Here are 82 books that Cargill Falls fans have personally recommended if you like
Cargill Falls.
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I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
I loved the novel’s unforgettable narrator, Perry L. Crandall, who has an IQ of 76.
A masterpiece of narrative voice, Lottery is easily the most engulfing book I’ve read in ten years. (I had a beloved sister with developmental disabilities and expected to be reduced to mush by page 5, but instead I was filled with joy.) The story follows Perry and his loathsome, money-grubbing sibs after Perry wins a boatload of dough in the state lottery.
This book is not what you think it will be, in about a million ways, and the ending is a heart-filling surprise. It made me want to be a better person. Everyone I’ve recommended this to adored it. (P.S. I’m not related to the author but I wish I were.)
2
authors picked
Lottery
as one of their favorite books, and they share
why you should read it.
This book is for kids age
14.
What is this book about?
Money isn't the same as treasure, and IQ isn't the same as smarts-An uplifting and joyous new novel hailed by Jacqueline Mitchard as "solid gold."
Perry L. Crandall knows what it's like to be an outsider. With an IQ of 76, he's an easy mark. Before his grandmother died, she armed Perry well with what he'd need to know: the importance of words and writing things down, and how to play the lottery. Most important, she taught him whom to trust-a crucial lesson for Perry when he wins the multimillion-dollar jackpot. As his family descends, moving in on his fortune,…
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
I’m just gonna say up front: some of you will hate this novel, so I’ll describe it as clearly as I can.
The narrator is a famous blogger who rose to international fame over a one-sentence post, after which she surrenders to a life lived online, described in poetic, incandescent, at times infuriatingly overwritten prose. That’s Part 1, which ends with a thudding fall to earth: a text from Mom sayingCome home. Part Two is a switcheroo in both style and content, and that’s all I can tell you without wrecking the novel’s unexpected turn.
I knowwhat this sounds like—impenetrable show-offing, and at times it is—but it’s like nothing I’ve ever read and I can’t stop thinking about it. Don’t say I didn’t warn you.
'Patricia Lockwood is the voice of a generation' Namita Gokhale
'A masterpiece' Guardian
'I really admire and love this book' Sally Rooney
'An intellectual and emotional rollercoaster' Daily Mail
'I can't remember the last time I laughed so much reading a book' David Sedaris
'A rare wonder . . . I was left in bits' Douglas Stuart
* WINNER OF THE DYLAN THOMAS PRIZE 2022 *
* SHORTLISTED FOR THE BOOKER PRIZE 2021 *
* SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 *
* A BBC BETWEEN THE COVERS BOOK CLUB PICK *
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This is a story about…
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
I set out to expand my horizons by reading a possibly-boring historical novel about a filthy-rich financier in the era of robber barons, but wow, this turned out to be full of surprises.
It begins with a novella-within-the-novel by an “author” from the 1920s, continues with a “memoir” by someone suspiciously similar to the protagonist of the novella, concludes with diary entries from someone else entirely, and it took me nearly the whole book to figure out what exactly I was reading.
I loved the up-ending expectations, writing that echoed other times and places, and the final revelation that I won’t spoil here. You’ll love it!
Longlisted for the Booker Prize The Sunday Times Bestseller
Trust is a sweeping, unpredictable novel about power, wealth and truth, set against the backdrop of turbulent 1920s New York. Perfect for fans of Succession.
Can one person change the course of history?
A Wall Street tycoon takes a young woman as his wife. Together they rise to the top in an age of excess and speculation. But now a novelist is threatening to reveal the secrets behind their marriage, and this wealthy man's story - of greed, love and betrayal - is about to slip from his grasp.
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
He describes the death of his partner from alcoholism and the events leading up to it in an unflinchingly honest and moving way. It's raw and personal but that's what grief is. It's beautiful and respectful and shows how grief is both a shared experience and so completely individual at the same time.
'Immensely moving and disarmingly witty' Nigella Lawson 'Such a moving, tough, funny, raw, honest read' Matt Haig 'Beautifully written, moving and gut-wrenching, but also at times very funny' Ian Rankin 'Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement' The Times 'Will strike a chord with anyone who has grieved' Independent
Whether it is pastoral care for the bereaved, discussions about the afterlife, or being called out to perform the last rites, death is part of the Reverend Richard Coles's life and work. But when his partner the Reverend David Coles died,…
I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
Mandy Keifetz’s book is about grief over a lover’s suicide, but her voice is so wise and amusing that her story didn’t make me sad.
I’ve lost humans; we all have. I lost my best friend and my best dog. How can we grasp what was there and now is gone? I instantly related to this story—the author is a fellow New Jersey girl living at the misfit margins and drifting along, gig by gig. She’s scrappy and willing to do what it takes to survive. I love being swept into a curious mind through a book.
I enjoyed the book’s spiral narrative, which drills down on loss with the sense of a dog chasing its own tail in fury and glee. And then, yes, there is Pascal’s Wager. Why not keep one foot on the side of belief in an afterlife or soul’s lingering on? What do you have…
Pascal's Wager and performing fleas. The Haunted Mansion of Long Branch and an old dockside bar. Raceway Park and a pristine 1971 Plymouth Road Runner. A cat named Altamont. These are all that stand between a young mathematician and madness as she attempts to make sense of her lover's suicide. Narrow margins, you say? Not much to place between a slip of a broken-hearted Jersey Girl and the Abyss? Indeed, it is a treacherous twelve seconds on the quarter mile, hilarious and harrowing by turn. Blink and you'll miss it.
I had depression when I was young, but I didn’t know what that meant or what to do about it. So much of mental health is invisible and nobody knew. I didn’t have the language to explain how I felt, or to ask for help, and I didn’t know how to find out. Any book that could have helped me jump those hurdles would have been incredibly valuable. Children relate to stories, characters, metaphors and pictures more than words. Giving children the tools to explore how they feel in ways they can relate to is really important. I wouldn’t want anyone else to feel as alone as I did.
Luna’s Red Hat does a fantastic job of explaining suicide to its readers in a way that is blameless and sensitive, delicate but not sugar-coated. It’s a hard topic to talk about, especially with children or people who haven’t ever felt suicidal themselves. You can tell in the way that Luna and her father talk to each other and about Luna’s mother that this was and is a very close and loving family, and that nobody is to blame for Luna’s mother taking her own life. This book has been a big inspiration for me. I hope I am able to write about mental health and other difficult topics with as much grace as Emmi does in this book.
It is a beautiful spring day, and Luna is having a picnic in the park with her family, wearing her Mum's red hat. Luna's Mum died one year ago and she still finds it difficult to understand why. She feels that it may have been her fault and worries that her Dad might leave her in the same way. Her Dad talks to her to explain what happened and together they think about all the happy memories they have of Mum.
This beautifully-illustrated storybook is designed as a tool to be read with children aged 6+ who have experienced the…
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
The useful thing about this book is that it breaks down the different types of losses we can experience and examines those. Sibling loss, parental loss, loss of a child, etc. You can connect to your type of grief and learn specifics about how to manage it. It is also filled with compassion and wisdom from one of the grief experts in the world.
'Fascinating. A wise and compassionate book full of insight and understanding that would help anyone experiencing grief, or those surrounding them' Cathy Rentzenbrink
'A wonderfully important and transforming book - lucid, consoling and wise' William Boyd
Grief Works is a compassionate guide that will inform and engage anyone who is grieving, from the 'expected' death of a parent to the sudden unexpected death of a small child, and provide clear advice for those seeking to comfort the bereaved.
Julia Samuel guides you gently through her eight practical pillars of strength - that include the…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
In I, Afterlife, Prevallet writes, “The text that is grieving has no thesis: only speculations.”
This short, sturdy book has been something of a roadmap for me when writing about grief. After her father commits suicide, Prevallet is left with many unanswerable questions, so she presents for her reader the questions, big and small, along with her speculations.
The subtitle, Essay in Mourning Time,points toward what I find so compelling about this work. The book is written from the place of grief—the way it shifts our relationship to time and truth and objects—and in the voice of mourning.
Poetry. Essays. Much admired by her contemporaries for her experiments in poetic form, Kristin Prevallet now turns those gifts to the most vulnerable moments of her own life, and in doing so, has produced a testament that is both disconsolate and powerful. Meditating on her father's unexplained suicide, Prevallet alternates between the clinical language of the crime report and the lyricism of the elegy. Throughout, she offers a defiant refusal of east consolations or redemptions. Driven by "the need to extend beyond the personal and out the toward the intolerable present," Prevallet brings herself and her readers to the chilling…
As the author of several sapphic sports romances, I find sports world rife with passion, complexities, and inherent conflict. I’ve had the privilege of working with several professional athletes and Olympians, and I’m always drawn to their drive. Sports, especially high-level sports, function as a pressure cooker to reveal our real personalities for better or for worse. There’s something appealing about studying people who push their minds and bodies to the brink in pursuit of something bigger than themselves. I think in some small way that connects with who as I am a writer and my own drive to always improve.
I have to admit I am not a fan of soccer. I know this means a lot of folks will vote to remove my sapphic author card for saying so publicly, but I only do so to drive home the point of how rare it is for me to get caught up in a soccer story. I really only agreed to blurb this book because I’ve known Jane for a long time and I wanted to help her with her debut novel, but once I got started, I couldn’t put it down. The characters are rich and dynamic, and the story is so much more than the standard competition narrative. I don’t want to give it away, but this one really got me on a deeper level than I expected.
“Game Changers is a sweet and sensual debut novel from a talented new author. The romance carries the rare quality of being both wonderfully aspirational and intimately relatable. Cuthbertson’s skill in balancing serious subjects with a lightness of heart leaves readers feeling hopeful, not only for the main characters but for themselves as well. Rachel and Jaye are each strong, sensitively drawn characters in their own right, but when pulled together, they make for the kind of match so many readers long to find, both in their books and in their own lives.” ~Rachel Spangler is the award-winning author of…
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