Here are 38 books that Home Ground fans have personally recommended if you like
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For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
In this brilliant, evocative, and imaginative novel, Claire Dudman has written a fictionalized autobiography of Alfred Wegener. Best known for his 1912 proposal about continental drift, Wegener was a first-rate meteorologist, polar researcher, and balloonist (he held the record for longest continuous flight). Dudman’s insights into Wegener’s personality, the challenges he faced with his proposal, and his love of science shine through and create a unique and memorable portrait of a brilliant and fascinating life.
A fictional biography of German meteorologist Alfred Wegener follows the groundbreaking scientist from his 1880 birth to his final Arctic exploration in 1930, discussing the offbeat scientific adventures and exploits that marked his life--from a record-breaking long-distance balloon flight in 1906, to his horrific experiences during World War I, to his struggle to defend his controversial theories. A first novel. Reprint.
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
Not only does geology shape the land, it can also shape the lives of those who quarry the stone. Rarely is this relationship between human and rock better portrayed than in Scott Russell Sanders’ thoughtful essays about the limestone country around Bedford, Indiana. With graceful and respectful prose, he tells the stories of a “piece of earth where the accidents of geology have yielded a special kind of stone, and where landscapes, towns, and the people themselves bear the mark of that stone.” And, if you seek to see this story on film, I can also recommend one of my favorite movies, Breaking Away, a humorous and passionate portrayal of life and biking in limestone country.
From a patch of land in southern Indiana has come the stone for many of the country's most famous buildings, including the Washington Cathedral, the Pentagon, the Empire State Building, and Chicago's Tribune Tower. If you live anywhere within the lower forty-eight states you probably live within walking distance of library, bank, monument, church, house or skyscraper built with Indiana limestone. In Limestone Country is the story of the stone, from its geologic origins through its mining history to the present. Sanders records the folklore, the craft, the distinct culture that has grown up around Indiana limestone. Above all we…
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
A petroleum geologist working in the American South, Rick Bass writes poetically about the geology, personalities, and challenges of an industry that he clearly loves. I don’t agree with him about how great oil extraction is as an industry and feel that he omitted its downsides but I appreciate his insights, observations, and wonderful prose about the life of a geologist in the field. Plus, rarely will you meet someone so into Classic Coke.
The author of this book is a development geologist, advising oil companies where to drill and how to assess oil quantitities. The book describes his reflections on life, on nature and the excitement of discovering oil.
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
A simple, yet profound idea forms the basis for geologist Keith Meldah’s first book: how did geology influence the gold rush pioneers. Weaving pioneer accounts, modern science, and field exploration, he paints a unique and compelling picture of western migration and how the vagaries of the dramatic landscape played out in both small and large ways. Although gold was what drove many of the argonauts, they soon learned that the rocky world would affect them far before they reached their hoped-for destination.
In 1849, news of the discovery of gold in California triggered an enormous wave of emigration toward the Pacific. Lured by the promise of riches, thousands of settlers left behind the forests, rain, and fertile soil of the eastern United States in favor of the rough-hewn lands of the American West. The dramatic terrain they struggled to cross is so familiar to us now that it is hard to imagine how frightening - even godforsaken - its sheer rock faces and barren deserts seemed to our forebears."Hard Road West" brings their perspective vividly to life, weaving together the epic overland…
I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.
I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).
Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs.
One of the most visited places in the world, Rome attracts millions of tourists each year to walk its storied streets and see famous sites like the Colosseum, St. Peter's Basilica, and the Trevi Fountain. Yet this ancient city's allure is due as much to its rich, unbroken history as to its extraordinary array of landmarks. Countless incarnations and eras merge in the Roman cityscape. With a history spanning nearly three millennia, no other place can quite match the resilience and reinventions of the aptly nicknamed Eternal City. In this unique and visually engaging book, Jessica Maier considers Rome through…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
Wide-ranging, high-production values, a good balance of maps and text, and excellent value for money. Includes many different types of map not least those of fantasy worlds.
The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is a brilliant, wide-ranging, deeply-sourced study of the dynamics that underpinned and justified early modern colonization of the Americas. Mandeville’sBook of Marvels and Travels is the prehistory of the horrors of colonization; the sources at the heart of Davies’s study are colonization’s architecture: maps, book illustrations, freestanding prints, published texts, letters, journals, and on. With nuance and care, Davies rewrites the intellectual history of this period, confronting the dehumanizing, demonizing, monsterizing visual and textual rhetoric of colonial enterprises (which directly contributed to large-scale violence), but also looking carefully at nuances, differences, and shifts in this rhetoric over the course of the Renaissance.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps…
I have been writing books about France and the French for two decades. The adventure began when I moved to Quebec in my early 20s and married a Quebecker. He became my life partner and co-author. I learned his language, immersed myself in Canada’s French-language culture and began writing articles in French. In 1999 we moved to France for three years to study the French. Three books later, we returned to Paris with our daughters to try to demystify French conversation. The result is The Bonjour Effect. I am grateful to the authors on my list for helping me refine my understanding of France, the French and their language.
Don’t be intimated by the academic-sounding title. This book just blew my mind. If you want to even begin understanding the French, you have to know where they came from. As Robb proves in this readable work, there is no better way to do this than by looking at French geography. France is a country that evolved out of surprisingly varied landscapes, ethnic origins, languages, and more. Understanding all the pieces of the puzzle, the great struggles that gathered them into a unified country, will forever change how you see the country.
A narrative of exploration-full of strange landscapes and even stranger inhabitants-that explains the enduring fascination of France. While Gustave Eiffel was changing the skyline of Paris, large parts of France were still terra incognita. Even in the age of railways and newspapers, France was a land of ancient tribal divisions, prehistoric communication networks, and pre-Christian beliefs. French itself was a minority language.
Graham Robb describes that unknown world in arresting narrative detail. He recounts the epic journeys of mapmakers, scientists, soldiers, administrators, and intrepid tourists, of itinerant workers, pilgrims, and herdsmen with their millions of migratory domestic animals. We learn…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
This is a lapidary introduction to the stories and ideas that prompted Columbus to sail away from Europe into the Atlantic in search of a direct sea route to Asia—and that determined how he interpreted what he came across after making landfall in the Americas. In just 200 pages, Flint nimbly covers all sorts of material: Christian theories of cosmology and eschatology; medieval conceptions of geography; the travel stories of St. Brendan, Sinbad the Sailor, Sir John Mandeville, and Marco Polo; the books that Columbus read, and the notes he made in them to himself; and more. In doing so, she reanimates a fascinating landscape of the imagination.
Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.
Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.
It’s a book full of surprises and provocative ideas.
Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent.
The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and a revealing exploration of the split in Self's Jewish-American-British psyche and its relationship to the political geography of the post-9/11 world.
Ranging from the Scottish Highlands to Istanbul and from Morocco to Ohio, Will Self's engaging and…
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