20 books like Hiwa

I clung to every word, every story, and every turn of phrase like a traveler gripping a well-worn map. Listening to the audiobook version narrated by Cherokee Nation writer Daniel Heath Justice, the stories unfolded, some like a quiet stream, urging me to pay closer attention, others rushing flyaway wild like the wind, gripping, inspiring, and wandering. 

Tuning into the audiobook with my headphones on made my nature walks an immersive and contemplative experience I’d highly recommend. The questions posed about humanity challenge us to be better humans, and I was struck by the familiarity of the stories to my own culture.

I could read and listen to this book over and over again as the life lessons are so generously expressed and simply made me want more, more, more.

I adore the passages about what happens to the mind and body when you enter the ocean. I connected to the ideas about thinking through water and oceanic literacies. All the experiences shared about being in nature felt completely relatable.

Kanaka Maoli writer Karin Amimoto Ingersoll describes dropping into a wave on her surfboard as a kinaesthetic/sensorial experience (not that I can surf, but I felt so present with the writer at that moment!). She expands on this tantalizing metaphor in the most wondrous ways.

I read this during a particularly difficult phase of writer’s block, and it gave me the vital inspiration I needed to reflect on issues of identity, knowledge, and culturally safe expansive spaces in forms not imprisoned by “academic speak.” Needless to say, my words flowed like water.

This one is left field as it doesn’t fall neatly into the list. I included this book to avoid the impression that only Indigenous writers can write about Indigenous experiences. It’s important that we do, of course, but this book puts a slightly different slant on the “self-representation” question from an intersectional perspective.

Black feminist writer, Patricia Hill Collins, introduces the concept of intersecting lives and experiences, highlighting common struggles among Indigenous, Black, Minority, and Queer communities and how we are affected by violence in different and shared ways, invisible and public.

I encountered this work during a period of similar oppressions, finding it to be a transformative gift. Patricia’s ideas expand my world to new possibilities beyond institutional thinking. I love how the writing is so accessible, and the pages just fly along. Love this woman!

Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.

Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.

It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…

A book about conquering bullying and standing up for what you believe in, the Māori word ‘pōrangi’ in title means mentally ill. It tells the story of Niko, who lives in a small, rural Aotearoa New Zealand town with a sacred hot spring—and a taniwha (a water monster of Māori legend) named Taukere. When his grandfather dies, Niko must bring the townsfolk together to stop a prison being built on sacred land and convince them the taniwha is real.

This trilogy, grounded in Sāmoan mythology, has been called ‘the pacific Twilight.’ It is a thrilling dive into the world of Sāmoan magic and mystery, with an exciting adventure, a compelling love story and it vividly brings Sāmoa’s exotic beauty alive with a supernatural twist. It’s claimed to be ‘the first ever YA novel with an all-Pasifika cast, set in Sāmoa and around the Pacific'. Push out your boundaries and enter Lani Wendt Young’s wonderful imagination . . .

I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.

This book was also published under the title Vikings of the Pacific and was written by New Zealand Māori scholar Sir Peter Buck (also known by his Māori name, Te Rangi Hīroa). It was a pioneering work explaining, from an Indigenous perspective, the process through which the islands of Polynesia came to be settled over thousands of years by voyagers traveling in outrigger or double-hulled canoes without navigational instruments.

As an anthropologist whose research has focused on Polynesia and who has always been interested in maritime issues, I was intrigued by the questions this book raised and motivated to explore them during my own ethnographic fieldwork.

Tui and Kae, fourteen-year-old twins, are sucked into the Māori underworld, Rarohenga, and must rescue their mother before they’re all trapped there forever. Exciting, mysterious, and full of Māori mythology, this book shows how, in order to truly understand our own unique identity, we must also understand who and where we came from. 

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.