Here are 44 books that The Why & How of Woodworking fans have personally recommended if you like
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Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is a foundational text on wood as a material for building furniture, written by someone who knows the material thoroughly as both a wood scientist and as a woodworker. The combined insights give you the information you need to work with wood effectively. It reads well if you feel like plowing through it, but you can also use it as a resource for answering specific questions about wood and its behavior.
Understanding Wood is the definitive reference on wood technology, and is a keystone of every woodworker's library. The first edition (1980) sold over 128,000 copies: this new edition updates the classic text with new information on new materials: composite board, adhesives and finishes which have been developed since the original edition. There are also 225 brand new colour photographs! Up-to-date and Comprehensive: revised and updated edition of a woodworking classic (Taunton Press, 1980; 1-918804-05-1) which continues to sell thousands of copies a year to this day. New four colour photography is clearer and more informative. Comprehensive: everything you know about…
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
Chris has a very personal and very persuasive approach to woodworking. In this book, he uses the discussion of a tool chest and its contents to explain his take on the basic tools needed to work with wood by hand, as well as his philosophy of working wood this way. The book is funny, compelling, and an essential read for anyone interested in hand tools and working with them.
When I am too exhausted, ill or busy to work in my shop, I will shuffle down the stairs to my 15' x 25' workshop and simply stand there for a few minutes with my hands on my tools. To be sure, I thought I was a touch nuts because of this personality quirk. But after reading the oral histories and diaries of craftsmen from the last 300 years, I found it's actually a common trait among artisans. I am drawn, married or perhaps addicted to the things that allow me to coax wood into new shapes. At the same…
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is one of those books that has inspired generations of woodworkers to aim higher in their work, and to think about broad aspects of both designing for and building with wood. Krenov’s construction methods (using dowels) are idiosyncratic, but his intense approach to woodworking has had a profound impact. It is well worth a read.
James Krenov's delicate, lyrical cabinets have inspired a generation of wood craftsmen, as has his impassioned insistence that one do his very best work, no matter what. In this volume, first published in 1979, Krenov invites the reader into his workshop, where he shares his techniques and uncompromising approach to craftsmanship, along with thoughts about his work and its place in the world. Photo sequences show how Krenov composes a cabinet directly in the wood, without dimensioned drawings. He also discusses working with shop-sawn veneers, the technique of fitting curved doors, and the problems of accuracy and mistakes. The book…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is on many people’s lists—and for good reason: an essential book, it will give you a solid foundation on which to build your knowledge and skill set, most specially if you are just starting out, though there is much to learn here for even the more experienced woodworker. Frid’s training contains the practical knowledge of centuries of woodworking passed through an apprenticeship system as it began its transition into the 21st Century, adapting power tools, new materials, and ways of working that will give you the information that will let you build almost anything. He wrote 2 more books in the set, also valuable, but if you can only afford one, get this one.
As a tribute to Tage Frid who passed away in 2004, combined with the 30th anniversary of The Taunton Press, this three-volume slipcase set is the most complete, authoritative guide to woodworking for readers of all skill levels. The books in the slipcase include: ""Book 1: Joinery,"" ""Book 2: Shaping, Veneering, Finishing,"" and ""Book 3: Furnituremaking,"" The techniques illustrated in these books are demonstrated step by step, with clarity and organization that allows readers to understand and carry out virtually any woodworking project. This is a limited edition.
I have been fascinated by traditional carpentry since exploring the soaring timbers in roofs of medieval tithe barns around my home in Somerset. At the start of my woodworking journey, I soon learnt that building big was good. This led me into restoring ancient barns and roofs, where I learnt many of the skills I still use today. With the help of the books I have listed, I soon turned to building new oak framed buildings. Over the past 35 years I have had the pleasure of making many fabulous structures and working with some great carpenters and apprentices.
This is a beautifully written and illustrated book that captures the essence of traditional woodland craftsmanship.
As a carpenter, I was enthralled by Ben’s descriptions of sustainable woodland management practices and his detailed instructions on how to make everything from baskets to pole barns using only the timber from his wood.
His passion for the craft shines through on every page, and if you are into truly hand-made carpentry then this is the book for you.
Accompany woodsman Ben Law as he celebrates the amazing diversity of craft products made from materials sourced directly from the woods. Including brooms, rakes, pegs, spoons, chairs, baskets, fencing, yurts and even a caravan, the items are hewn from freshly cut green wood, shaped by hand and infused with a simple, rustic beauty. Detailed instructions and advice are given for each craft, along with essential knowledge about tools and devices. With fascinating information on the history, language and traditions of the crafts, coppice management and tree species, this book teaches about all aspects of the low-impact woodland way of life.
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
Photographs and detailed line drawings cover virtually the entire history of European furniture construction. Not merely a catalogue this book goes into minute detail about construction of the finest furniture that was ever made by hand from clockcases to bedsteads. It explains stylistic details as well as actual methods.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Franz Karg's book is a challenge: Design and build cabinets without any sheet goods—all solid wood— and make the designs exciting, the joinery accommodate stress and expansion and contraction while adding to the quality of design, or even inspiring the design. Working your way through these designs will kick your thinking and your construction approach up a notch!
A master cabinetmaker shows how to build a wide array of lasting furniture for your living room, dining room and bedroom. Sharp photographs and detailed drawings provide the technical information needed to build wall cabinets and other pieces of furniture.
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
The most prolific woodworking writer of the twentieth century, Charles Hayward spans the era that started with hand tools and saw the introduction of the first electric tools thus making clear the advantages of the traditional methods. Profusely illustrated with drawings of joints, tools, and actual techniques, this is truly one of the most complete books on the basics of traditional woodworking.
This book is intended to appeal to all those who want ot know the basic essentials of wood work and of furniture making in particular. It is written by a practical cabinet maker of many years' experience and is thus on thoroughly sound, approved lines. The author starts with the elementary processes - handling tools and cutting joints, passes on to the more specialized work of drawer and door making, veneering, finishing, etc., and closes with a series of attractive designs for things to make with full working drawings and cutting lists. Apprentices, students, and the man-in-the-street should find the…
Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Forget the tape measure. Leave the fractions, decimals, and mathematics behind. Long before the tape measure was a universal adornment on the woodworker’s belt, people designed furniture, houses, bridges, and cathedrals using nothing more than simple whole number ratios. This slender tome will show you how to do just that and will entertain you along the way.
Cartoon character, "Journeyman" and his dog, "Snidely" teach the basics of furniture making. Geometry is a major component of the instruction plus the basic tools of the trade are explained and applied to this art. A novice will truly learn the craft while an experienced carpenter will find this enjoyable reading.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
