100 books like Dreams of Africa in Alabama

The wealth gap between Blacks and Whites in the U.S. is enormous! Whites have 10 times the wealth as Blacks. The disparity is not because Whites are smarter or have worked harder. This book does a masterful job of clearly explaining one of the reasons behind the wide wealth gap. 

Most people are aware of the fact that 246 years of slavery was a successful government policy that intentionally enriched Whites while simultaneously impoverishing Blacks. But most people are not aware that a new system with the same dual objectives, followed the abolition of slavery in 1865. This book tells the story of Black Codes, Vagrancy Laws, and convict leasing that occurred for 60 years after the passage of the 13th Amendment, emancipating Black enslaved people. These government supported policies replaced slavery as the new program to subsidize White wealth creation at the expense of millions of Blacks. 

Douglas Blackman… show more.

It’s hard to know quite where to begin with this book–there is so much to love.

This book tells the story of the Great Migration of African American people out of the South across the United States to Chicago, New York, California, and beyond; it transforms and fills in a crucial part of American history that every American should know to understand our present day. But for me, what I love most starts with the way Isabel Wilkerson cares for people’s stories. 

Wilkerson tells this decades-long, sweeping, under-told story through individual stories that are so detailed and compelling, so thoroughly contextualized with historical research, that I was completely enmeshed in these people’s lives, their struggles, their loves, and their feelings. I cared. In the years since I read it, stories from the book often come to my mind, teaching and guiding me like the words of a beloved relative. 

This is one of my all-time favorite books! It was given to me by my nephew Kareem, in 2018. I have read it cover to cover, twice. My handwritten notes are on over 50% of the pages. 

The research that Baradarian put into this book is unparalleled. The book is chockful of facts and data that I never knew about Black history. For example, her research uncovered the fact that the forty acres of land that were to go to the 4 million formerly enslaved Black people after the Civil War was to be sold, not given to Blacks at $1.25 per acre. 

This book is filled with an abundance of typically unknown data, as she admirably tells the history of Blacks in America, through the Black banking industry’s chronicles. 

In the spirit of full transparency, my love for this book preceded the 2019 interview that I did of Baradarian… show more.

After interviewing me for my new book in May 2021, the editor of a suburban newspaper in Chicago asked me to write an Op Ed piece about the new federal holiday, Juneteenth. It is the day of recognition and celebration of the ending of slavery in the last confederate state of Texas in 1865. My Op Ed piece titled, “My Bittersweet Feelings About Juneteenth,” was written to inform and educate adult readers about June 19, 1865. That was the day Union Troops arrived in Galveston, Texas, and began informing Black enslaved people that they were officially emancipated. 

The Juneteenth Story is a well-researched and beautifully written historical depiction of the same event. But the targeted audience of readers are children. It is the size of a large typical children’s coloring book filled with pretty colors and appealing graphic art. My 40-year-old daughter, Akilah, gave it to me as a Father’s… show more.

This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).

This book establishes that slavery was central to the Rhode Island economy from the colonial period well into the nineteenth century.

For many years, historians concentrated on slavery in the South, but we now have great scholarship on slavery in the North. Clark-Pujara illustrates how the black community, including the women, struggled against oppression in New England.  

Once I started reading, I could hardly put it down.

Before I read this book, I had no idea just how much slavery’s economic benefits to the North allowed so many individuals to look the other way. This was the first book that underlined for me why all Americans, Northerners, and Southerners, need to own and understand our history.

The chapter “Plunder for Pianos” on the ivory trade and piano keys forever changed my sense of how the Triangle Trade operated.

In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.

As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.

His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.

This is transnational scholarship at its best. Asaka tells the story of how the history of emancipation in Canada and the United States is intertwined into the history of efforts to exile freed people to tropical climates around the world where they could be used to create a monopoly over indigenous lands. This is a tale of hemispheric proportions, taking the reader from North America to the Caribbean and the East Coast of Africa, but of global importance – telling as it does the history of the racialization of freedom in the Age of Empire. Just as important, and told here in arresting fashion, are the ways in which black activists contested and remade those spaces.

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.