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The Meaning of Hitler.
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I am Professor of Modern European History at the University of Southampton, UK, and publish widely on diverse aspects of Nazi Germany. The first history book that I ever read was Alan Bullock’s Hitler. A Study in Tyranny - the first scholarly biography of Hitler to appear. I still recall the fascination of reading this as a teenager: it sparked a curiosity that formed the basis of a scholarly career that has spanned nearly three decades. The desire to make sense of the phenomenon of Nazism was never purely academic, however – my own family origins in Germany, and the stories elderly relatives told of their wartime experiences, gave the history texture, immediacy, and urgency.
This was not the first biography of Hitler, but it was the first to try to explain Hitler’s power in terms of his relationship with the German people. For Fest, Hitler’s power rested on his ability to channel ordinary Germans’ hopes, fears, aspirations, and resentments. Fest came from a solidly anti-Nazi bourgeois background and in his insistence on reading Hitler as an expression of populist resentments ‘from below’ we may detect an inability to countenance the idea that Nazism came just as much from the centre of educated German middle-class society. In that sense, the book is a fascinating insight into what was at stake in the postwar period when Germans argued over who or what had been to blame for the catastrophe of Nazism. It remains, however, a classic among earlier accounts of Hitler’s career.
I am Professor of Modern European History at the University of Southampton, UK, and publish widely on diverse aspects of Nazi Germany. The first history book that I ever read was Alan Bullock’s Hitler. A Study in Tyranny - the first scholarly biography of Hitler to appear. I still recall the fascination of reading this as a teenager: it sparked a curiosity that formed the basis of a scholarly career that has spanned nearly three decades. The desire to make sense of the phenomenon of Nazism was never purely academic, however – my own family origins in Germany, and the stories elderly relatives told of their wartime experiences, gave the history texture, immediacy, and urgency.
This is not a full biography – the biography Steinert wrote later in her career is not available in English – but many of the ideas in Steinert’s biography can also be found in this earlier work, which has faded into posterity slightly but can be read with great profit. Here, Steinert is concerned to give texture to a hitherto often two-dimensional image of German society and its attitudes to Hitler’s War. The result is an interesting, differentiated account of public opinion in Nazi Germany. In many respects, it was pioneering and opened up questions surrounding the relationship between state and society that other historians went on to explore further in the 1980s. Steinert’s Francophone background, and perhaps the fact that she was a female writer working in a profession that was then very male-dominated, probably account for the fact that her work is less well-known in the English-speaking world…
I am Professor of Modern European History at the University of Southampton, UK, and publish widely on diverse aspects of Nazi Germany. The first history book that I ever read was Alan Bullock’s Hitler. A Study in Tyranny - the first scholarly biography of Hitler to appear. I still recall the fascination of reading this as a teenager: it sparked a curiosity that formed the basis of a scholarly career that has spanned nearly three decades. The desire to make sense of the phenomenon of Nazism was never purely academic, however – my own family origins in Germany, and the stories elderly relatives told of their wartime experiences, gave the history texture, immediacy, and urgency.
In my view, this is the most readable and persuasive of a number of new biographical treatments that have appeared recently. In terms of interpretation, largely Ullrich confirms the line offered in an older two-volume biography, the equally magisterial account by Ian Kershaw published at the turn of the century. Like Kershaw, Ullrich is concerned to explain Hitler’s power in terms of charismatic authority, and not just dictatorial terror. But whereas Kershaw was of the view that Hitler had comparatively little personal hinterland, foregrounding instead his career as a public figure, Ullrich pulls out a remarkable range of often tiny, seemingly insignificant personal details or anecdotes to generate a compelling view of Hitler’s own interior landscape – it is all the more impressive for the fact that he uses this to explain better Hitler’s political outlook and actions.
NEW YORK TIMES BESTSELLER • This landmark biography of Hitler puts an emphasis on the man himself: his personality, his temperament, and his beliefs.
“[A] fascinating Shakespearean parable about how the confluence of circumstance, chance, a ruthless individual and the willful blindness of others can transform a country — and, in Hitler’s case, lead to an unimaginable nightmare for the world.” —Michiko Kakutani, The New York Times
Volker Ullrich's Hitler, the first in a two-volume biography, has changed the way scholars and laypeople alike understand the man who has become the personification of evil. Drawing on previously unseen papers and…
I am Professor of Modern European History at the University of Southampton, UK, and publish widely on diverse aspects of Nazi Germany. The first history book that I ever read was Alan Bullock’s Hitler. A Study in Tyranny - the first scholarly biography of Hitler to appear. I still recall the fascination of reading this as a teenager: it sparked a curiosity that formed the basis of a scholarly career that has spanned nearly three decades. The desire to make sense of the phenomenon of Nazism was never purely academic, however – my own family origins in Germany, and the stories elderly relatives told of their wartime experiences, gave the history texture, immediacy, and urgency.
This fascinating book takes the seemingly banal topic of Hitler’s domestic interiors as a way into exploring both how Hitler chose to project himself and how others – from foreign diplomats to ordinary Germans – learned to see him. From his initial humble quarters in Munich to his conservatively furnished apartments in Berlin and his mountain retreat in the Alps, the evolution of Hitler’s interior design ethos reflected his move from ordinary front soldier to European statesman. The reproduction of his furnishing choices in glossy consumer magazines, meanwhile, offered aspirational Germans a chance to remake their own homes in emulation of their idol. If this sounds familiar, well, that may be the point.
A revelatory look at the residences of Adolf Hitler, illuminating their powerful role in constructing and promoting the dictator's private persona both within Germany and abroad
Adolf Hitler's makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator's preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler's bachelor life stirred rumors, and the Nazi regime relied on the dictator's three dwellings-the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on…
Robert Gerwarth is a professor of modern history at University College. After completing his DPhil at Oxford, he has held visiting fellowships at Harvard, the Institute for Advanced Study in Princeton, and the European University Institute in Florence. He is the author and editor of more than ten books on modern German history, most recently November 1918: The German Revolution.
If you only have time to read one book on the Nazi leadership, it should be this one. It is not the lightest of books (and it has two volumes), but it is well worth your time. Adolf Hitler was obviously central to the Nazi dictatorship and the number of books written about him reflects that. There are lots of biographies on Hitler – even a lot of good ones – but Ian Kershaw’s two-volume life of Hitler remains unsurpassed in my view. Kershaw skillfully combines his biography of the dictator with a wider social and political history of the Nazi dictatorship, so readers learn a great deal about both the man at the top of the regime and the ways in which the Third Reich functioned.
"The Hitler biography of the twenty-first century" (Richard J. Evans), Ian Kershaw's Hitler is a one-volume masterpiece that will become the standard work. From Hitler's origins as a failed artist in fin-de-siecle Vienna to the terrifying last days in his Berlin bunker, Kershaw's richly illustrated biography is a mesmerizing portrait of how Hitler attained, exercised, and retained power. Drawing on previously untapped sources, such as Goebbels's diaries, Kershaw addresses the crucial questions about the unique nature of Nazi radicalism, about the Holocaust, and about the poisoned European world that allowed Hitler to operate so effectively.
I’ve devoted most of my life as a writer, historian, and teacher to understanding and connecting the events of the 20th century and their origins in the deep past. I believe World War I stands as one of the greatest human tragedies because the bloodiest events of the past century were directly caused by it. The tyrants Hitler and Stalin who thrived on mayhem and parasitized their societies were simply inconceivable without the destruction wrought by the Great War. I’m sometimes asked how I get up in the morning. I reply, ‘writing 20th-century history is a dirty job but some of us have gotta do it.’
This remains the outstanding full-length biography of Hitler, not least because it is brilliantly written; it is also extraordinarily prescient.
Fest’s portrayal of the Nazi leader, the first to be written by a German, shows how any human society, no matter how cultured or educated, if far enough degraded and humiliated will be willing to listen to a banal, humourless bully whose singular obsessions were to pick at Germany’s war wounds and delegate the slaughter of the blameless minority he deemed responsible.
In Fest’s hands, Hitler emerges as no freak of nature with god-like powers, no monster beyond our comprehension…but shockingly human, the living fulfillment of the racist fantasies of the ordinary, pot-bellied fascists who brought him to power.
A bestseller in its original German edition and subsequently translated into more than a dozen languages, Joachim Fest's Hitler as become a classic portrait of a man, a nation, and an era. Fest tells and interprets the extraordinary story of a man's and a nation's rise from impotence to absolute power, as Germany and Hitler, from shared premises, entered into their covenant. He shows Hitler exploiting the resentments of the shaken, post-World War I social order and seeing through all that was hollow behind the appearance of power, at home and abroad. Fest reveals the singularly penetrating politician, hypnotizing Germans…
Unlike most children of immigrants who were told nothing about the past, I grew up surrounded by family history—my grandfather’s village in Russia, my father’s memories of 1930s Europe, and my mother’s childhood on a migrant worker farm during the Great Depression. I realized that history isn’t just names and dates but a unique opportunity to study human behavior. I wrote Hammer of the Gods about the Thule Society because Thule was often mentioned in passing by historians of Nazi Germany, as if they were uncomfortable delving into an occult group recognized as influential on the Nazis. I decided I wanted to learn who they were and what they wanted.
There have been more recent accounts of Hitler’s retreat to the bunker in the last weeks of his life. But even if some new information has surfaced since Britain’s H.R. Trevor-Roper wrote his report, the vividness is hard to match. Trever-Roper recorded his thoughts on Hitler’s end before the rubble of war had been cleared away. It was almost on-the-scene reporting.
Late in 1945, Hugh Trevor-Roper was appointed by the British Intelligence to investigate the conflicting evidence surrounding Hitler's final days. The author, who had access to American counterintelligence files and to German prisoners, focuses on the last ten days of Hitler's life, April 20-29, 1945, in the underground bunker in Berlin.
I’m a long-time correspondent for American media across the world. I reported on Europe and Asia for the Wall Street Journal, and on Southeast Asia for Bloomberg News. I was always fascinated by deep historical layers to be found in ancient societies like those of Europe, and the sometimes accurate clichés about European tribes and their strange customs; no European tribe is weirder than the Germans, for a long time the wildest of the continent and then the most cultured and sophisticated until they came under the spell of a certain Austrian. The twelve years that followed still rank as the most insane historical period for any nation ever.
Kershaw’s double biography of the Nazi leader (the second part, almost entirely about World War II, is called Hubris) is a classic, and remains the best, most approachable look at the unusual upbringing of a young boy from provincial Austria who once wanted to be an artist, and felt in debt with the Jewish doctor who (unsuccessfully, as it turned out) treated his mother’s cancer. Hubris is most remarkable for the glimpses it provides of a different fate for that young boy Adolf: how he was scarred by family tragedy and by failure at multicultural Vienna, and how the Great War gave him an opening to become the worst possible version of himself.
From his illegitimate birth in a small Austrian village to his fiery death in a bunker under the Reich chancellery in Berlin, Adolf Hitler left a murky trail, strewn with contradictory tales and overgrown with self-created myths. One truth prevails: the sheer scale of the evils that he unleashed on the world has made him a demonic figure without equal in this century. Ian Kershaw's Hitler brings us closer than ever before to the character of the bizarre misfit in his thirty-year ascent from a Viennese shelter for the indigent to uncontested rule over the German nation that had tried…
Since 2011 I have taught a summer course at Freie Universität Berlin, and have grown fond of the city, including its admirable efforts to acknowledge and atone for its former status as the capital of the Nazi empire. I’ve seen pictures of Canadian Prime Minister Mackenzie King touring the city and interacting (cheerfully) with Reich officials, and a couple of years ago I made a point of retracing his steps to observe the vestiges (very little) of prewar Berlin. This compelled me to dig deeply into what motivated King to break bread with Nazis, and how the prime minister’s trip was viewed by Canadians and the world – at the time, and since.
As the title suggests, this is a compendium of American visitors’ impressions of Nazism in the 1930s. Their reactions varied from confusion to rage to applause, but Nagorski notes that, sooner or later, most came to the realization that Germany was “a society undergoing a horrific transformation in the name of a demented ideology,” and feared the implications for humanity. Another useful reminder of the essential role of solid, independent journalism, and of the methods by which seemingly decent people and entire societies can be devoured by hatred and tribalism. It seems, sadly, that we need a lot of reminding about such things…
World War II historian Andrew Nagorski recounts Adolf Hitler’s rise to and consolidation of power, drawing on countless firsthand reports, letters, and diaries that narrate the creation of the Third Reich.
“Hitlerland is a bit of a guilty pleasure. Reading about the Nazis is not supposed to be fun, but Nagorski manages to make it so. Readers new to this story will find it fascinating” (The Washington Post).
Hitler’s rise to power, Germany’s march to the abyss, as seen through the eyes of Americans—diplomats, military officers, journalists, expats, visiting authors, Olympic athletes—who watched horrified and up close. “Engaging if chilling…a…
The Second World War has always fascinated me, starting when I first entered school. The war had just started and it became even more real with each successive class when we were encouraged to buy war-saving stamps. On the home front, we experienced blackouts and mock air raids. Sugar, meat, butter, alcohol, and even gasoline were rationed. My cousins were overseas and in the thick of it. They always made sure I had an airplane model at Christmas. And as the war wound to a close, they sent me a cap from one from one of the German soldiers. It still intrigues me and still lives in my head.
If you’re curious about what was happening in Germany throughout the war, you’ll love Albert Speer’s memoir, which provides a unique, inside look at Hitler and his closest associates before and after the Allies landed in Normandy. Speer was Hitler’s architect and paints a unique picture of Hitler from the start of the war. It also includes a wonderful series of pictures at every stage.
If you’re fascinated by The Second World War, this book is a must for your library, as it is in mine. I look at the pictures over and over and delight in seeing the principal players who made those years memorable. It’s a book that will stay in your head for a long time.
