Here are 100 books that Family Lexicon fans have personally recommended if you like
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I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
Letters to Men and Women of Letters
by
Diane Joy Charney,
In her Letters to Men and Women of Letters, Diane Joy Charney writes to the authors she admires, both living and dead, who continue to keep her company. Her letters reflect what these writers have taught Charney about herself, but also what they can offer the reader. Each letter—part…
Tim Parks moved to Italy in 1981 and is still there today. He has written five bestselling books about the country, brought up three splendid Italian children and translated some of the country’s best-loved authors. There cannot be many foreigners more familiar with the country, its literature, its history and its people.
“COMES over one an absolute necessity to move.” Has there ever been a more appropriate opening line to any travel book? D H Lawrence moved to Sicily right after the First World War and from there got the itch to board a ship and visit Sardinia to the north with his wife Frida. He was hoping to find a primitive, pre-modern society, where men were men and women were women. He did indeed find them and was appalled. But delighted too. It’s hard to think of a book with more fun in it, more self-mockery, more pathos, and more poetry. Not to mention the descriptions of Sardinia. To die for.
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
This was the first book I read about Basilicata, and it is essential for anyone interested in Southern Italian roots. Written in staggeringly poetic language, it offers a sad but beautiful introduction to the culture and history of the region, which is hardly ever written about and barely even visited, even by Italians.
During WWII, Levi was sent as a prisoner to Basilicata as punishment, to work as a doctor among the peasants there. The book taught me about the feudal farm system still in place there well into the 20th century, about its inhospitable landscape, and its isolated, poverty-stricken population – my ancestors.
It set the bar high for me to write my own memoir and continues to inspire me. The title refers to the fact that the train line only went as far as Eboli – that Christianity and civilization stopped short of Basilicata.
'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.'
So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war,…
After receiving my doctorate in Social Anthropology at Oxford University, I worked in the Nixon Administration until I was fired for publishing a study, Work in America, that garnered front-page attention and accolades in the New York Times (and condemnation in Wall Street Journal editorials). Unemployed and with a family to support, I was rescued by the Aspen Institute, which hired me to direct a program on workplace issues. There, I met philosopher Mortimer Adler, the management guru Peter Drucker, and the father of leadership studies, Warren Bennis. They became my mentors, and through them, I received the education I didn’t get in seven years of formal higher education!
This bible of Realpolitik is another how-not-to-lead classic.
Although Big Mac believed he was offering sound advice to his generic “prince,” his prescription was famously amoral and situational and offered to those who had only one interest: to gain and maintain power at all costs. Since those ends justify any means to their attainment, the prince is advised to use such tactics as flattery, lying, bullying, threatening, and “confusing men’s minds.” Do anything that works.
The prince uses his subject to achieve his ends, not theirs. He is all about himself. Sound familiar?
Here is the world's most famous master plan for seizing and holding power. Astonishing in its candor The Prince even today remains a disturbingly realistic and prophetic work on what it takes to be a prince . . . a king . . . a president. When, in 1512, Machiavelli was removed from his post in his beloved Florence, he resolved to set down a treatise on leadership that was practical, not idealistic. In The Prince he envisioned would be unencumbered by ordinary ethical and moral values; his prince would be man and beast, fox and lion. Today, this small…
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
As a historian of the Allied bombing of Italy, I read a lot of depressing accounts of the suffering of Italian civilians. It was a relief to discover that fellow historian Erik Linklater, author of the official British history of the Italian campaign, had published a comic novel based on his wartime experiences.
Its hero is Private Angelo, the reluctant soldier who issues forth such gems as: “It has taken us a long time to lose the war, but thank heaven we have lost it at last, and there is no use in denying it.” Linklater doesn’t hide the war’s devastating toll or sugarcoat the occupation itself. “We are very grateful to you for coming to liberate us,” he has Angelo tell the Americans, “but I hope you will not find it necessary to liberate us out of existence.”
Angelo, a private in Mussolini's 'ever-glorious' Italian army, may possess the virtues of love and an engaging innocence but he lacks the gift of courage. However, due to circumstances beyond his control, he ends up fighting not only for Italy but also for the British and German armies.
With his patron the Count, the beautiful Lucrezia, the charming Annunziata, and the delightful Major Telfer, Angelo's fellow characters are drawn with humour, insight and sympathy, making the book a wittily satirical comment on the grossness and waste of war.
Eric Linklater, who served with the Black Watch in Italy in World…
When I was a child, my mother and I shared and discussed Zane Grey books. I loved his portrayal of the past and read every one. My obsession with historical fiction grew, and I wrote my first draft of Elephant in the Room at age sixteen. I’m stuck in the period between 1875 and 1940 because of the simplicity driving life as well as the complexity of larger events changing the world. Wilder, Steinbeck, Twain, all picked me off my feet and set me down in their shoes. I’m not able to remove them. I write about courageous women because we are, whether it’s expressed or is in waiting.
Set in Italy during WWII, Liliana Nicoletti becomes involved in the partisan cause to save her country from the Germans. When her family encounters an escaped POW, she learns what it means to fight the Fascists who are destroying her community and joins the resistance.
Her mother and sisters shot, mud and blood streaming over her face, she picks up the rifle she hadn’t used in years and vows to find her father. Realistic and horrific, the first half of the tale paints a picture of courage beyond what we imagine possible and of relationships formed from the tangled threads of love and need. After the war, angst mixes with hope as Liliana and James search for the men who slaughtered innocent people. Is justice or revenge driving her?
The author drew me into the story with vivid details and kept me on the edge of my seat with twists and turns. I cared…
Against the backdrop of WWII-ravaged Italy comes a powerful and emotional novel of love, survival, justice, and second chances by the bestselling author of White Rose, Black Forest.
Occupied Italy, 1944. In the mountain regions south of Bologna, Liliana Nicoletti's family finds escaped POW James Foley behind German lines. Committed to the anti-Fascist cause, they deliver him to a powerful band of local partisans. But when the SS launches a brutal attack against the Resistance, Liliana's peaceful community is destroyed. Alone and thrown together by tragedy, James and Liliana fight together as Monte Sole burns. Forging an unbreakable bond, they…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
This was Calvino’s first novel when he was just in his early twenties, and long before he became known for his explorations of fantasy, fable, and magical realism.
He tells the story of a cobbler’s apprentice in a Ligurian town who becomes involved with a band of partisans during WWII. This brotherhood, who take on assumed identities by day and fight for Italy’s freedom up in the mountains by night, provides a story of second family for the protagonist, Pin, as he comes of age during a tumultuous time.
I love how we see the flickerings of who Calvino will become as a writer with this early foray into realism.
Italo Calvino was only twenty-three when he first published this bold and imaginative novel. It tells the story of Pin, a cobbler's apprentice in a town on the Ligurian coast during World War II. He lives with his sister, a prostitute, and spends as much time as he can at a seedy bar where he amuses the adult patrons. After a mishap with a Nazi soldier, Pin becomes involved with a band of partisans. Calvino's portrayal of these characters, seen through the eyes of a child, is not only a revealing commentary on the Italian resistance but an insightful coming-of-age…
I am the son of a pacifist poet and a Marine veteran of Vietnam. Perhaps because of this contradiction, I’ve been unable to find any occupation satisfying outside of writing. I spent my formative years with imaginary friends I met in libraries. My love of faraway places, romance, and war continues to this day. I write stories of strangers meeting under bleak conditions and finding the strength in each other to win the day.
If you like intrigue, then welcome to Venice in 1938. This novel features a likable heroine in search of the solution to a mystery contained in a sketchbook. It’s full of art—both real and metaphorical. Set against the backdrop of impending war, this one is full of courage and heart.
"Rhys Bowen crafts a propulsive, unexpected plot with characters who come vibrantly alive on the page." -Mark Sullivan, author of Beneath a Scarlet Sky
Love and secrets collide in Venice during WWII in an enthralling novel of brief encounters and lasting romance by the New York Times bestselling author of The Tuscan Child and Above the Bay of Angels.
Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper...Venice. Caroline's quest: to scatter Juliet "Lettie" Browning's ashes in the…
I may be English by birth, but my soul has always felt Italian! I have lived and worked in Italy for many years, first in Rome, then Milan, and finally Tuscany when we fell in love with an abandoned farmhouse. I wrote The Chestnut House while we were living in the mountains of the Garfagnana in northern Tuscany, inspired by the wartime stories our neighbours shared with us. For me Italy is the perfect country—great weather, food, wine, language, and culture! I love both reading about it, and writing about it. I hope you enjoy the books on my list as much as I have!
I have read several of Angela Petch’s excellent novels, all set in Tuscany. I lived in Tuscany for two years, and her descriptions not only of the countryside but also the characters that inhabit this special part of the world are spot on. This novel kept my interest, was well-plotted, and a real pleasure to read. Her research into the wartime period is well done, and I love the details about how people lived back then. It really is another world. How our modern world integrates with it, and what we can learn from it, is something I feel she explores really well, by introducing the past to the present through her characters.
Italy, 1945. ‘Where am I?’ The young man wakes, bewildered. He sees olive trees against a bright blue sky. A soft voice soothes him. ‘We saw you fall from your plane. The parachute saved you.’ He remembers nothing of his life, or the war that has torn the world apart… but where does he belong?
England, present day. Antique-shop-owner Susannah wipes away a tear as she tidies her grandmother’s belongings. Elsie’s memories are fading, and every day Susannah feels further away from her only remaining family. But everything changes when she stumbles across a yellowed postcard of a beautiful Italian…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.