Here are 100 books that Grandmaster of Avant-Garde fans have personally recommended if you like
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I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Between 1920 and 1945, the strength of Soviet chess exploded, propelling Soviet players to the top of the chess world – a status held in a vice-like grip for many years after.
There was no more prestigious yearly event than the Soviet Championship, and its winner was of huge political importance: this player should demonstrate the superiority of the Soviet way of life to the decadent West.
Inevitably, the championships produced both amazing chess and great personal drama, and both aspects are beautifully documented by historian Sergey Voronkov in 3 volumes covering the period from 1920 to 1953, replete with photos, cartoons, and poems from the tournament reports of the era.
*****English Chess Federation Book of the Year 2021*****
In his three-volume treatise, leading Russian chess historian Sergey Voronkov vividly brings to life the long-forgotten history of the Soviet championships held in 1920-1953. Volume I covers the first 10 championships from 1920-1937, as well as the title match between Botvinnik and Levenfish. The key contestants also include world champion Alekhine and challenger Bogoljubov, lesser-known Soviet champions Romanovsky, Bogatyrchuk, Verlinsky, and Rabinovich, and names that today will be unfamiliar yet were big stars at the time: Riumin, Alatortsev, Makogonov, Rauzer, Ragozin, Chekhover, and many others. This book can be read on many…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Grigory Levenfish was arguably the strongest Soviet player of the late 1930s, winning the Soviet Championship in 1934 and 1937.
However, establishment favourite and future World Champion Mikhail Botvinnik - with whom he drew a long, tense match in 1937 – secured the official support and scarce international opportunities, leading a disillusioned Levenfish to gradually withdraw from competitive chess.
Levenfish’s memoirs are a reminder that the difference between fame and obscurity lies often not only in ability, and that the winner’s narrative is not the only valid one. His personal account of the appalling suffering he faced during terrible winter of 1941 in the war-ravaged Soviet Union is particularly moving.
Levenfish describes in vivid detail the atmosphere of pre- and post-revolutionary Russia, giving first-hand impressions of some of the most famous names in early-twentieth-century chess, such as Lasker, Rubinstein, Alekhine and Capablanca – all of whom were personally known to him. Some of the stories stay long in the memory: descriptions of the hardships endured by players in the first USSR Championship that took place in the difficult years of the Civil War; of idyllic trips to the Caucasus and Crimea; of grim struggles for survival in the winter of 1941.
Soviet Outcast comprises Levenfish's annotations to 79 of his…
We stumble onto games very early on in life and yet one game alone stood apart for me and hundreds of millions of other people over the centuries: chess. Across 1500 years of the games existence, chess has attracted players numbering in the billions regardless of language, culture, or creed, they were all unified in a passion for the irresistible allure of this remarkable game. In 2016, I was hired by Simon and Schuster to cover the world chess championship featuring arguably the greatest player ever to wield chess pieces, Magnus Carlsen. Fully immersing myself into the game during the researching and writing of the book, I collided with powerful themes.
Stephen Moss’s book about the history of chess and his obsession with it is one of the most pleasurable reads about chess for chess laymen. It’s a kaleidoscopic portrait of the game and the characters and his own personal journey with the game is filled with color and humor. As Moss seeks fulfillment and gratification from the game he encounters a kind of mental torture again and again that resonated a great deal for me with so many of the people who devoted their lives to chess, willingly or unable to resist.
Chess was invented more than 1,500 years ago, and is played in every country in the world. Stephen Moss sets out to master its mysteries, and unlock the secret of its enduring appeal. What, he asks, is the essence of chess? And what will it reveal about his own character along the way?
In a witty, accessible style that will delight newcomers and irritate purists, Moss imagines the world as a board and marches across it, offering a mordant report on the world of chess in 64 chapters - 64 of course being the number of squares on the chessboard.…
As a youngster, my single mom’s bedtime stories did not come out of children’s books. They came out of real history—Hannibal and his elephants, the marauding Huns, or Captain Cook. It seemed preordained that I’d have a life-long love of history, that I’ve written three published historical novels, and am on the review team of the Historical Novel Society. My immersion in history and historical novels provides constant learning and pleasure.
On March 24, 1946, then-current world chess champion, Alexandre Alekhine, is supposed to be getting ready to defend his title against a Russian challenger. But, at age 53, Alekhine lies dead in his seaside hotel room in Estoril, Portugal. Alekhine appears to have been eating dinner alone in his room. A local doctor soon certifies he choked on a piece of meat.
Born in Moscow, handsome, married four times, master of multiple languages, widely travelled, Alekhine was caught behind enemy lines during World War II. To stay alive, he played for both Stalin and high-level Nazis. He drank to excess, smoked heavily, suffered from angina. Did he die of a heart attack, a stroke, choking on food, murder by the KGB, or partisans for his apparent sidling up to Nazis? Sceptics and chess fans have wondered. Maurensig recounts the chess master’s last days and summarizes the many aspects of a…
On the morning of March 24,1946, the world chess champion Alexander Alekhine - "sadist of the chess world," renowned for his eccentric behaviour as well as the ruthlessness of his playing style was found dead in his hotel room in Estoril, Portugal. He was fully dressed and wearing an overcoat, slumped back in a chair, in front of a meal, a chessboard just out of reach. The doctor overseeing the autopsy certified that Alekhine died of asphyxiation due to a piece of meat stuck in his larynx and assured the world that there was absolutely no evidence of suicide or…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
For a true chess geek, it doesn’t get much better than this. The longest reigning world champion in modern times and some would say the greatest player ever, Gary Kasparov is also an important critic of the current Russian regime. In 5 volumes he dives deeply into the games and legacies of all world chess champions that came before him. His understanding is naturally off the charts, and he can write really well too! Reading this gave me a great window into how champions think, and the great games and personalities were fascinating. Warning though—the chess aspect is very advanced. You might want to read this with a worthy chess computer program to help with parts you don’t get—you might even want to first tackle my tactics manuals Forcing Chess Moves or Power Chess for Kids, for more grounding in the process of finding strong moves.
The battle for the World Chess Championship has witnessed numerous titanic struggles which have engaged the interest not only of chess enthusiasts but also of the public at large. The chessboard is the ultimate mental battleground and the world champions themselves are supreme intellectual gladiators. These magnificent compilations of chess form the basis of the first two parts of Garry Kasparov's definitive history of the World Chess Championship. Garry Kasparov, who is universally acclaimed as the greatest chessplayer ever, subjects the play of his predecessors to a rigorous analysis. Part one features the play of champions Wilhelm Steinitz (1886-1894), Emanuel…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
The legendary 18th-century chess champion Andre Danican Philidor called pawns “the soul of chess”. The Dutch master Hans Kmoch was the first to catalog all the nimble and fascinating tricks the humble pawn can do, and how the lowliest chess piece can work together with its neighbors to build a “structure” around which chess positions develop. Unlike computers, we humans need concepts to help us learn, and the ideas around pawn play I learned from this book have stuck with me for decades, helping me understand the correct strategy and tactics for different chess positions.
"One of the few books…which, at a glance, one can recognize as an immortal." — Chess. The proper use of pawns — of paramount importance in chess strategy — sometimes even puzzles experienced players. This profoundly original and stimulating book by an International Master and prolific chess writer offers superb instruction in pawn play by isolating its elements and elaborating on various aspects. After a lucid exposition of the fundamentals and the basic formations of one or two pawns that virtually constitute the keys to winning chess strategy, the reader is shown a multitude of examples demonstrating the paramount significance…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
When I’m not writing or researching chess books, history books and biographies are about all I read these days. Not until college did I realize how amazing a well-written history book could be, telling a great story about how people actually lived in different times and cultures. After 9/11 I wanted to avoid the soundbites and actually understand the history of religious conflict. In my view a great history book must have amazing research and wonderful writing, as well as being fair and balanced, and this trilogy was one of the best I’ve ever read on all counts. It still blows my mind that an author can put together a compelling, accurate, day-to-day account of events that happened 1000 years ago. You have to read it to believe it.
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
One thing that separates chess from all other games is the concept of checkmate. You’ve heard the word a million times, but what is it exactly? You’re probably thinking “Capturing the Enemy King”, but that would be incorrect. Actually it means threateningto capture the enemy King, while denying him any means of escape. I was already an experienced player when I read this book, but it was an “aha” moment. There are recurring checkmating patterns that are far from obvious to beginners; but once you learn to recognize them, you become a better player and enhance your appreciation for the beauty of chess.
"The art of the checkmate has at last been provided with a scientific foundation." — Chicago Sunday Tribune One of the most difficult situations in chess is seeing potential mates in the near future. All players, even grandmasters and champions, have missed such mates in actual play, to their chagrin and the bystanders' delight, for all too often it is easier to play for momentary advantage than to force a mate. This book by two former national chess champions of France provides a rational classification of mating situations, and shows how each possible type of mate has emerged with its…
I have always loved literature, especially for its daring use of language. That’s how I became interested in the weird and strange styles of the nineteenth century. For many scholars, the Victorian novel is the most realistic form of writing ever produced and the closest that the novel comes to cinema—so if you notice an author’s style, then something’s gone wrong because it disrupts the illusion of reality. But it doesn’t take much to realise that even the most realistic novels have styles that are highly distinct and that the Victorian period is full of other writers whose styles are bizarre, extreme, or fascinatingly eccentric.
This book has become so familiar to us through cartoons and movies that we often forget how very weird it is as a piece of writing. The book begins when Alice, bored of her sister’s company, notices a white rabbit muttering to itself “Oh dear! Oh dear!”, and starts to become curious—not, mind you, because talking rabbits are impossible, but only because they are so very intriguing.
The rest of the book shares this bemused tone: Alice will be subjected to all sorts of indignities, including a near-beheading, but as a “good” Victorian girl, she will generally accept the bizarre reality that is presented to her. Carroll’s mastery of language is key to this effect. Nearly every character sounds sensible, turning well-formed logical sentences, but they never make much actual sense, and their speeches are riddled with so many puns, double meanings, and other linguistic tricks that one can never…
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
As a child fascinated by chess, I devoured chess books about the old masters – colourful, eccentric geniuses who drew me into a world that I’ve never since wanted to leave!
Chess in those days was not just about who was the strongest, but also on a philosophical level about who was playing the “chess of the future”.
Hendriks examines the long rivalry between the first World Champion Steinitz and his challenger Zukertort through their writings – often conducted via fierce polemics in their respective newspaper columns – and their 1886 World Championship match.
It’s a moving human story which highlights that the winner’s narrative (“Steinitz won, and defeated an old-fashioned player with modern chess”) is not always the correct one!
The rivalry between William Steinitz and Johannes Zukertort, the world's strongest chess players in the late nineteenth century, became so fierce that it was eventually named The Ink War. They fought their battle on the chessboard and in various chess magazines and columns. It was not only about who was the strongest player but also about who had the best ideas on how to play the game.In 1872, Johannes Zukertort moved from Berlin to London to continue his chess career. Ten years earlier, William Steinitz had moved from Vienna to London for the same purpose; meanwhile, he had become the…
