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In many ways, this sort of book has gone out of style since it was published in the 1960s.

It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.

For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.

“COMES over one an absolute necessity to move.” Has there ever been a more appropriate opening line to any travel book? D H Lawrence moved to Sicily right after the First World War and from there got the itch to board a ship and visit Sardinia to the north with his wife Frida. He was hoping to find a primitive, pre-modern society, where men were men and women were women. He did indeed find them and was appalled. But delighted too. It’s hard to think of a book with more fun in it, more self-mockery, more pathos, and more poetry. Not to mention the descriptions of Sardinia. To die for.

This was the first book I read about Basilicata, and it is essential for anyone interested in Southern Italian roots. Written in staggeringly poetic language, it offers a sad but beautiful introduction to the culture and history of the region, which is hardly ever written about and barely even visited, even by Italians.

During WWII, Levi was sent as a prisoner to Basilicata as punishment, to work as a doctor among the peasants there. The book taught me about the feudal farm system still in place there well into the 20th century, about its inhospitable landscape, and its isolated, poverty-stricken population – my ancestors.

It set the bar high for me to write my own memoir and continues to inspire me. The title refers to the fact that the train line only went as far as Eboli – that Christianity and civilization stopped short of Basilicata.

This bible of Realpolitik is another how-not-to-lead classic.

Although Big Mac believed he was offering sound advice to his generic “prince,” his prescription was famously amoral and situational and offered to those who had only one interest: to gain and maintain power at all costs. Since those ends justify any means to their attainment, the prince is advised to use such tactics as flattery, lying, bullying, threatening, and “confusing men’s minds.” Do anything that works.

The prince uses his subject to achieve his ends, not theirs. He is all about himself. Sound familiar?

As a historian of the Allied bombing of Italy, I read a lot of depressing accounts of the suffering of Italian civilians. It was a relief to discover that fellow historian Erik Linklater, author of the official British history of the Italian campaign, had published a comic novel based on his wartime experiences.

Its hero is Private Angelo, the reluctant soldier who issues forth such gems as: “It has taken us a long time to lose the war, but thank heaven we have lost it at last, and there is no use in denying it.”  Linklater doesn’t hide the war’s devastating toll or sugarcoat the occupation itself. “We are very grateful to you for coming to liberate us,” he has Angelo tell the Americans, “but I hope you will not find it necessary to liberate us out of existence.”

Set in Italy during WWII, Liliana Nicoletti becomes involved in the partisan cause to save her country from the Germans. When her family encounters an escaped POW, she learns what it means to fight the Fascists who are destroying her community and joins the resistance.  

Her mother and sisters shot, mud and blood streaming over her face, she picks up the rifle she hadn’t used in years and vows to find her father. Realistic and horrific, the first half of the tale paints a picture of courage beyond what we imagine possible and of relationships formed from the tangled threads of love and need. After the war, angst mixes with hope as Liliana and James search for the men who slaughtered innocent people. Is justice or revenge driving her?

The author drew me into the story with vivid details and kept me on the edge of my seat with twists and turns. I cared… show more.

This was Calvino’s first novel when he was just in his early twenties, and long before he became known for his explorations of fantasy, fable, and magical realism.

He tells the story of a cobbler’s apprentice in a Ligurian town who becomes involved with a band of partisans during WWII. This brotherhood, who take on assumed identities by day and fight for Italy’s freedom up in the mountains by night, provides a story of second family for the protagonist, Pin, as he comes of age during a tumultuous time.

I love how we see the flickerings of who Calvino will become as a writer with this early foray into realism.

If you like intrigue, then welcome to Venice in 1938. This novel features a likable heroine in search of the solution to a mystery contained in a sketchbook. It’s full of art—both real and metaphorical. Set against the backdrop of impending war, this one is full of courage and heart.

I have read several of Angela Petch’s excellent novels, all set in Tuscany. I lived in Tuscany for two years, and her descriptions not only of the countryside but also the characters that inhabit this special part of the world are spot on. This novel kept my interest, was well-plotted, and a real pleasure to read. Her research into the wartime period is well done, and I love the details about how people lived back then. It really is another world. How our modern world integrates with it, and what we can learn from it, is something I feel she explores really well, by introducing the past to the present through her characters. 

Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.