Here are 100 books that Atlas fans have personally recommended if you like
Atlas.
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I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
An excellent example of the British Library’s History … in 100 Maps series, this book, by an expert, on the American geopolitical imagination, combines a first-rate text with instructive maps. Handsomely produced, it is good value.
Throughout its history, America has been defined through maps. Whether made for military strategy or urban reform, to encourage settlement or to investigate disease, maps invest information with meaning by translating it into visual form. They capture what people knew, what they thought they knew, what they hoped for, and what they feared. As such they offer unrivaled windows onto the past.
In this book Susan Schulten uses maps to explore five centuries of American history, from the voyages of European discovery to the digital age. With stunning visual clarity, A History of America in 100 Maps showcases the power…
I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.
I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).
Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs.
One of the most visited places in the world, Rome attracts millions of tourists each year to walk its storied streets and see famous sites like the Colosseum, St. Peter's Basilica, and the Trevi Fountain. Yet this ancient city's allure is due as much to its rich, unbroken history as to its extraordinary array of landmarks. Countless incarnations and eras merge in the Roman cityscape. With a history spanning nearly three millennia, no other place can quite match the resilience and reinventions of the aptly nicknamed Eternal City. In this unique and visually engaging book, Jessica Maier considers Rome through…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
The discovery of hitherto unknown maps is a great treat and this edition uses one to show the development of urban mapping. Well-anchored in the locality, this book is also of much wider value.
This major re-examination of the history of map-making in Exeter, the historic county town of Devon, follows from the recent discovery of a 'new' Georgian town map of the city. That map, by William Birchynshaw (a man not known tohave produced any other), is reproduced in facsimile, along with nearly two dozen other maps from 1587 through to 1949. They are prefaced by an introduction which places the new discovery within the context of four centuries of map-making, demonstrating how Birchynshaw owed a debt both to John Hooker's map of 1587 and to that by Ichabod Fairlove of 1709; and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
A blockbuster of a reference work, but also a vital tool for all those interested the history of maps and mapping. Part of a series that is at once majestic, handsome, and full of the detailed knowledge of scholarship.
For more than thirty years, the History of Cartography Project has charted the course for scholarship on cartography, bringing together research from a variety of disciplines on the creation, dissemination, and use of maps. Volume 6, Cartography in the Twentieth Century, continues this tradition with a groundbreaking survey of the century just ended and a new full-color, encyclopedic format. The twentieth century is a pivotal period in map history. The transition from paper to digital formats led to previously unimaginable dynamic and interactive maps. Geographic information systems radically altered cartographic institutions and reduced the skill required to create maps. Satellite…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is a brilliant, wide-ranging, deeply-sourced study of the dynamics that underpinned and justified early modern colonization of the Americas. Mandeville’sBook of Marvels and Travels is the prehistory of the horrors of colonization; the sources at the heart of Davies’s study are colonization’s architecture: maps, book illustrations, freestanding prints, published texts, letters, journals, and on. With nuance and care, Davies rewrites the intellectual history of this period, confronting the dehumanizing, demonizing, monsterizing visual and textual rhetoric of colonial enterprises (which directly contributed to large-scale violence), but also looking carefully at nuances, differences, and shifts in this rhetoric over the course of the Renaissance.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps…
I have been an avid reader of historical fiction since I was very young, and I love learning about the life and times of different periods of history. One might describe me as a "research junkie." My desire to know more about the everyday lives of my historical characters has taken me on many wonderful adventures, and my personal library is full of books I use for research. I write fiction, creative nonfiction, and novels. I am currently completing a new novel about a family of downwinders, people who contracted cancer from government-sanctioned radioactive fallout from the atomic bomb tests in Nevada during the 1950s and 1960s.
Part of my job when writing historical fiction is to know the "lay of the land." That means understanding regional maps, the geography, the climate, and the flora and fauna of the era and location of my story. I turned to this book so often that some of the pages are falling out. Beautifully illustrated with color photos, maps, and drawings, this book describes the history and main features of twelve main geographical regions in the Holy Land and connects them to major events in the Old and New Testaments. It's an accessible resource that functions more as a cultural atlas than simply as a map atlas.
The first atlas of the Bible to treat its subject geographically rather than historically, this unique work features the main biblical sites, illustrated with photographs and colour maps. The book opens with a description of the Bible, explains how it came to be composed and how it has been transmitted to us through medieval manuscript copies and modern translations. The second section of the text provides an outline of the historical background of the Bible, from the time of Abraham to the close of the New Testament period. The third and principal section discusses the main geographical regions of the…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A careful, meticulous, and thoughtful analysis of the ways in which the opening up of the world for English audiences left its mark on the work of the most celebrated author of the period.
Gillies shows how Shakespeare thought about the key areas of the world, in passing as well as when writing directly about specific regions, notably, southern Europe, the Americas, the Mediterranean, France, Italy, and elsewhere.
In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
This is a lapidary introduction to the stories and ideas that prompted Columbus to sail away from Europe into the Atlantic in search of a direct sea route to Asia—and that determined how he interpreted what he came across after making landfall in the Americas. In just 200 pages, Flint nimbly covers all sorts of material: Christian theories of cosmology and eschatology; medieval conceptions of geography; the travel stories of St. Brendan, Sinbad the Sailor, Sir John Mandeville, and Marco Polo; the books that Columbus read, and the notes he made in them to himself; and more. In doing so, she reanimates a fascinating landscape of the imagination.
Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting…
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
I regard this book as the quintessence of a modern geography trade book, a work that compels us to examine the places around us with an increasingly critical eye.
Drawing on current geographical thinking and a rich assortment of case studies from across the globe, Bonnett demonstrates why place matters: it is how we apply meaning to the world. Accordingly, to be placeless—whether through dispossession or demolition on the ground or deletion from the map—is tantamount to not existing at all.
Part of what makes this book such a captivating read is its attention to such concerns. Our relationship with the world may be quite innocuous, characterised by innocent curiosity and a craving for excitement, but it can also assume an ugly side, where people seek to seize places only for themselves. Ultimately, what we make of the planet, mundane and remarkable all at once,…
'A fizzingly entertaining and enlightening book' Daily Telegraph
'Mesmerising' Geographical Magazine
'A fascinating delve into uncharted, forgotten lost places. But it's not just a trivia-tastic anthology of remote destinations but a nifty piece of psycho-geography, explaining our human need for these cartographical conundrums.' Wanderlust
In a world of Google Earth, in which it is easy to believe that every discovery has been made and every adventure already had, Off the Map is a stunning testament to how mysterious our planet still is.
From forgotten enclaves to floating islands, from hidden villages to New York gutter spaces, Off the Map charts…
"Captain Charles Kennedy" parachuted into a moonlit Austrian forest and searched frantically for his lost radio set. His real name was Leo Hillman and he was a Jewish refugee from Vienna. He was going home. Men and women of Churchill’s secret Special Operations Executive worked to free Austria from Hitler's…
As a postdoctoral researcher, I'm fascinated by the notions of cultural belonging to Europe and European nation-states, as they have evolved throughout history in relation to what the holders of these notions call their "others". I know of few cases in the field of identity and memory politics that are as controversial, as curious, as fragile, and yet as fascinating as the idea of a Europe, a social and political construct that emerges from past events but is shaped for political purposes. Debates about a common European history and memory are intertwined with those about the geographical and cultural definitions of Europe, and my book list often includes the most recent examples of these interactions.
How have the regions of the continent been imagined and constructed in relation to a European framework? Bringing together contemporary experts such as Stefan Berger, Bo Strath, Stefan Troebst, and Alex-Drace Francis, the editors aim to explore the political, cultural, and intellectual contexts of European regions at the meso level.
They examine conceptualisations in relation to counter-concepts or clusters of concepts (e.g. Western Europe vs. Southern or Southeastern Europe) and relate them to debates on coexistence and the construction of the 'self' versus the 'other'.
As such, the chapters provide an insightful discussion of the historicity and reflexivity of the spatial terminology of Europe.
It is difficult to speak about Europe today without reference to its constitutive regions-supra-national geographical designations such as "Scandinavia," "Eastern Europe," and "the Balkans." Such formulations are so ubiquitous that they are frequently treated as empirical realities rather than a series of shifting, overlapping, and historically constructed concepts. This volume is the first to provide a synthetic account of these concepts and the historical and intellectual contexts in which they emerged. Bringing together prominent international scholars from across multiple disciplines, it systematically and comprehensively explores how such "meso-regions" have been conceptualized throughout modern European history.
