Here are 100 books that In Defense of History fans have personally recommended if you like
In Defense of History.
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Doing historical research and thinking about history is an essential part of my personality. During my life, many things changed: the language I speak most of the time, the country where I live, people closest to me, my views, tastes, and habits. Ancient history and its research remain my vocation, job, and place of safety from early youth till nowadays. I am grateful to all people, long dead and living, whose insights on the study of the human past have taught me not only how to do research, but first and foremost how to live.
A Passion for History is a conversation between Natalie Zemon Davis, a prominent historian and an extraordinary woman, with Denis Crouzet, also a historian and a sharp observer. Above all, they discuss how to do research, write, and teach history. In addition, Natalie Zemon Davis shares her memories of being an ambitious Jewish girl in America of the 40s and her way to combine academic aspirations with family life, and her views on other subjects, such as politics, feminism, cinema, and freedom. This lively dialogue of two remarkable intellectuals is a thrilling read.
The pathbreaking work of renowned historian Natalie Zemon Davis has added profoundly to our understanding of early modern society and culture. She rescues men and women from oblivion using her unique combination of rich imagination, keen intelligence, and archival sleuthing to uncover the past. Davis brings to life a dazzling cast of extraordinary people, revealing their thoughts, emotions, and choices in the world in which they lived. Thanks to Davis we can meet the impostor Arnaud du Tilh in her classic, The Return of Martin Guerre, follow three remarkable lives in Women on the Margins, and journey alongside a traveler…
Doing historical research and thinking about history is an essential part of my personality. During my life, many things changed: the language I speak most of the time, the country where I live, people closest to me, my views, tastes, and habits. Ancient history and its research remain my vocation, job, and place of safety from early youth till nowadays. I am grateful to all people, long dead and living, whose insights on the study of the human past have taught me not only how to do research, but first and foremost how to live.
In a biography of a person whose occupation was to think, the most exciting part is how their thought evolved. Robin G. Collingwood is a prominent philosopher and a historian of Roman Britain. His autobiography is precious because it is an earnest reflection on how his perception of history and the approaches to its study developed over his lifetime - a door open into the mind of a philosopher of history.
I’ve always loved stories about people, places, and times other than those I can know myself. As a child, I was fascinated by a book of stories from “the steppes” of Central Asia. My drive to know more has taken me (through books or physically) along the Silk Road, given me tales from ancient Mesopotamia, shown me glimpses into the lives of Orthodox Jewish women, European immigrants to the “New World,” survivors of the transatlantic slave trade or the Korean War, and many other cultures and experiences. I am basically awe-struck by what humans have thought, created, suffered, and sung about throughout times and places.
I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.
Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we dohistory.
In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.
This work, by the co-founder of the "Annales School" deals with the uses and methods of history. It is useful for students of history, teachers of historiography and all those interested in the writings of the Annales school.
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
This book is a classic, and I wish I had read it even earlier than I did.
One of the most prominent historians of the 20th century, E.H. Carr, delves into the intricacies of exploring the past. He articulates the significance of interpreting personal memories, discusses how historical ideas are constructed, and examines the impact of a historian's personality on the history they write. These complicated ideas are given in a calm tone and a simple way.
A total must-read for people interested in history!
'Not only our most distinguished historian but also one of the most valuable contributors to historical theory' Spectator
In answering the question, 'what is history?', E. H. Carr's acclaimed and influential bestseller shows that the facts of history are simply those which the historian selects for scrutiny. His fluent and hugely wide-ranging account of the nature of history and the role of the historian argues that all history is to some degree subjective, written by individuals who are above all people of their own time.
'Lively and controversial, full of wit and humour, E. H. Carr's What Is History? played…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
It’s a tough nut to crack, but totally worth it when you finally read it.
Although I write historical texts myself, I hadn’t considered how these texts are structured and mediated by historians. H. White showed me and many others that writing a historical text does not differ in form from writing a literary one.
Through a thoroughly structured argument, the book is a trip in the history of historiography and a careful analysis of the most important people who formed the way we look at our past today. Definitely one of the most influential theoretical texts of the last century.
In White's view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and specifically linguistic in nature. This deeper content - the metahistorical element - indicates what an "appropriate" historical explanation should be.
When I learned science's story of the universe–that it began as a primordial plasma that transformed itself into stars, galaxies and a living planet that then transmogrified into plants and animals and consciousness–when I learned the details of how the universe began as small as an acorn and then magically transformed that acorn of elementary particles into two trillion galaxies, I was beset with one, piercing, lifelong question: WHY ISN'T EVERYONE WAKING UP EACH MORNING STUNNED OUT OF THEIR MINDS? My entire professional life has been an effort to draw others into this amazement, into life as an ongoing celebration.
In his book, Wolfgang Leidhold examines the entire journey of humanity and discovers something truly amazing: even though the human brain has not changed in structure during the 300,000 years of the existence of Homo sapiens, a series of mental powers have been evoked through our conscious participation. He shows us how humans became involved in building human mentality, going through eight such transitions, including the evocation of self-reflexive consciousness, inner transcendence, and the reproductive imagination.
The great gift of this book is the conviction it awakens that the development of human consciousness is not over and that those of us alive today can become involved in what he calls "the next turn in human experience."
In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas.
The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
Fascism always holds out a promise of belonging to the tribe, the race, and, most importantly, the nation. Lepore’s very short and beautifully readable history of the US explicitly rejects the right-wing and fascist assumption that the nation and nationalism are theirs.
This America retells US history from the perspective that the country has not lived up to its promises of equality, but the first step to making that happen is acknowledging its painful history. The book contextualizes the invocations of some of its greatest critics, such as DuBois, Douglass, and Baldwin, in their clear-eyed pronouncements of the United States’ failures of justice and democracy.
Lepore’s hope rests on the belief that a pluralistic, truly democratic United States is possible if Americans own the nation’s failures to live up to its stated standards and commit to the painful work of holding ourselves and the structures of civic life accountable to…
At a time of much despair over the future of liberal democracy, Jill Lepore makes a stirring case for the nation in This America, a follow-up to her much-celebrated history of the United States, These Truths.
With dangerous forms of nationalism on the rise, Lepore, a Harvard historian and New Yorker staff writer, repudiates nationalism here by explaining its long history-and the history of the idea of the nation itself-while calling for a "new Americanism": a generous patriotism that requires an honest reckoning with America's past.
Lepore begins her argument with a primer on the origins of nations, explaining how…
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
This book is an amazing combination of the philosophy of art, the philosophy of art history, and art criticism. The late Arthur Danto was not only a distinguished philosopher but also an award-winning art critic. In this book, Danto tracks the decline and fall of Modernism (which he describes as “the end of art”) and the advent of our present artistic moment which can be critically characterized as an era of post-historical pluralism. Danto, following GFW Hegel, proposes a partial definition of the artwork as an embodied meaning – thereby addressing the challenge to say what art is -- as it was posed by Clive Bell.
Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities. This Princeton Classics edition includes a new foreword by philosopher Lydia Goehr.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
I recommend this book not on the basis of my co-editorship with Lisa but rather on the basis that the essays contained in it speak to the unexceptionality of premodern female power and influence in both the fantasy fiction world and in historiography and how these sometimes reflect one another—without forcing the issue. The germ of the idea for the essay collection came with the screening of the sixth series HBO television cultural phenomenon when all of a sudden the female characters started to emerge as leaders and belligerents in the quest for the Iron Throne and all that that entailed.
Is the world of George R. R. Martin's A Song of Ice and Fire and HBO's Game of Thrones really medieval? How accurately does it reflect the real Middle Ages? Historians have been addressing these questions since the book and television series exploded into a cultural phenomenon. For scholars of medieval and early modern women, they offer a unique vantage point from which to study the intersections of elite women and popular understandings of the premodern world. This volume is a wide-ranging study of those intersections. Focusing on female agency and the role of advice, it finds a wealth of…
I am a professor of history at Sarah Lawrence College and the author ofThe Plain and Noble Garb of Truth: Nationalism and Impartiality in American Historical Writing, 1784-1860. What has always fascinated me about history is how differently it can be interpreted by different people, even when looking at the exact same subject. While I write and teach on a variety of topics, ranging from the American Revolution to historiography, all of my courses and research deal in some way with the conflicts over how to represent the past that have divided both historians and the general public throughout the long history of history as a subject.
A collection of essays about “classic” works of history by (mostly) European historians ranging from Edward Gibbon to Jacob Burckhardt, Clive’s book brings these works to life even for readers unfamiliar with them. Clive’s short but rich essays on these historians provide a wonderful introduction to both their writings and to the study of historiography more generally, showing the value of these classic texts as works of literature and as gateways into the worlds of their authors.
In this collection of essays, the author demonstrates that while reading the great historians of the past, such as Gibbon, de Tocqueville, Carlyle, Macaulay, Michelet, Halevy, Marx and Burckhardt, is part of a complete education, history can also be great literature.
