100 books like Herman Melville's Whaling Years

In past and present narratives of the Marquesas, along with other Pacific paradises, writers tend toward sensational or romantic exaggeration. T. Walter Herbert sets the record straight, showing what Melville likely encountered during his sojourn to Nukuhiva. In Herbert’s book, Melville is one of three examples of visitors to the islands, along with ship’s captain David Porter, whose narrative describes his laying violent waste to villages in the interior, and missionary William Alexander. Herbert shows what these visitors misunderstood about people characterized as “savages” and “barbarians”—readings that continue to influence cultural attitudes today. No one writes with quite the controlled fury and keen insight of this author!

Sanborn’s is one of the best books for tracing a thought process experienced by Melville, or many a Western traveler in the Pacific trying to make sense of challenging cultural differences. Focusing on the taboo topic of cannibalism, Sanborn breaks down Western anxieties and fears of the unknown, showing how Melville balanced different cultural perspectives against his own experience. The result is a profoundly informative guide to how one may rethink cultural norms and how Melville’s later works reflected on his foundational early experiences and travels.

One might read Melville’s accounts of the Pacific and reckon with only literary sources and contexts for his books. Bercaw Edwards lays bare the sounds of Pacific voices, the oral sources for his work. Drawing on a wealth of popular accounts as well as theories of discourse and linguistics, she identifies three “languages” Melville learned in his Pacific travels: sailor talk, (a rich world of yarns, folklore, and tall tales), “cannibal” talk (both islanders’ stories and the narratives they inspired), and missionary talk (accounts by religious leaders in the islands). Bercaw Edwards brings deep appreciation and unforgettable zest to Melville’s work, showing his remarkable ear and memory for rich varieties of speech and what they convey about cultural encounters. 

We have focused our recommendations on Melville’s (and other people’s) takes on Polynesian islands, but Melville also wrote about another crucial Pacific archipelago, the Galápagos Islands. His collection of sketches, “The Encantadas,” explores a very different world from Nukuhiva, Maui, or Tahiti, one nearly empty of human inhabitants, given over to birds, tortoises, iguanas, and insects. Yet here as elsewhere, Melville finds plenty to satisfy his “itch for things remote.” And here as elsewhere he meditates on human nature: the misfits, petty tyrants, and exiles who might find a home in such a forbidding place. If you think of Melville as an entertaining chronicler of the Pacific world, you will find much in that vein here—but also philosophy, history, and a sort of melancholy romance.

Another book about youthful innocence and optimism.

As I Walked Out One Midsummer Morning is the story of Laurie Lee leaving England in 1935 on a boat for Spain with just a violin and a blanket and few possessions.

He busks his way around Spain heading south to Andalucía, playing in cafes and town squares for a few coins.

Life in Spain was poor and primitive and the country was on the verge of civil war but his cheery demeanour was always met with warmth and humanity. It’s a life-affirming story.

Gary Paulsen is best known for his novels for young people, such as the popular Hatchet, but this R-rated memoir is aimed at an adult audience. Of my five recommendations, this one is far and away the most representative of the miseries of a dysfunctional childhood. Paulsen’s parents were both alcoholics, and his mother had affairs that she could have done a much better job of hiding from her young son. Somehow, despite the trauma (or maybe because of it), Paulsen emerged as a successful and extraordinarily prolific writer. For those of us with wonderful childhood memories, this book serves as a reminder that not everyone is so lucky.

As a teenager, Abraham Lincoln built a flatboat and floated down the Mississippi to New Orleans to sell the produce his family and neighbors had grown. This and a similar trip three years later were his only exposure to the Deep South. They immersed him in a culture of riverboat men that was archetypical of the era and included events that became part of the mythology surrounding him, an attack by runaway slaves that could have killed him, and his rescue of fellow boatman from drowning. Campanella is a university professor, tireless researcher, and excellent writer.

Put on your flowered shirt and place a flower in your hair to be taken away to the beautiful island of Samoa. This page-turning memoir chronicles the author’s struggles with adolescence against the backdrop of a changing Samoan culture. With lyrical language, Ms. Pokerwinski paints true-to-life scenes of the island and the Samoan people. The situations and the fascinating characters will keep you reading. I thoroughly enjoyed reliving memories of the 60s such as the music of the Beach Boys, White Rain Conditioner, and Tangee lipstick. If you witnessed life in the 60s, you will identify with the author and enjoy her humor and sass. 

For much of Western history, birth out of wedlock has been a serious barrier to inheritance and succession. It is often assumed that this attitude arrived alongside Christianity: yet, McDougall explains that the medieval world actually cared very little about the circumstances of one’s birth until the thirteenth century. What historians have consistently misinterpreted as concern for legitimate birth was instead dogged insistence that a legitimate marriage existed only when husband and wife were of equivalent status. This is particularly relevant when it comes to an heir’s “throneworthiness.” It was not sufficient for a king to be the son of a great man with a remarkable patriline; the matriline had to be every bit as impressive to qualify him for the throne.

McDougall’s eminently readable and thought-provoking book reveals how the misogynistic assumptions of modern-day historians have gotten in the way of understanding medieval dynasties. Historians have preferred to see… show more.

Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.

In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.

If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.