kids who happen to have wings bears no relation to the fairies of folklore. The moment a fairy character is absorbed into capitalist entertainment, their magic is lost. The unsurpassable fairy lore of Katherine Briggs 1898-1980, takes up an entire shelf on my bookcase and includes The Anatomy of Puck, The Fairies in Tradition and Literature, The Vanishing People, and A Dictionary of Fairies. The one-time president of the English Folklore Society, her books are so authoritative and imaginative, they bring to life the incredible inhabitants of the otherworldly realm. All the best books on the subject were written before 1970, the later ones tending to be cribbed from Briggs and that other great… show more.

For me, the widely varying folklore and myths of England covered in this book help to reveal the rich, unique history that the country possesses. One worry I have is that such traditions are already disappearing from the fields and squares of the land, and indeed the minds of the people. This is due in no small part to the homogenisation of individual cultures by the mainstream mass media, something which unfortunately shows no signs of abating. 

Katharine Briggs spent her whole life learning every single thing about every fairy, goblin, bogie, and sprite, and she put it all in one book.

Now, fairies are famous for their dislike of being talked about—cautious people refer to them as “the fair folk” or “the people of peace” so as not to offend. But Briggs put it right in the title! An Encyclopedia of Fairies! That was a very dangerous thing to do.

If your parents know anything about anything, they will object to your reading a book so dangerous. Still, you’ve got to learn these things sometime, don’t you?

As an 11-year-old, I read this book for the first time and thought it was the funniest book ever written. I cried and laughed at several parts.

The dialogue sparkles with old Glasgow wit and wisdom. John Joy Bell’s love of the Scots dialect is evident throughout. The book is a collection of tales featuring the titular character, a wonder-filled wee boy growing up in Glasgow during the 1930s.

The writing is endearingly innocent and playful. It’s a glorious snapshot of Scottish life a century ago.

This beautifully written novel tells the story of Kelly, as she makes her way home to Galloway from Glasgow.

Homeless and with addiction problems, Kelly experiences some of the problems that Glasgow is sadly well-known for, but what I really love about Paper Cup is that we see these issues from a middle-aged woman’s perspective so there is no glorifying of violence and excess.

Instead we are drawn into the precarious world of a vulnerable and damaged woman, and made to consider just how easy it would be for any one of us to slip through the cracks and tread the same path as Kelly. A truly thought-provoking read.

The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.

Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.

I loved this book because I was able to find out more about this lynchpin of the indie music World of the 80s and 90s that I grew up in. Primal Scream was responsible for some iconic tunes, and learning more about Bobby was insightful and entertaining. I discovered so much that I didn’t know about the band’s musical journey and Bobby's influences.

I have a soft spot for this book. It provides probably the most well-known modern pop culture image of the king–and James does not come off well. Though he’s presented as highly intelligent and calculating, he is also shown to publicly and constantly play the clown: expect to see him drooling, falling about, and squeaking with terror as he cowers behind others on seeing unsheathed swords.

This is absolutely not what the real James was like–and I imagine he’d have had Tranter’s head for suggesting it–but it is a fun, ahistorical read (which gets bonus points for delightfully ludicrous subplots about Shakespeare touring Scotland scouting for locations and Queen Anna engaging in a lesbian romance with the Countess of Huntly).

A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.

Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.