100 books like Daughter of a Daughter of a Queen

Captive is another romance with pirates and passion. It’s part of a larger series featuring the LeVeq family. In this story, privateer Dominic LeVeq, frees and falls for slave Clare Sullivan. Soon they become desperate to have each other. I loved the relationship between these two characters and the devotion that develops between them.  

No one writes like Gayl Jones.

Her language, voice, and narrative style make her a singular entity all unto herself. Her first novel, Corregidora, explores the tumultuous life of a blues singer haunted by a dastardly familial trauma. When the novel opens, the protagonist, Ursa Corregidora, has just suffered a horrible accident that renders her unable to have children. 

What happens afterwards is a complex and raw exploration of lineage, darkness, and sexuality. It’s a haunting, relentless book. And it’s not hyperbole to say that it changed the course of black women’s literature.

The rest of us, trying to grapple with the intricacies of race & sex, are simply writing in her wake.

The author and I live near each other and we got to know each other at local writer events. So when I heard that her book won Lee and Low’s New Voices Award, I just had to get Glenda’s book. And I did! She autographed a copy for me which I treasure. This is a tender, powerful, and inspiring picture book. It tells the true story of how Frederick Douglass’s mother would visit him. He was a young child working on a plantation. His mother lived and worked six miles away. At night, she would walk six miles through the dark woods to come to visit Frederick, then head back home before dawn. He knew his mother loved him—it was a love that stretched 12 miles long.

Williams is another beautiful writer and what I love most about this book is it dispels the very harmful myths about Black intelligence during and after slavery. The author shares the many ways that enslaved Africans taught each other to read even though reading or teaching a Black person to read was illegal in all of the southern states. Reading, storytelling, and passing on knowledge across generations is part of the African American tradition and Williams captures all of this and more in this beautiful book.

This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.

In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.

This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.

I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended. 

I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally.  Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.

You can’t understand the role of labor in America unless you understand slavery, which set the original template for American labor exploitation that still echoes to this day.

This book is one of the best explorations of American slavery, its roots, and its integral connection to the capitalism that surrounds us all.

When you appreciate how long and completely slaves were oppressed and who got the gains of the work they did, you will develop a much sharper appreciation for the importance of maintaining worker power today.

An outgrowth of the 1619 project, this masterful picture book traces a family’s roots from Africa through generations of enslavement in the United States to today. A young girl’s grandmother tells stories in the form of poems that convey joy, terror, heartache, persecution, struggle, and triumph. Illustrations move from light during the times in Africa to dark during the decades of enslavement and back to light in the present. The book ends on a positive note with the girl drawing an American flag—the flag of the country that her ancestors helped build and “that I will help build, too.”

It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.

Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view. 

But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.

I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow… show more.

While we generally know the main details of several major slave uprisings in early American history.

Rucker dives deeper into the African cultural forces that influenced these episodes and how the expression of African cultural idioms during these resistance movements tells us more about the formation of African American culture.

By focusing on these cultural expressions, Rucker gives fresh insight into major slave uprisings and African American history which also makes for a fascinating read.