87 books like In Dark Water

I’ve been writing my DCI Warren Jones series for more than ten years now. In addition to trying my best to craft a compelling story, with relatable characters, I love the challenge of balancing this with authentic police procedure. All the books and authors recommended here are excellent exponents of this craft. I thoroughly enjoyed reading all of them, and believe that they have helped me improve as a writer. I deliberately chose the first in each series, in the hope that you will continue reading to see how the characters evolve.

I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.

Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”

Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.   

Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.

Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”

I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.

I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible. 

These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer! 

“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.