62 books like House of Suns

I am a business and technology journalist with a particular interest in mobility startups. I penned my book after purchasing an EV from startup Better Place, only to discover the company was nearly bankrupt. How did I miss that? I’m supposed to be able to do due diligence! I started writing about cars as a reporter for the Advanced Interactive Media Group. I’m a regular contributor to The Jerusalem Post and Israel21c and have also ghostwritten four business books. Before I wrote about tech, I was starting companies: My own Internet publishing startup, Neta4, raised $3.2 million in 1998. I received my B.A. in Creative Writing from Oberlin College.

I’ve always loved fairytales, whimsical stories, and mysteries. Plus, I’m passionate about mind-expanding, heart-opening books that offer me new ways to understand myself and the Universe we live in. And I particularly like books that show me ways to have more of what brings me joy and pleasure. When I can get all of this in a novel I’m in heaven.

 I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about. 

I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world. 

Of all the intelligent species (both real and fictional), humans fascinate me the most. For me, it’s the creativity and diversity of humans that both divide and unite us. Our eternal struggle to understand one another and overcome our differences fascinates me. I love first-contact science fiction that lets us view the values and behavior of our own species through the lens of true outsiders. I find great value in these parables when they increase self-awareness of our identities and our effect on others.

For the last decade, I’ve spent the majority of each year traveling. I’ve been to 60 countries across 6 continents and every US state. My love of travel was inspired and encouraged by my parents from a very early age. I’ve also been inspired by a wide variety of other sources, like movies, TV, photography, and, of course, books. Often, I’ll plan an adventure around a cool location I saw or read about and then just go. I’ll just show up and see what happens. All it takes is that little initial nudge, like what I found in these books.

I’m fascinated by both evolution and sentience. The debates ranging about them, endless research, personal suppositions, all of it. I view Sci-Fi written in the same vein as the works below as a means for scientists/writers to draft their own thoughts about evolution and sentience, almost philosophically and not wholly restrained by pieces of information (just or far) beyond our grasp. My own writing often focuses on both topics too, especially the standalone Siouca Remembers – in which two species, one just having evolved to sentience, intermingle for the first time. Amongst many other books, Sapiens, by Yuval Noah Harari, is a wonderful non-fiction complement to this.

Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.

I am both a writer and a publisher of Superversive fiction. Even before I encountered the term and the official definition of it, my fiction writing has always tended to be Superversive. Which makes sense as I am drawn to Superversive stories as a reader. I want to read and write about heroes and heroines. I want to be drawn into incredible universes and taken along on amazing adventures. I want stories where evil appears to be winning but good eventually finds a way to triumph in the end.  

Growing up I devoured science-fiction and spy stories by the boatload—the only person I wanted to be more than James Bond was probably Han Solo. Of course, I couldn’t really become either of them, but I always knew the next best thing would be telling stories about those kinds of characters. Ultimately, I couldn’t decide whether to focus on space adventures or spies, so the only real answer was to smash those two genres together. Five years and four novels later, the world of the Galactic Cold War is humming along quite nicely. But I’m still always on the lookout for the next great sci-fi spy novel.