Here are 44 books that DJing For Dummies fans have personally recommended if you like
DJing For Dummies.
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Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
Definitely dated, UK-centric, and undeniably highly opinionated, this is nonetheless essential. It is a fascinating read, a historical document of the height of the 90s dance scene, and it's both honest and humorous to boot. If you want a pile of hints and tips about how to DJ well while at the same time finding yourself falling in love with how special dance music can be and what it can mean to those who dedicate their lives to it, add this one to your list.
Not one to leave lying around, though, as it is pretty honest about the underbelly of the dance scene in places—as is another book we're getting to later in this list.
DJs have gone from being underpaid live jukeboxes to becoming premier entertainers, producers, businessmen, and musicians capable of commanding admiration from thousands and earning serious money. Bill Brewster and Frank Broughton's Last Night a DJ Saved My Life was the definitive history of the DJ. Now they gather their mastery of the artistic and technical aspects of being a DJ into a clear, accessible, and entertaining guide. How to DJ is the perfect guide -- from the most basic keys to establishing a music collection and a distinctive sound, to elementary record-spinning, to the complex skills of scratching, hot-mixing, and…
Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
As a DJ tutor who's been in this game for 30+ years, I'm amazed at how often students really want me to tell them a bit about what it was like to DJ on the club scene "back in the day." When they do, I send them to this book.
Written by an anonymous DJ who toured the world playing in the best clubs for long enough to experience many highs and some considerable lows, it is part memoir, part Spinal Tap, as it lifts the lid on the hedonism, stupidity, and craziness of the club/rave scene at its height. Certainly harrowing in parts, but it is also laugh-out-loud funny - and is nothing if not brutally honest.
DISCOVER THE REALITY OF LIFE AS A SUPERSTAR DJ IN THIS SENSATIONAL EXPOSE OF WHAT REALLY GOES ON BEHIND THE BPMs.
The glamour, the parties, the excess, the highs and, of course, the lows. In The Secret DJ, a globally renowned DJ takes us on a breakneck journey, plunging us into a life lived in the hedonistic fast lane of club culture over the last thirty years, from the dawn of acid house to the dusk of EDM. Whether playing to ten thousand fans in Ibiza's superclubs or in a local pub function room, this DJ's experiences are a cautionary…
Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
Rick has been the go-to expert in print on how to make dance music for many years, and while techniques and practices in music production change all the time, this book remains an invaluable reference on how to make music for yourself.
Nowadays, if you want success outside of your own town or city, it is practically essential that you make music as well as play it, so if being a "DJ/producer" rather than just a "DJ" is what you're gunning for, this is one you should definitely add to your bookshelf, which will give you the theory and background behind the skills that courses and videos can teach you when it comes to making music the modern way.
Dance Music Manual, aimed at the novice and seasoned professional alike, takes the reader through the software and hardware needed to create original, captivating, and professional sounding music.
Key features of Dance Music Manual include:
How to create compelling, professional-sounding original or remixed dance tracks.
The differences between different genres and how to produce them.
How to expose your tracks to their chosen audience and equip you with the skills to develop your career as a dance music producer and engineer.
Along with the book is a companion website, which provides examples of synthesis programming, compression, effects, MIDI files, and…
Having started DJing at the age of 15 (my mum had to drive me to gigs!) and DJed professionally since 1991, I've seen and done most things in this game, from DJing at Privilege in Ibiza (at the time, the biggest nightclub in the world), to co-promoting an award-winning club night of my own in my home town of Manchester, England, for many years, to other types of DJing like playing on the radio, a stint as a mobile DJ, live streaming (in Covid), podcasting and—since 2010—running Digital DJ Tips, the world's largest online DJ school.
It's a good book to own alongside the same authors' "how-to" guide listed above. I always recommend this one for my students when they want to understand a bit more about what it is actually like to DJ professionally and why people dedicate their lives to it.
The book is in the form of a series of interviews with DJs, many of whom are well known (or at least, were at the time it was written—it is quite old), but many of whom certainly weren't ever famous, and historically it covers a large timespan. Success in DJing means something very different depending upon your outlook, where you are in the world, and so on, and this book empowers the learning DJ to have confidence in their dreams by sharing a wide range of stories and experiences of the life of the DJ.
'Literally changed the course of my life' James Murphy
'The chapter on Larry Levan alone transformed me into wanting to be your favorite DJ' Questlove
'The original and still the best' Gilles Peterson
'We can't tell the story of dance music without speaking the names of Sharon White and Judy Weinstein, so I welcome this vital update' The Blessed Madonna
When someone says, 'You have to know your history...' this is it. This classic book is the whole unruly story of dance music in one volume. It recreates the dancefloors that made history, conjuring their atmosphere with loving detail and…
I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed.
Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.
This book is full of unexpected delights from beginning to end.
The first spread states, “ROAR!! Goes the…” opposite a cutout that shows a tiger driving. The next spread says, “…TRUCK that rumbles up the road,” and shows the tiger driving a truck with a crate of tacks tumbling onto the road.
Likewise, “Hiss…goes the CAR that gets a flat tire,” driven by a snake. A parade of vehicles gets held up behind them until a coyote-driven police car (Awooo!) and beaver-driven tow truck (chomp!) save the day.
Cushman’s illustrations contain even more visual jokes. The sloth passing the pile-up on the sidewalk while pushing a tennis-ball-footed walker made me laugh out loud, even without a vehicle- or animal-loving toddler to read it to.
With a nod to Richard Scarry, this inventive picture book surprises readers with every turn of the page!
Hiss! Screech! Roar! It's a noisy day in Bumperville! But are the sounds what you think they are? That Honk! must surely be a goose. But turn the page and it's the taxi that a goose is driving! Using cleverly placed die-cuts, this inventive book hints at what is making the sound, but with each turn of the page, it's an eye-opening surprise and part of an unfolding story that is part guessing game and part giggle-inducing caper. Abi Cushman is the…
I love the outdoors, and there are so many benefits to playing, imagining, and being outside. I grew up on a fruit farm in Southern Ontario, so I spent much of my growing years playing outdoors and enjoying the natural world. When I became a professional educator, I read the research about the very concrete benefits being outside every day has on young learners. Bring on the recess! Books have a way of sparking action. When we read about how someone else enjoys the outdoors, it makes us want to do the same. Books are inspiring.
Ten Ways to Hear Snow commemorates the sounds of winter. Lina sets off alone to visit her grandmother (another Little Red Riding Hood reference!) the morning after a blizzard. As she walks through the neighbourhood, she notices the sounds snow makes while building a snowman, shoveling snow, and more. At her grandma’s place, they form a new point of connection because her grandma can’t see well and so relies on listening.
One winter morning, Lina wakes up to silence. It's the sound of snow - the kind that looks soft and glows bright in the winter sun. But as she walks to her grandmother's house to help make the family recipe for warak enab, she continues to listen.
As Lina walks past snowmen and across icy sidewalks, she discovers ten ways to pay attention to what might have otherwise gone unnoticed.
As an author and educator, my work centers on the history, business, and art of the music industry and film industry. I don’t think my fellow historians use musical evidence enough as a primary document that reveals much about the society and time period one is writing about—just as much as the usual primary and secondary documents historians use. I try to ensure my books are entertaining as well as rigorously researched. I’m also a songwriter, with many years in the music biz, and have done much work in radio, especially crafting music shows. I’m always discovering amazing stuff from various eras, and it’s not much fun if you don’t share it, which is part of why I’m on Twitter.
Going back 125 years in recording history, Milner’s book will make you question what “good recorded sound” is, and how that notion, surprisingly, is a political one that has changed over time. A diversity of genres and artists are brought in to prove his points. He demonstrates why technological innovations such as the cylinder, the 78RPM record, magnetic tape, albums, transistors, the cassette, the CD, ProTools and of course MP3s changed the sound and content of music forever. And also how such changes greatly affected the bottom line of the music business, increasing or decreasing revenue as the case may be. Might change how you view your music collection.
In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented.
Tracing the contours of this history, Greg Milner…
I remember being a kid and wanting to know everything about everything. After I’d been teaching yoga for several years, and finding myself struggling with stress and trauma that the yoga wasn’t helping, I really started to dive into the world of Energy. That world is fascinating, endless, and powerful. And the more I study and learn, the better my life gets. I’ve created my own teaching methodology from all the studies I’ve done and helped thousands of people find their own inner strength and healing. I love learning how other people overcame their struggles and how at the root, we basically all want to help each other! That's the kind of world I aspire to.
If you want your mind blown, and want to cultivate a new understanding of how the universe works: buy this book! Eileen opens up the cosmology that we all learned and shows us that there is another way to view how the world works. And with that understanding, we have a way to see ourselves as part of the world instead of separate from it. This connection is the start of healing. And all of that is only the first half of the book.
She then takes the reader on a wild ride into understanding how the field that surrounds the body – called the aura or the biofield – works, holds information, and also holds one of the keys to healing and well-being. This book is engaging, inspirational, and totally not what you were expecting!
A guide to the basics of Biofield Tuning, using tuning forks to clear trauma stored in the human energy field
* Provides a precise map of the energetic biofield that surrounds the body, showing where specific emotions, memories, traumas, and pain are stored
* Details how to locate stored trauma in the biofield with a tuning fork and clear it
* Winner of the 2015 Nautilus Silver Award
When Eileen McKusick began offering sound therapy in her massage practice she soon discovered she could use tuning forks to locate and hear disturbances in the energy field, or biofield, that surrounded…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.
I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.
Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.”
How Music Works is David Byrne's buoyant celebration of a subject he has spent a lifetime thinking about.
Equal parts historian and anthropologist, raconteur and social scientist, Byrne draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
A brainy, irresistible adventure, How Music Works is an impassioned argument about music's…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
Herman Klein wrote for the magazine, Gramophone during the 1920s and his reviews of the then-current 78 r.p.m. recordings are among the best you can read. This book from Amodeus Press contains all his reviews and articles for that magazine and is a fascinating, essential read. This is another book that I have read and re-read over the years, scribbled in the margins, and quoted from in my own writing.
From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.