Fans pick 38 books like Heritage Style

Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.

I’m a lifelong interiors obsessive, which I’ve managed to turn into a multi-stranded career: I style commercial photoshoots and set up events for brands, write about interiors trends for magazines and a trend forecasting agency, have authored several interiors books of my own, and recently I’ve begun teaching my own blend of authentic yet actionable interior design tips to others, through courses, workshops, and creative consultancy. I am always interested in the why behind what makes us feel a certain way when it comes to design, and believe that creating a home that reflects and supports our emotional needs will ultimately support us in all aspects of life.

I’m a lifelong interiors obsessive, which I’ve managed to turn into a multi-stranded career: I style commercial photoshoots and set up events for brands, write about interiors trends for magazines and a trend forecasting agency, have authored several interiors books of my own, and recently I’ve begun teaching my own blend of authentic yet actionable interior design tips to others, through courses, workshops, and creative consultancy. I am always interested in the why behind what makes us feel a certain way when it comes to design, and believe that creating a home that reflects and supports our emotional needs will ultimately support us in all aspects of life.

I’m a lifelong interiors obsessive, which I’ve managed to turn into a multi-stranded career: I style commercial photoshoots and set up events for brands, write about interiors trends for magazines and a trend forecasting agency, have authored several interiors books of my own, and recently I’ve begun teaching my own blend of authentic yet actionable interior design tips to others, through courses, workshops, and creative consultancy. I am always interested in the why behind what makes us feel a certain way when it comes to design, and believe that creating a home that reflects and supports our emotional needs will ultimately support us in all aspects of life.

For as long as I can remember, I’ve been an artist at heart. As a child, I loved to draw and to make all kinds of crafts with my mother. Now, I make a living creating and teaching art. From presenting at conferences and workshops around the country to doing segments on lifestyle shows like Hallmark Home & Family, Good Day PA, Great Day Live Tampa, and more, my favorite things to do are those that allow me to share crafty projects. I have also written five hand lettering books and a guided journal, all with the hope of helping others to discover, explore, and express their own creativity. 

Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.

I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.

As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.

Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way. Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.

Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.