Here are 61 books that Incendiary fans have personally recommended if you like
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A Chicago writer, I've always been drawn to quirky books. My first novel, The Prospect of My Arrival, was a finalist in Amazon's novel contest and centers on a human embryo that is allowed to preview the world. My current work-in-progress is nonfiction. The Invention of Fireflies is a memoir of the magical and monstrous moments of my life. Varied day jobs have included being a professional cuddler, web designer, and caregiver. Affirmative Entertainment represents me for possible movie/TV projects. My work was selected for inclusion in the HBO New Writers Project, The Norton Introduction to Literature, many textbooks, and anthologies.
I love the unexpected beauty and horror of this book which is a collection of stories and a novella. The title also made me wonder, how do you escape a leper colony? Author Tiphanie Yanique is a Caribbean writer whose stunningly poetic voice haunted me long after I finished reading her book. As I read it, I imagined the narrator's Caribbean accent soaking into every syllable. In the key short story, Yanique sets us down in a leper colony on a deserted island for the dying and yet manages to leave room for the miraculous as well. Describing one leper she says, "And when a man with no hands claims that he can fly, you listen."
Lyrical, lush and haunting, the prose shimmers in this nuanced debut, set primarily in the US Virgin Islands. Part oral history, part postcolonial narrative, How to Escape from a Leper Colony is ultimately a lovely portrait of a wholly unique place. Like Gabriel Garcia Marquez, Edwidge Danticat and Maryse Cond before her, Yanique has crafted a heartbreaking, hilarious, magical and mesmerisingly unforgettable collection of stories.
A Chicago writer, I've always been drawn to quirky books. My first novel, The Prospect of My Arrival, was a finalist in Amazon's novel contest and centers on a human embryo that is allowed to preview the world. My current work-in-progress is nonfiction. The Invention of Fireflies is a memoir of the magical and monstrous moments of my life. Varied day jobs have included being a professional cuddler, web designer, and caregiver. Affirmative Entertainment represents me for possible movie/TV projects. My work was selected for inclusion in the HBO New Writers Project, The Norton Introduction to Literature, many textbooks, and anthologies.
Murakami's world is magic realist by default. It's often infused with American pop culture, jazz, secret passageways, and curious cats. The Strange Library is a perfect introduction to the author's world and it makes a nice gift. The book is adorned with pop illustrations and highly saturated colors. In this short novel a lonely boy, a mysterious girl, and a tormented sheep/man plot their escape from a nightmarish library. I have read the author's 1Q84 opus of 1,000 pages but it is his short works -- his short stories and novellas -- that have stayed with me the most.
Fully illustrated and beautifully designed, this is a unique and wonderfully creepy tale that is sure to delight Murakami fans.
'All I did was go to the library to borrow some books'.
On his way home from school, the young narrator of The Strange Library finds himself wondering how taxes were collected in the Ottoman Empire. He pops into the local library to see if it has a book on the subject. This is his first mistake.
Led to a special 'reading room' in a maze under the library by a strange old man, he finds himself imprisoned with only…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Not only is this novel about death and dying (10,000 times, to be exact), but it also features Death as a main character. So it gets bonus points for hitting both of those marks when it comes to my love of dark comedies about death. But it’s also a story about finding a reason for living, that reason being the aforementioned Death, who just so happens to be the main character’s love interest. It’s complicated. At turns both thought-provoking and laugh-out-loud funny. Reincarnation stories have always intrigued me and this one does it in a fashion unlike any other.
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
Although this book is about so, so much more, the premise itself pulled me in—I mean, a memoir about an abusive lesbian relationship? Yes, please.
But of course, Carmen Maria Machado, with her incredibly lyrical prose and frighteningly sharp intellect, takes the memoir form and turns it into something unique and surprising, a reflection on her relationship that somehow involves cultural history, film, fairy-tales and even—I kid you not—Disney’s The Little Mermaid. I was so moved and learned so much that I read it twice within a month.
'Ravishingly beautiful' Observer 'Excruciatingly honest and yet vibrantly creative' Irish Times 'Provocative and rich' Economist 'Daring, chilling, and unlike anything else you've ever read' Esquire 'An absolute must-read' Stylist
WINNER OF THE RATHBONES FOLIO PRIZE 2021
In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad. Tracing the full arc of a harrowing experience with a charismatic but volatile woman, this is a bold dissection of the mechanisms and cultural representations of psychological abuse.
Each chapter views the relationship through a different lens, as Machado holds events up to the light and…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
I have taught the history of terrorism for over twenty years, and I think this is the single best introduction to terrorism available. When people ask me for one book to read on the subject, this is my obvious choice.
Hoffman is one of the most respected scholars of terrorism. In this book he includes a brief survey of the history of terrorism as a springboard to examining how it manifests in the world today. The writing is accessible, and the takeaways are clear.
Bruce Hoffman's Inside Terrorism has remained the seminal work for understanding the historical evolution of terrorism and the terrorist mind-set. In this revised third edition of his classic text, Hoffman analyzes the latest developments in global terrorism, offering insight into new adversaries, motivations, strategies, and tactics. He focuses on the rise of ISIS and the resilience of al-Qaeda; terrorist exploitation of the Internet and embrace of social media; radicalization of foreign fighters; and potential future trends, including the repercussions of a post-caliphate ISIS. Hoffman examines the demographics of contemporary terrorist leaders and recruits; the continued use of suicide bombers; and…
Like many people, I am deeply troubled by the death and destruction from violent conflict. When I began my graduate work in economics at Cornell University, I was allowed to apply my economics learning to the problem of war. When I began teaching at Holy Cross College, my colleagues encouraged me to offer courses on the economics of war and peace. After many years of teaching, I compiled Principles of Conflict Economics (with John Carter) to serve as a textbook on economic aspects of conflict. I hope the book might encourage other economics professors and students to learn more about war and how to resolve conflicts nonviolently.
I learned a great deal from this book’s insightful and wide-ranging coverage of the motives of terrorists; economic, political, and social causes and effects of terrorism; and government and private-sector counterterrorism efforts.
I especially like the book’s accessible coverage of leading research results in the field including risk factors for terrorism and conundrums associated with policy efforts to stymie terrorism. I loved how the book offered a fruitful blend of theoretical models, data trends, empirical results, and policy perspectives.
The authors are economists, so the book is strongly economic in approach, yet multidisciplinary perspectives are richly woven into the chapters, giving rise to a true “political economy” of terrorism.
The Political Economy of Terrorism presents a widely accessible political economy approach to the study of terrorism. It applies economic methodology - theoretical and empirical - combined with political analysis and realities to the study of domestic and transnational terrorism. In so doing, the book provides both a qualitative and quantitative investigation of terrorism in a balanced up-to-date presentation that informs students, policy makers, researchers and the general reader of the current state of knowledge. Included are historical aspects, a discussion of watershed events, the rise of modern-day terrorism, examination of current trends, the dilemma of liberal democracies, evaluation of…
I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since.
Christian/Inspirational fantasy and thriller with a solid portal fantasy plot. I read several Ted Dekker books and series when I was a teen, but this one stood out to me because of the notion of two realms and how a protagonist could be a normal human being in one realm, Earth, and a savior, a leader, a “chosen one” in the other.
Ted Dekker’s bestselling and most beloved series—together in one volume. It’s an epic tale of evil and rescue, betrayal and love, and a terrorist threat unlike anything the human race has ever known.
Thomas Hunter is an unlikely hero who finds himself pulled between two worlds. In our reality, he works in a coffeehouse. In the other, he becomes a battle-scarred general leading a band of warriors known as the Circle.
Every time he falls asleep in one reality, he wakes in the other—and both worlds are facing catastrophic disaster. In one world, Thomas must race to outwit sadistic terrorists…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
This book turned the field of Terrorism Studies on its head. Historical sociologist Lisa Stampnitzky demonstrates that the legion of terrorism experts who rose to prominence in North America, Western Europe, and Israel in the 1970s were not neutral analysts of political violence. Rather, through their intellectual work, much of it funded with government grants, terrorism scholars helped construct the contemporary meaning of terrorism as a threat to society fundamentally different from other forms of violence, crime, and political activity. This book made it clear that we can’t understand the history of “terrorism” without analyzing the history of the term itself, and how the use of this term in law, academia, politics, international relations, and popular culture has shaped political power and violent conflicts between states and insurgents.
Since 9/11 we have been told that terrorists are pathological evildoers, beyond our comprehension. Before the 1970s, however, hijackings, assassinations, and other acts we now call 'terrorism' were considered the work of rational strategic actors. Disciplining Terror examines how political violence became 'terrorism', and how this transformation ultimately led to the current 'war on terror'. Drawing upon archival research and interviews with terrorism experts, Lisa Stampnitzky traces the political and academic struggles through which experts made terrorism, and terrorism made experts. She argues that the expert discourse on terrorism operates at the boundary - itself increasingly contested - between science…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
I return over and over to Zulaika and Douglass’ book as the most important and valuable text in the field that has come to be called critical terrorism studies. They ask a simple question: How can terrorism, something that kills relatively so few Americans–less in a typical year than are killed by lightning or choke to death on dinner–come to be seen as a fundamental threat to the very foundation of our life?
They weave an answer out of history, media studies, and sociology that is jargon-free enough to be accessible to an educated reader but sophisticated enough to get you rethinking everything you thought you knew about terrorism. That’s what it did for me.
Terror and Taboo is about the mythology of terrorism; it is an exploration of the ways we talk about terrorism. It offers incontestable evidence to support the idea that we give power to terrorism by the way we write and talk about it. According to Zulaika and Douglass, we make terrorism worse by the way we represent it in the media and in everyday conversation. Through their examination of terrorism, they propose to remove the taboos surrounding terrorism. Terror and Taboo is full of examples to ground the authors premise, ranging from specific examples, such as tendency to talk more…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
The 1970s was a pivotal decade in the history of terrorism and counterterrorism. Airplane hijacking became widespread and widely televised during this period, as did other forms of politically motivated hostage-taking, bombings, and assassinations. Drawing from archival research in the United States, the United Kingdom, and Germany, Zoller explains how states of the Global North responded with efforts at international cooperation, particularly as Palestinian nationalist militants and their allies traversed borders to enact ostensibly anticolonial violence far beyond contested territories in the Global South. International antiterrorism accords met limited success, however, as they frequently conflicted with various states’ geopolitical interests. Zoller demonstrates that by the early 1980s, multilateralism had given way to a militarized form of counterterrorism led by the United States that established a precedent for the post-9/11 War on Terrorism.
In the late 1960s and early 1970s, governments in North America and Western Europe faced a new transnational threat: militants who crossed borders with impunity to commit attacks. These violent actors cooperated in hijacking planes, taking hostages, and organizing assassinations, often in the name of national liberation movements from the decolonizing world. How did this form of political violence become what we know today as "international terrorism"-lacking in legitimacy and categorized first and foremost as a crime?
To Deter and Punish examines why and how the United States and its Western European allies came to treat nonstate "terrorists" as a…
