Here are 100 books that I'm Not a Pandacow fans have personally recommended if you like
I'm Not a Pandacow.
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I’m passionate about dogs. Besides being a novelist, I write and blog about dogs for a living. Save a few grief-filled months here and there, there’s never been a time in my life when I didn’t have at least one dog, each one just as special and beloved as the last. My current special beloved is a German shepherd named Dixie, a big, goofy girl who loves belly rubs and tug-of-war almost as much as food and cuddles. Dogs also make the stakes feel higher when there’s an element of danger involved. Sure, go ahead, kill off the main character. Just don’t harm the dog and everything will be fine.
Flush is an experimental novella by Virginia Woolf that relays the biography of Elizabeth Barrett Browning’s beloved cocker spaniel.
Told from the titular Flush’s point of view, Woolf mixes imagination with research, drawing largely from Browning’s own poems about the dog for inspiration, as she portrays the pup’s inner thoughts as he goes from a carefree country puppy to the city dog of a reclusive poetess, and back to the country as the Brownings marry and flee London for the Italian countryside.
This is a story fraught with dangers and full of triumphs and sweet moments that will warm the hearts of any dog lover.
Virginia Woolf's biography of Elizabeth Barrett Brownings spaniel was what she called 'a little escapade', begun to 'ease my brain' in the wake of
The Waves (1931).
Since I was a child I’ve loved comedy. Whether it’s Daffy Duck, the Pink Panther movies, or a Carl Hiaasen novel, I like to laugh and make people laugh. I grew up drawing cartoons, and as a Disney animator I learned the importance of creating characters that audiences could believe and empathize with. Humor has no geographic, religious, or racial boundaries – the human condition is universal, and humor speaks to us all, regardless of language. I strive to write and draw characters that connect with readers and then put them in silly, odd but believable situations to extract the maximum entertainment.
Charming artwork, with a touch of the silly, like all of Catrow’s books. Catrow gets into the head of his adorable mutt main character as he searches the house and backyard, coming up with all sorts of household and garden items that have no remote connection to dinosaurs. Undaunted, our hero continues his search, interpreting tools and toys for dino body parts, until miraculously his creature comes to life!
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
Though easy to mock for their repetitive plots and outdated societal attitudes, children of all ages devoured Enid Blyton’s mystery stories ravenously, and I was no exception. Blyton was an absurdly prolific writer, and it’s tough to pick a favourite from her expansive catalogue, but if you twisted my arm, I’d have to go with 1945’s The Mystery of the Secret Room. I still remember my excitement as I followed the five intrepid “find-outers” (and dog!) on their quest to uncover the mystery behind a fully furnished room in a supposedly abandoned house, all the while outsmarting the dim-witted local policeman, Mr. Goon. An unusual choice, perhaps, but this book, and indeed Blyton’s entire oeuvre, were a formative influence on me and sparked a lifelong love of amateur detectives.
Since I brought home my first rescue thirty years ago, my life has been full of dogs and dog-related activities that I can hardly imagine the person I would've been without them. My own books often feature one or more dogs, not because I particularly decide to write about dogs, but more because I live with dogs, it’s what I know. When I’m browsing for a good read, if a book features a dog, that’s a draw for me, just because dogs are dogs; they are such good creatures, so infinitely lovable, that their presence enhances a book for me just as their presence in my life enhances my every day.
Unlike so many books where the point of view character is a dog, Haig has really thought his way into the dog. His creation, Prince, is not a counterfeit, a man in a dog suit, as it were, but a real dog. Haig’s empathic projection of how a dog might see things and interpret events is both charming and very believable. Further, Prince is a truly relatable character, without being ‘cute’. His well-meaning, doomed struggle to make sense of things he cannot understand, and to take control of a bad situation and save his family, is the very essence of tragedy; he is prevented by his very nature from achieving what he so desperately desires.
The ending will break your heart, but it’s a fantastic read that will leave you feeling richer for having read it.
FROM THE NUMBER ONE SUNDAY TIMES BESTSELLING AUTHOR
Meet the Hunter family: Adam, Kate, and their children Hal and Charlotte. And Prince, their Labrador.
Prince is an earnest young dog, striving hard to live up to the tenets of the Labrador Pact (Remain Loyal to Your Human Masters, Serve and Protect Your Family at Any Cost). Other dogs, led by the Springer Spaniels, have revolted. As things in the Hunter family begin to go badly awry - marital breakdown, rowdy teenage parties, attempted suicide - Prince's responsibilities threaten to overwhelm him and he is forced to break the Labrador Pact…
I was one of those little girls for whom all imaginary best friends were animals. I fantasized about running away to the woods with only a dog. I daydreamed endlessly about horses (and grew up to write a book about the strange and compelling relationship between women and horses). When I was adult enough to get my own dog, the love exploded like a firecracker. I wanted to learn everything I could about her—which of course led to learning perhaps even more about myself. My interests extend to the junctures of the natural world and that of humanity; I’ve also written books about the nature of home (The Place You Love Is Gone) and motorcycling.
There is always something more behind the image of the celebrities we love to watch on the screen, and it’s even truer when the star is a dog. Susan Orlean writes in her signature propulsive style of the life and times of the German shepherd who became an American icon. Of the puppy who was discovered in France by an American soldier in World War I, Orlean says, "He was born in 1918 and he never died." Rin Tin Tin was in many ways a symbol—the aspirational vessel for a nation’s striving—even as he was himself, a loyal friend to the man who saved him, receptive to any amount of psychic weight humans asked him to bear. This book is a beautiful portrait of how a dog can rise to the highest occasion.
Rin Tin Tin was born on a battlefield in France towards the end of WW1. He died in 1932, supposedly in the arms of Jean Harlow, the original 'blonde bombshell', epic in death as he was in life. In his prime, he was one of Hollywood's the biggest stars. He received two thousand fan letters a month, had jewels, furs and a private driver, had his paw-print set for posterity on Hollywood Boulevard and was credited with saving Warner Brothers from bankruptcy - twice. His owner, Lee Duncan, was so completely devoted to him that when his wife sued for…
I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever.
Lynley Dodd is another master rhymer famous for her series about the scruffy dog Hairy McLary from Donaldson’s Dairy. I though, particularly like Schnitzel on Krumm, the daschund, and fell under the spell of this book the first time I heard it read:
"Tucked in a hideyhole
Under the stir
Lay a rickety basket
In need of repair; a chewed up old cushion,
A blanket all worn
Everything broken
And smelly and torn
And
Under that blanket his paws on his tum
Happily snoring
Lay Schnitzel von Krumm."
His owners are determined to give him a clean new basket but does he like the things they offer? The refrain "No not a bit" runs through the book until at last, he gets his old smelly blanket back.
I recommend this book because it is warm and funny and is a story to which children, who hate being separated from their…
Sausage dog, Schnitzel von Krumm, is outraged when his family decides to replace his worn out, beaten up old basket. The new bed doesn't look right, feel right - or smell right! Something must be done ...
Bestselling author Lynley Dodd's tale will charm children and features one of the favourite characters first introduced in the `Hairy Maclary' series.
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
I was very pleased to read that book. It comforts us to know that the people we lost are living through us, through our actions I share the author's view that the world we live in is not our home. Like the author, I think we're just passing through this world, which means we will all see each other again when the time comes.
Till We Meet Again is a story about death & grieving for children. This book provides comfort to families when they experience the loss of a loved one. The book is meant to help a grieving child remember and share their special memories with those around them, to help them grow to see how they can honor and cherish their loved ones through their own actions. Much love and hope has been poured into this book to help young children deal with loss and provide hope that someday we will all meet again.
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
I first read 1919by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.
We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.
The USAtrilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.
“A Depression-era novel about American tumult has—perhaps unsurprisingly—aged quite well.”—The New Yorker
In 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his “vigorous and sweeping panorama of twentieth-century America” (Forum).
Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of the era with a cinematic touch and unparalleled nerve.1919 opens to find America and the world at war, and Dos Passos’s characters, many of whom we met in the first volume, are thrown into the snarl. We follow…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
I was fortunate to cross paths with Curtis when I went to work for what were called the women’s pages” of The New York Times,which she had written for and edited before rising to the exalted op-ed page. When I got that job, my soon-to-be wife gave me a copy of this book—a collection of Curtis dispatches from the front lines of Society—and said, “This is what you can do if you’re good at it.”
A large part of my career has been devoted to foreign affairs. Edgar Snow, Negley Farson, and others whom I read as a young man kindled my interest. I have reported from overseas and at one point developed a specialty in reporting connections between American communities and events overseas. I have published a number of foreign correspondents’ memoirs that were buried in achieves or have been out-of-print and ignored. Most recently I wrote a history of foreign reporting. So, one can say that I have made a career of enjoying books like these.
I vividly recall reading Farson’s book when I was a budding journalist.
Farson worked for the Chicago Daily News, a newspaper that is gone now, but was pioneer in modern American journalism, not only for its principled reporting but also its talented staff. The Daily News was the first to field a substantial corps of American reporters abroad. (The New York Times only did so much later.)
Farson was everywhere, which did not distinguish him from many other correspondents, but he was legendary for the high quality of his writing. His colleagues said he was a “combination Childe Harold and Captain from Castile.”
Unhappy with the request that he come back to Chicago to work awhile, he quit and went to Dalmatia to write Way of the Transgressor.
