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I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
The first Travis Magee novel hooked me. The image of a beach bum, living on a houseboat won in a poker game was enough. But when that bum transformed into a more modern version of Don Quixote all MacDonald had to do was to play me, gaff me, and pull me on board for the remainder of the series. Magee takes his retirement in chunks, righting wrongs and recovering that which was stolen. His life is full of brawling, babes, and bodies. All good stuff for the reader.
Travis McGee, beach bum and 'salvage expert' (he'll retrieve what you've lost for 50 per cent), lives on a houseboat in Fort Lauderdale.Instead of taking retirement at sixty, he takes it in chunks as he goes along. If he likes you he'll help you, and he likes Cathy Kerr, who has been robbed of everything but her dignity ...the first in the series establishes the fast-talking, wisecracking standard MacDonald maintained for over 20 years.
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
In a society where law has constraints that law-breakers do not, characters like Lucas Davenport easily capture those for whom justice trumps legality. Davenport carries a badge. Often that is the sole discriminator that separates him from his prey. Sandford’s Prey series is so good that it’s difficult to select one above the other, but Masked Prey is more recent, more topical, and quite honestly, more satisfying than the others in the series.
Lucas Davenport investigates a vitriolic blog that seems to be targeting the children of U.S. politicians in the latest thriller by #1 New York Times-bestselling author John Sandford.
The daughter of a U.S. Senator is monitoring her social media presence when she finds a picture of herself on a strange blog. And there are other pictures . . . of the children of other influential Washington politicians, walking or standing outside their schools, each identified by name. Surrounding the photos are texts of vicious political rants from a motley variety of radical groups.
It's obviously alarming--is there an unstable extremist…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
Lisa Black’s Gardiner and Renner series juxtapose the worlds of law and lawless. Maggie Gardiner is drawn into an untenable alliance with Jack Renner. He is a police detective and a killer, bent only on making the world safer by killing criminals without the bother of arrest and trial. She, as a forensic investigator, finds herself in a catch-22; she cannot finger Jack without incriminating herself as an accessory. While shielding Jack’s identity she inexorably digs an even deeper legal crevasse for herself.
The “taut and haunting” first thriller in the Gardiner and Renner series from the New York Times bestselling author of Every Kind of Wicked (Jeff Lindsay, creator of the Dexter series).
As a forensic investigator for the Cleveland Police Department, Maggie Gardiner has seen her share of Jane Does. The latest is an unidentified female in her early teens, discovered in a local cemetery. More shocking than the girl’s injuries—for Maggie at least—is the fact that no one has reported her missing. She and the detectives assigned to the case (including her cop ex-husband) are determined to follow every lead,…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
Jack Reacher can’t catch a break. Who else steps off a bus at a random stop and ends up in a turf war between Ukrainian and Albanian gangs in the middle of the United States. This is one of my favorites from the Reacher series. Lee Child has crafted a character that strikes at the heart of all of us who cheer on the forces of good and want to punish the bad actors. Lovers of justice will love Jack Reacher. His means might be harsh, but the end is satisfactory.
#1 NEW YORK TIMES BESTSELLER • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER
“Jack Reacher is today’s James Bond, a thriller hero we can’t get enough of.”—Ken Follett
“This is a random universe,” Reacher says. “Once in a blue moon things turn out just right.”
This isn’t one of those times.
Reacher is on a Greyhound bus, minding his own business, with no particular place to go, and all the time in the world to get there. Then he steps off the bus to help an old man who is obviously…
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
As a kid, I didn’t want to be a princess. I wanted to be Archie Goodwin.
Archie’s the legman to genius detective Nero Wolfe, and he’s the most self-possessed guy I know. “I’m always at home,” he says, “wherever I am.” I grew up wanting to be that go-to person, given the tough jobs because I’m capable, and trusted because I’m decent and fair. I wanted a boss who said things like “I can dodge folly without backing into fear.”
In my real life, I muddle and compromise and results are tough to parse. In this book, and any Nero Wolfe book, it’s a better world. Things don’t work out perfectly, but they do work out brilliantly and Archie knows his work has been, in Wolfe’s highest praise, “Satisfactory.”
Paul Chapin’s college cronies never quite forgave themselves for instigating the tragic prank that left their friend a twisted cripple. Yet with their hazing days at Harvard far behind them, they had every reason to believe that Paul himself had forgiven them—until a class reunion ends in a fatal fall, and the poems, swearing deadly retribution, begin to arrive. Now this league of frightened men is desperate for Nero Wolfe’s help. But are Wolfe’s brilliance and Archie’s tenacity enough to outwit a killer so cunning he can plot and execute in plain sight?
All my life, I’ve been fascinated by interest-driven people and the subcultures they discover or form around themselves. Though my writing ranges from mainstream literary work to music criticism to speculative fiction in many different flavors, I’m best known for what one longtime reader referred to as my “oddly personable brand of horror.” Call them people-and-their-ghosts stories. I’ve written six novels and four collections, which have earned me the Shirley Jackson and International Horror Guild Awards, among other honors. I’ve also taught writing at the graduate, university, and secondary level for more than 25 years.
Really, almost anything in the Nero Wolfe/Archie Goodwin series would fit here. A lazy, blustering, brilliant recluse, Nero Wolfe is perpetually badgered, kicking and grumbling, back toward humanity either by his passions—American cuisine, beer, books, orchids—or by Archie, his leg-man/lacky/surrogate son. I picked this specific novel because it involves a murder amid a gathering of world-class chefs; the cooking banter alone is worth the price of admission (which will be cheap; how and why have these books somehow fallen off our collective cultural radar??). None of Nero’s adventures among his fellow human beings make him want to venture out of the fortress he has made for himself inside his Manhattan brownstone. But they’ll make you want to hole up in his company. The man himself thinks he just wants to be left alone with his interests and comforts. But what he creates and relies on to sustain him feels pretty…
As Nero Wolfe prepares to speak at a gathering of the world’s great chefs, one is found indelicately murdered. When the target for killing shifts to himself, the great detective must close this case quickly or his next meal may be his last.
World-class cuisine, charming company . . . The secret ingredient is poison.
Everyone knows that too many cooks spoil the broth, but you'd hardly expect it to lead to murder. But that's exactly what's on the menu at a five-star gathering of the world's greatest chefs. As guest of honor, Wolfe was lured from his brownstone to…
I’ve been a crime-fiction fanatic since devouring my big sister’s Nancy Drew mysteries as a pre-teen in 1960s Long Island. They proved a gateway drug to Sherlock Holmes, Nero Wolfe, and Phillip Marlowe, and eventually, after 25 years as an L.A. trial lawyer (with a client list that included Richard Pryor), to my own debut novel, Hush Money, in 2012. I’ve just published The Chimera Club, my seventh novel and the fourth installment in my award-winning Jack MacTaggart series of legal mysteries, and I’m delighted to share my views on crime fiction, and humor, with like-minded readers. You can learn more about me, and about Jack, by visiting my website.
Back in 2012, I had the honor of being a luncheon speaker at New York’s annual “Black Orchid Weekend” gathering of fans – and I mean fanatics– of Rex Stout’s iconic Nero Wolfe detective novels. I was among my tribe, having cut my teeth on the Wolfe canon as a nerdy teenager to whom Stout’s books were a revelation: compact tales of crime and punishment starring a corpulent, agoraphobic gourmand and orchid fancier whose formidable (and unabashedly Sherlockian) powers of deduction were wielded from behind a desk in his brownstone on West 35th Street with the aid of a two-fisted Boswell named Archie Goodwin.While the yarns themselves are feasts, it’s Archie’s decidedly arch humor that provides the special sauce. Forced to choose, I’ll recommend Some Buried Caesar, Stout’s sixth Wolfe installment (of 33 novels and 39 novellas), originally published in 1939. It finds Wolfe in unfamiliar territory,…
An automobile breakdown strands Nero Wolfe and Archie in the middle of a private pasture—and a family feud over a prize bull. A restaurateur’s plan to buy the stud and barbecue it as a publicity stunt may be in poor taste, but it isn’t a crime . . . until Hickory Caesar Grindon, the soon-to-be-beefsteak bull, is found pawing the remains of a family scion. Wolfe is sure the idea that Caesar is the murderer is, well, pure bull. Now the great detective is on the horns of a dilemma as a veritable stampede of suspects—including a young lady Archie…
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
This book by the renowned nineteenth-century biblical scholar is a great read because it epitomizes the traditional anti-Nero bias to the point of parody. Renan writes that “Nero’s actions float between the black wickedness of a cruel dunce and the irony of a cynic. He did not possess an idea that was not puerile. The sham world of art in which he dwelt had made the veriest fool of him.”
I never set out to read & write so much about Roman history; it was an accident. I happened to visit Rome when I was young, quite poor and decidedly light on my knowledge of Roman history. Five minutes out of the train station and into the streets and I was hooked for life. I had to know more and started reading. Then I found gaps in the library and started writing. Roman history never stops changing, even thousands of years later. New discoveries, new scholarship, new interpretations, all keep Roman history fresh & exciting. I love sharing what I find. Thank you for joining the adventure.
Was Nero really such a monster? The New York Times and the British Museum are among the venerable institutions attempting to answer this question. It’s part of a broad trend to rethink the life and rule of one of history’s most famous villains. I’d like to think that this book helped start this historical reframing. Nero was not without his virtues. But he most definitely had vices in abundance. The question is not whether he was good or bad; rather, how did those two dimensions interact? Champlain does a great job of looking at Nero with a measure of objectivity and helping readers see things a bit differently.
The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience.
Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He…
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
A magisterial, affectionate portrait of Nero and his times, this book is full of delightful touches of humor. Grant writes that although Nero enjoyed giving feasts, “we are not told if he was amused by the famous contemporary glutton Arpocras, who ate four tablecloths at a time, and broken glass as well.”
Bound in the publisher's original cloth covered boards, spine and cover stamped in gilt. Dust jacket rubbed at the edges, small closed tears at the extremities.
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