I’ve always loved stories about people, places, and times other than those I can know myself. As a child, I was fascinated by a book of stories from “the steppes” of Central Asia. My drive to know more has taken me (through books or physically) along the Silk Road, given me tales from ancient Mesopotamia, shown me glimpses into the lives of Orthodox Jewish women, European immigrants to the “New World,” survivors of the transatlantic slave trade or the Korean War, and many other cultures and experiences. I am basically awe-struck by what humans have thought, created, suffered, and sung about throughout times and places.
After lying buried in the ground for over 2000 years, the remains of Babylon were excavated by archaeologists around one hundred years ago. Yet Babylon remains enveloped in a web of myths, which occupy a unique place in our culture. The city is known for the Tower of Babel, the “confusion of tongues” and the “Babylonian captivity,” and we envision impressive walls and luxurious gardens. Yet, shortly after its final flowering, this ancient metropolis was buried and forgotten. Instead, Babylon’s reputation as a city of excesses and evil took over, shaped in part by the stories of the Bible. This book explores the many stories about Babylon that help us understand why this place continues to fascinate us.
I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.
Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we dohistory.
In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.
This work, by the co-founder of the "Annales School" deals with the uses and methods of history. It is useful for students of history, teachers of historiography and all those interested in the writings of the Annales school.
This fascinating book by the evolutionary biologist Stephen J. Gould taught me so much about what good non-fiction writing looks like.
Although it is strictly a science book, Time’s Arrow, Time’s Cycle is history, philosophy, and storytelling at its best. It illustrates how complex metaphors work in our conceptualization about the past, time as following a repeating cycle and time as linear, forward moving.
Using the concepts of arrow and cycle, Gould explores the discovery of “deep time” a few hundred years ago. The almost unfathomable age of the earth and the universe was a shock and had monumental consequences for our understanding of human history, just a short bubble of existence.
This book also excels in imploding some of the myths that arise about scientific discoveries and the stories we tell about them.
Rarely has a scholar attained such popular acclaim merely by doing what he does best and enjoys most. But such is Stephen Jay Gould's command of paleontology and evolutionary theory, and his gift for brilliant explication, that he has brought dust and dead bones to life, and developed an immense following for the seeming arcana of this field.
In Time's Arrow, Time's Cycle his subject is nothing less than geology's signal contribution to human thought-the discovery of "deep time," the vastness of earth's history, a history so ancient that we can comprehend it only as metaphor. He follows a single…
Lab Girlis not a history book but takes us back to pre-history while it simultaneously brings us close to the natural environment that we humans are a part of, but so often don’t notice.
Hope Jahren is a geobiologist; she studies ancient plant life by taking samples in bogs and glaciers. We get to know her life as a scientist with endless hours in the field and the lab and come to understand the meticulous work involved in understanding ancient environments and how to learn from those in ways that matter today.
Her personal story has given me new occasion to experience wonder at the beauty of nature, and I now notice trees in ways I never did before.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER •NATIONAL BESTSELLER • Geobiologist Hope Jahren has spent her life studying trees, flowers, seeds, and soil. Lab Girl is her revelatory treatise on plant life—but it is also a celebration of the lifelong curiosity, humility, and passion that drive every scientist.
"Does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology.” —The New York Times
In these pages, Hope takes us back to her Minnesota childhood, where she spent hours in unfettered play in her father’s college laboratory. She tells us how she found a sanctuary…
This novel elegantly captures the truth that the past was inhabited mostly by “ordinary” people, many of whom are anything but ordinary.
I feel that history should tell their stories, not just those of emperors, generals, and “great men.” Through the stories of a Greek village in Turkey around 1900, I learned vividly about the interconnected lives of Greeks, Turks, Armenians, Jews, and others in the late days of the Ottoman Empire and shattering effects of World War I.
The book narrates the atrocities of trench warfare and the human cost and trauma of war with compassion, humor, and a deep sensibility. The book enhanced the experience of my subsequent visits to Gallipoli and Izmir and furthered my understanding of historical events around the population exchange between Greece and Turkey.
Getting to know this book’s characters and their stories amplified my connection with the past.
Set against the backdrop of the collapsing Ottoman Empire, Birds Without Wings traces the fortunes of one small community in south-west Anatolia - a town in which Christian and Muslim lives and traditions have co-existed peacefully for centuries.
When war is declared and the outside world intrudes, the twin scourges of religion and nationalism lead to forced marches and massacres, and the peaceful fabric of life is destroyed. Birds Without Wings is a novel about the personal and political costs of war, and about love: between men and women; between friends; between those who are driven to be enemies; and…
This book was exactly what I was looking for when I wanted a “fresh take” on US history.
Dunbar-Ortiz does a radical job in turning the narrative from the standard Eurocentric view, to presenting the history from an indigenous point of view.
By following the story of the area that became the United States from the point of view of the many different nations and communities that originate here, who inhabited the area prior to its colonization by European powers followed by US policies, and who continue to live here, I learned so much about why things are the way they are now.
This book is a must-read for all citizens who wish to be well-informed and live responsibly.
Now part of the HBO docuseries "Exterminate All the Brutes," written and directed by Raoul Peck
Recipient of the American Book Award
The first history of the United States told from the perspective of indigenous peoples
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortizoffers a history…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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