100 books like Cheerful Sacrifice

Robinson’s tale of Goshawk Squadron battling the odds in the last year of the Great War cuts through the Biggles-style myths and legends that had dominated the public perception for many years. He shines a light on the bleak and terrifying business of aerial warfare and unflinchingly portrays the horror and helplessness of becoming the loser in a dogfight to the death. Yet from this foreboding vista he prises shining nuggets of laugh-out-loud humour, albeit of the gallows variety. Robinson’s spot-on characterisations and skilfully written battle narratives will place you in the rattling cockpit of a biplane in the hostile hunting grounds over France. This 50th-anniversary reissue is a well-deserved accolade.  

Barely a decade after The Wright brothers’ first tentative take-off, flying machines were thrown into the scorching crucible of war in Europe. The men who flew them were pioneers, members of what many saw as a military flying club. But the flying club soon developed into a bear-pit of mortal combat, fought behind synchronised machine guns without the solace of a parachute. Levine paints his pictures with the personal accounts and anecdotes of the pilots that fought these battles, seeking to understand the feelings and motivations of the young men who volunteered to risk all in the frightening new theatre of aerial warfare. These truths, are in many instances, stranger than fiction, forged, as they were, on the cutting edge of the new aviation technology.

The First World War stripped Britain of hundreds of thousands of its young men. In an age where women’s lives were funnelled towards the certainty of marriage, this left a big shortfall on the balance sheet of matrimony, creating what became known as the Surplus Women. Now they had to find their own sources of income and become responsible for their own future happiness.

Nicholson curates many memoirs and diaries of such women from all tiers of society. Adding material from interviews she conducted herself, she tells the stories of lost potential and loneliness, together with inspirational tales of liberation, fresh-forged independence, and the unprecedented freedom that self-reliance brought for those who rose to the challenge.

Bloody April was a month well-named. The Royal Flying Corp lost one in three of its pilots, with the average life expectancy of a newly arrived airman dropping to less than two weeks. Pushed by the commanders and planners at HQ, they continued to rise against these horrible odds in flimsy biplanes without parachutes. Their young lives were gambled away for the prize of the reconnaissance photographs that the survivors might bring back, grainy images upon which the planning for the ground battle so depended. Hart mixes the hard facts and figures with the personal recollections of those that fought this desperate battle and those that watched and waited on the ground. This book is a sharp and inciteful history that takes you on an emotional journey.

Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.

This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.

A bit of a cheat, this one. It’s probably my favourite French novel, precisely because it is timeless and seems to ignore everything about French history. I don’t think there’s one mention or symptom of the Revolution, no scar of the First World War, no French over-intellectualizing. It’s just nature and humankind going head-to-head in a brutally realistic, but starkly beautiful, Provençal landscape. By the way, I don’t like the English title – Regain means regrowth, the first signs of recovery. Personally, I’d prefer a title like Signs of Life. And this novel is all about a tiny hamlet in southern France that is on the verge of death. Only one man of working age remains amongst the ruined houses; the fields are fallow; there are no women. Then a tinker comes through, dragging his unwilling, abused femme with him. She catches the lone male peasant’s eye, cosmic chemistry occurs,… show more.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.