100 books like Second Harvest

Young was an English agriculturalist who took time out from farming to analyse life and developments in the countryside. He toured Britain, then Ireland, and finally France. Here, he lucked in. He wandered the fields, lanes, and city streets of France as the Revolution was brewing and then erupting. Although not an aristo himself, he frequented nobility and royalty, and was amazed at the blissful indifference of the idle rich about what was going on around them. He saw the extreme poverty of the peasants, who were being worked and starved to death by their absentee landlords. He witnessed the actual events of the Revolution and had to talk himself out of getting lynched as a potential aristo spy. It’s a book to browse rather than consume whole, and contains whole pages about crop yields and diseases, but at times it is the most measured first-hand view of the Revolution… show more.

For me, the Bayeux Tapestry is one of the most glorious works in the whole of Western art. Seventy metres of embroidery (not actual tapestry) describing the conquest of Britain by William and co. Every time I go to see it, it takes my breath away. But as I began to read around the subject for the opening chapter of my book 1000 Years of Annoying the French, I started to doubt the “official” version of the story told by the museum’s audio guide, which is basically a justification of the Norman duke’s claim to the throne of England. Andrew Bridgeford’s book examines both the story being told in the main narrative of the tapestry, as well as the hidden undercurrent of anti-William propaganda there. It turns out that, contrary to French legend, this was not just a visual record of the Conquest commissioned by William and executed by his… show more.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.

A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.

Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night. Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journey is not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees… show more.

This book is less about Biology and more about becoming a biologist. Errington spent his youth outside, hunting, trapping, and fishing in the still largely pristine environment of South Dakota. Although hunting later "became ritualistic" he then continued the rest of his life feeling "called" into the wild and learning about nature there, leading him to go to graduate studies, but continuing all his life to long "for the authentic." It was a romantic activity to be close to nature, and a joy to learn that there are rules of order driving the complexity of "natural relationships." He validated for me loving the wild and wanting to be part of it all, noticing and savoring it, imprinting on it, being one with it. It made getting close to the land to feel the freedom of it in the wild outdoors, as from the 1893 Rudyard Kipling poem, "The Young… show more.

I love this group of very different women from Smithfield College who band together amid the Great War and set sail to nurse in war-torn France. 

Armed with good intentions but few practical skills and little knowledge of what they’re getting into, nothing is as they imagined—not the lodging, the lack of welcome, the unimagined obstacles, or the many differences in personalities that challenge them. Still, they buckle down to learn critical skills by doing, overcome countless obstacles while surviving dangerous characters and circumstances, work through their own personality clashes and prejudices, and accomplish more than they or anyone expected. 

The gift and beauty is that in banding together to accomplish the impossible they develop deep and lasting friendships. Band of Sisters is rich in inspiration desperately needed in our time.

Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.