100 books like In the Lives of Puppets

The novel is set in three end-of-century time-frames—1893, 1993, and 2093. In the opening, set in a mansion on Washington Square in New York, we discover we’re in an America where same-sex marriage has been legal for a long time, and a young man is about to run off with a suitor his father distrusts (a new version of a Henry James plot). The next section is in Hawaii, the colonized Paradise, where descendant characters (with the same set of names, juggled) stumble and grab what they can of freedom and love. My favorite section is the last, where characters with those recurring names are in a New York of “cooling suits” and “decontamination chambers” and totalitarian rule. This is a wild and really quite brilliant book, whose sprawling parts are fueled by a searing vision.  

Guide is the fourth book in Cooper’s George Miles Cycle. This short novel is packed with so much to think about, even if what that includes will make your skin crawl.

If you are unfamiliar with Cooper’s work, this isn’t the book I’d recommend you start with, but his language is so precise that it’s hard to imagine the sentences being written in any other way. The shifting POV chapters take readers on a tour of the seedier parts of L.A., forcing us to examine and interrogate not only how we all tell our own stories, but also how some people then use those to erase or justify their complicity. 

Whenever someone asks me to recommend a funny mystery/thriller series, I always do my best to steer them toward Lansdale’s Hap and Leonard series. Hap Collins is a wisecracking good ol’ boy with liberal leanings, while his best friend Leonard is a Black, gay, conservative war veteran. They bumble and punch their way through mysteries that usually involve long-buried, lethal secrets.

The Two-Bear Mambo is arguably the most cinematic of the Hap and Leonard books, and that’s because the two are searching a small Texas town for Hap’s ex-girlfriend—a town at risk of serious flooding. The climactic fight in a graveyard is an over-the-top melee of rushing water, bones, and death. Solving mysteries is even harder when you have to prevent yourself from drowning in the biggest natural disaster to hit Texas in years. 

This is another book with a very relatable main character. I’ve been in Dom’s shoes, trying to navigate complicated friendships while also dealing with my own life struggles and insecurities.

Being able to connect with the main character so deeply made the payoff at the end incredibly satisfying. And his love interest, Bucky, was truly swoon-worthy. 

Sass’s first novel, Surrender Your Sons, is a favorite of mine, so it’s no surprise that this book, a queer horror novel reminiscent of Scream, is a riot and an absolute page-turner.

It contains all the best elements of slasher movies and teen comedies alike, and unabashedly gay characters with wit and sharp edges kept me invested all the way until the story’s climactic ending. 

What I loved most about Ferraro’s retelling of The Mysteries of Udolpho was his unique take on the classic YA love triangle. Not only does this love triangle stand out because it’s queer (all three characters involved are young men), but because it wasn’t obvious to me from the beginning how the love triangle would resolve. Typically, in love triangle stories, I can tell who the character – and thus the author – prefers. I’m pretty confident about who is going to win out in the end. 

But Ferraro took his time developing each love interest, and his main character’s struggle to pick one over the other is palpable and well-written. I was left guessing until the very end, and the way the love triangle resolved was both surprising and satisfying. 

The stars of this book are “solitaries,” people who choose to live alone or spend substantial stretches of time alone. Upending the demeaning caricatures of people who spend a lot of time alone, Johson shows that some of the most renowned artists and authors have been solitaries.

They have rich inner lives and contribute meaningfully to society. Even unknown solitaries are artists–they design their own lives. Solitaries value friendship and do not see romantic relationships as sitting atop a relationship hierarchy. Free of a conventional focus on The One, they are more open to more different people and the world.

This is a classic of Australian literature, and for very good reason. Set during the AIDS epidemic in Australia in the late 1970s through to the early 90s, this memoir plunges us into the author’s life. We begin during his high school days—when he first notices his attraction to boys and starts sneaking out of the house to find ways to explore his sexuality—and follow him all the way through to his inevitably tragic death. It is a truly heartbreaking story, but incredibly life-affirming. An absolute must-read.

Like so many of the books I love, this book isn’t afraid to show a queer couple in distress.

I love this book for its brutality, its interracial couple and the dynamics that entails, for its detour to Japan, for its scrumptious descriptions of food, and its emphasis on food as a means of connection.

It’s beautiful, honest, raw, and contemporary in all the best ways.

This book has a provenance that’s almost like a prison sentence: released in 1953 under the title Cast the First Stone, it would have been Himes’ first novel, but its frankness about homosexual relationships in prison and the fact that a Black writer had written white main characters, made publishers shit their pants and doctor the life out of it to make it conform to 50s market expectations. Of course, in the process, they ruined it.

But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison seems to be a place where people indulge homosexual desires, though the atmosphere somehow remains homophobic.

Reading this book could foster more compassion for queer desires, whether those of prisoners who identify as LGBTQIA+, or those who claim… show more.