Fans pick 100 books like Empire and the Sun

Fascination by the night sky as a young child led to an ambition to become an astronomer. This ambition took me to an honors degree in physics from the University of Sydney in Australia and later to a PhD in astronomy. Afterward, I joined Sydney Observatory, initially as one of four astronomers, and later, after the Observatory became part of a large museum, as Curator of Astronomy. During my 30 years working full-time at Sydney Observatory, I became intrigued by the history of astronomy. A manifestation of that interest was the 2011 book Transit of Venus: 1631 to the Present and, more recently, my book, listed below.

Fascination by the night sky as a young child led to an ambition to become an astronomer. This ambition took me to an honors degree in physics from the University of Sydney in Australia and later to a PhD in astronomy. Afterward, I joined Sydney Observatory, initially as one of four astronomers, and later, after the Observatory became part of a large museum, as Curator of Astronomy. During my 30 years working full-time at Sydney Observatory, I became intrigued by the history of astronomy. A manifestation of that interest was the 2011 book Transit of Venus: 1631 to the Present and, more recently, my book, listed below.

Fascination by the night sky as a young child led to an ambition to become an astronomer. This ambition took me to an honors degree in physics from the University of Sydney in Australia and later to a PhD in astronomy. Afterward, I joined Sydney Observatory, initially as one of four astronomers, and later, after the Observatory became part of a large museum, as Curator of Astronomy. During my 30 years working full-time at Sydney Observatory, I became intrigued by the history of astronomy. A manifestation of that interest was the 2011 book Transit of Venus: 1631 to the Present and, more recently, my book, listed below.

Fascination by the night sky as a young child led to an ambition to become an astronomer. This ambition took me to an honors degree in physics from the University of Sydney in Australia and later to a PhD in astronomy. Afterward, I joined Sydney Observatory, initially as one of four astronomers, and later, after the Observatory became part of a large museum, as Curator of Astronomy. During my 30 years working full-time at Sydney Observatory, I became intrigued by the history of astronomy. A manifestation of that interest was the 2011 book Transit of Venus: 1631 to the Present and, more recently, my book, listed below.

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago. 

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.

I grew up on Chicago’s home front during WW2. President Roosevelt wanted everyone—adults and children—to do their part for the war effort. So we neighborhood kids formed a Victory club, where we marched around singing, “Let’s Remember Pearl Harbor,” and other patriotic songs. And though we had fun, we understood the meaning of the gold stars in the windows, and knew that terrible things were happening on the other side of the world. There are so many wonderful books set during this time period, and I can never read enough of them. These books, along with my memories, are what inspire me to write historical fiction of my own.

Ever since watching the BBC adaptation of Pride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelice drew on his illicit love affair with serving girl Sarah Walker. My début Pandora is vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.