Fans pick 100 books like Hitler

This was not the first biography of Hitler, but it was the first to try to explain Hitler’s power in terms of his relationship with the German people. For Fest, Hitler’s power rested on his ability to channel ordinary Germans’ hopes, fears, aspirations, and resentments. Fest came from a solidly anti-Nazi bourgeois background and in his insistence on reading Hitler as an expression of populist resentments ‘from below’ we may detect an inability to countenance the idea that Nazism came just as much from the centre of educated German middle-class society. In that sense, the book is a fascinating insight into what was at stake in the postwar period when Germans argued over who or what had been to blame for the catastrophe of Nazism. It remains, however, a classic among earlier accounts of Hitler’s career.

This is not a full biography – the biography Steinert wrote later in her career is not available in English – but many of the ideas in Steinert’s biography can also be found in this earlier work, which has faded into posterity slightly but can be read with great profit. Here, Steinert is concerned to give texture to a hitherto often two-dimensional image of German society and its attitudes to Hitler’s War. The result is an interesting, differentiated account of public opinion in Nazi Germany. In many respects, it was pioneering and opened up questions surrounding the relationship between state and society that other historians went on to explore further in the 1980s. Steinert’s Francophone background, and perhaps the fact that she was a female writer working in a profession that was then very male-dominated, probably account for the fact that her work is less well-known in the English-speaking world… show more.

As in the case of Joachim Fest, it is impossible to read this book without having some sense of the author’s own autobiography. Haffner was an emigré who had left Germany for Britain in 1939, was briefly interned in the war, and became a correspondent for The Observer. The essayistic reflections offered in this short book are not so much biographical as a set of attempts to place Hitler within the wider context of German history and to understand Hitler as a historical phenomenon. Readable, astute, and thoughtful, they are an engaging introduction to his life-long attempts to make sense of the regime from which he had fled.

This fascinating book takes the seemingly banal topic of Hitler’s domestic interiors as a way into exploring both how Hitler chose to project himself and how others – from foreign diplomats to ordinary Germans – learned to see him. From his initial humble quarters in Munich to his conservatively furnished apartments in Berlin and his mountain retreat in the Alps, the evolution of Hitler’s interior design ethos reflected his move from ordinary front soldier to European statesman. The reproduction of his furnishing choices in glossy consumer magazines, meanwhile, offered aspirational Germans a chance to remake their own homes in emulation of their idol. If this sounds familiar, well, that may be the point.

As the title suggests, this is a compendium of American visitors’ impressions of Nazism in the 1930s. Their reactions varied from confusion to rage to applause, but Nagorski notes that, sooner or later, most came to the realization that Germany was “a society undergoing a horrific transformation in the name of a demented ideology,” and feared the implications for humanity. Another useful reminder of the essential role of solid, independent journalism, and of the methods by which seemingly decent people and entire societies can be devoured by hatred and tribalism. It seems, sadly, that we need a lot of reminding about such things…

This remains the outstanding full-length biography of Hitler, not least because it is brilliantly written; it is also extraordinarily prescient.

Fest’s portrayal of the Nazi leader, the first to be written by a German, shows how any human society, no matter how cultured or educated, if far enough degraded and humiliated will be willing to listen to a banal, humourless bully whose singular obsessions were to pick at Germany’s war wounds and delegate the slaughter of the blameless minority he deemed responsible.

In Fest’s hands, Hitler emerges as no freak of nature with god-like powers, no monster beyond our comprehension…but shockingly human, the living fulfillment of the racist fantasies of the ordinary, pot-bellied fascists who brought him to power.

If you’re curious about what was happening in Germany throughout the war, you’ll love Albert Speer’s memoir, which provides a unique, inside look at Hitler and his closest associates before and after the Allies landed in Normandy. Speer was Hitler’s architect and paints a unique picture of Hitler from the start of the war. It also includes a wonderful series of pictures at every stage.

If you’re fascinated by The Second World War, this book is a must for your library, as it is in mine. I look at the pictures over and over and delight in seeing the principal players who made those years memorable. It’s a book that will stay in your head for a long time.

In this gripping memoir, Fabian von Schlabrendorff recounts his way into the heart of the German conspiracy against Hitler. After the Nazi invasion of the Soviet Union, he fell under the influence of Colonel Henning von Tresckow, “a natural enemy of National-Socialism and one of the most outstanding figures in the German resistance.” Working as a team, Tresckow, Schlabrendorff, and their co-conspirators planned to kill Hitler during a visit to the eastern front in March 1943 with a bomb camouflaged as three wrapped bottles of liqueur. As recounted in Schlabrendorff’s memoirs, he and Tresckow concocted several other assassination attempts with carefully concealed bombs, suicide bombers, and sharpshooters. When the dust settled, the author was one of the only members of the inner circle who survived to tell the tale.  

Prefer to learn about Nazi Germany through literature? Try this novel by Irmgard Keun, who excelled at writing from the perspective of different young women. Here, nineteen-year-old Sanna relates how her life has changed under the Third Reich. She encounters people who express unqualified admiration for Adolf Hitler or at least concede that the Nazis are right about many things, who enjoy denouncing others or adapting to the new rules of the game. With her naïve understanding and unsophisticated language, Sanna lays bare vain pretensions, catchy slogans, and ponderous pseudo-profundities. She can’t understand why she should listen to Nazi speeches and avoid Jews. Contacts with critical friends finally compel her to leave Germany—just like her literary creator, who published her novel in exile in the Netherlands. 

If you only have time to read one book on the Nazi leadership, it should be this one. It is not the lightest of books (and it has two volumes), but it is well worth your time. Adolf Hitler was obviously central to the Nazi dictatorship and the number of books written about him reflects that. There are lots of biographies on Hitler – even a lot of good ones – but Ian Kershaw’s two-volume life of Hitler remains unsurpassed in my view. Kershaw skillfully combines his biography of the dictator with a wider social and political history of the Nazi dictatorship, so readers learn a great deal about both the man at the top of the regime and the ways in which the Third Reich functioned.