100 books like Giving Up the Gun

This book, Whiting’s first, appeared around 1976/7 and went through several editions. The title was a subtle parody of anthropologist Ruth Benedict’s 1946 classic, The Chrysanthemum and the Sword: Patterns of Japanese culture. I read it around the time I was writing my first book, Manga! Manga! The World of Japanese comics, and it was a great inspiration. It did with baseball what I was trying to do with Japanese comics—show how Japanese were interpreting something with which North Americans were very familiar (baseball and comics) in very different ways.

In my case, manga provided an entertaining, non-didactic way to look not only at Japanese use of comics but at some broader cultural issues. Conversely, it could even be seen as a way to look at American comics and culture.

This book is by a Japanese poet and Buddhist priest in the 12th century, who rejected life in the capital of Kyoto for a tiny hut in forested mountains. At a time when Kyoto was wracked by earthquakes, storms, fires, and political unrest, he records his life and his opinions about both human misery and the advantages of simplicity. It has always been an inspiration to me. It’s a small book of fewer than 100 pages, easy to carry around, but always somehow calming.

At the start of the 1990s, I discovered a dusty, original edition of this book at my local library. Published in 1923 and reprinted in 1990, it tells the story of Ranald MacDonald (1824-1894)—a half Chinook and half Scot from today’s Astoria, Oregon—who may be the first North American to go to Japan alone, of his own volition. Heavily edited and annotated from his original manuscript, it is a complex story, partly because many of his words were posthumously re-written by a friend. This created a twelve-year obsession for me—to research and untangle the true story as it relates to Japan. MacDonald became my hero. In 1993, I dedicated one book (America and the Four Japans: Friend, Foe, Model, Mirror) to him. In 2003, I finally finished my own book about him: Native American in the Land of the Shogun: Ranald MacDonald and the Opening of… show more.

In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.

Shakespeare commented that brevity is the soul of wit. No wasted words in this short book that provides a whirlwind tour of Japanese foreign policy from the mid-nineteenth century to the 1980s. Iriye starts with Japan’s emergence as a great power and takes the story through the end of the Cold War.

This book is also old but I have always loved it. It’s the best thing ever written by Edwin Reischauer, the pioneer historian of Japan and also US Ambassador to that country during the Kennedy administration. It follows Ennin, a ninth-century Japanese Buddhist monk, on his visit to the glorious and cosmopolitan Tang empire in China together with a group of Japanese diplomats. Travel then was very different from travel now; to go by ship across the East China Sea was to take your very life into your hands. What an adventure!

Kitchen is an utterly charming short novel by a modern writer whose protagonist, Mikage, is a young woman who must find a way to carry on after the death of her beloved grandmother who served as her sole caregiver-guardian. Her voice engages immediately: “The place I like best in this world is the kitchen.” Orphaned amidst the bustling world around her, Mikage hesitatingly accepts an invitation to move in with Yuichi, a boy who’d worked part-time in her grandmother’s flower shop. His situation is also unusual, as he lives with his trans mother—an elegant woman who actually is his biological father. Food serves as a compelling bond and plot twister. Expect lots of food and cooking in this novel, plus generous doses of pure kindness and unconditional love. 

I know nearly nothing about the Far East—so was delighted to experience a taste of Japan through this compassionate, original novel told from the point of view of young American nurse, Diana, as she takes the job of nanny to the toddler Yuki, after divorce has forced Yuki’s mother from the family home. Immersed in a different culture, Diana feels confusion, fascination, and a growing love for Yuki. The tension builds as she begins to understand the real danger the child is in. Diana faces psychological peril as she tries to break the chain of damage for Yuki—and herself. As a mother of three, I often can’t bear child jeopardy in a plot, but the author’s intelligent writing is compelling and sensitive, not gratuitous. 

No Longer Human spans an entire human life in all its nuances and difficulties.

In some of the more difficult periods of my life, I’ve remembered my experience of No Longer Human and its intricacies in depicting the swarm of political ideology and manipulation of difficult relationships.

It’s a work that beckons you to live your life to your ends and fear only your loss of control over your narrative.

The Elephant Vanishes includes two of my favorite stories by any contemporary writer.

Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.

This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.