76 books like Capture or Kill

It was hard to choose one among this prolific author’s many wonderful historical thrillers. 

Triple makes my list because of the intricate and enthralling plot about the race among Middle East enemies Israel and Egypt to develop nuclear weapons. It has compelling characters, a riveting love story, and takes place in part in the pivotal year of 1947.

The United States launched two nuclear strikes immediately after inventing the weapons. Since then, no country has used nuclear weapons in a conflict. The Nuclear Taboo is the most important book we have on the role that norms surrounding nuclear weapons play in constraining nuclear use. Tannenwald traces the subtle shifts from a norm of use to one in which the thought of nuclear strikes is seen as appalling. The story moves across governments, non-governmental experts and activists, and the public as each grappled with nuclear weapons and one another. I go back to it again and again to learn more about norms, U.S. decision-making from World War II to the Gulf War, and grassroots and elite efforts to delegitimize nuclear weapons.

Connolly’s book traces recent historical shifts in artists’ cinema via a number of overlapping trends; multi-screen video projections in galleries, work that ‘references an earlier event through documentation, re-enactment or remaking’ and that which explores the relationship between cinema, screen architecture, and the museum or gallery space. The implications of these trends; the mobile as opposed to seated spectator or the making of work designed to run as continuous short loops, is considered via detailed discussion of works by a small number of key artists. Connolly, unusually and refreshingly, is not afraid to criticise, as in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane. 

Zak is an award-winning reporter for the Washington Post, where his gift for prose is on regular display.

When he turned his skillful journalist’s eye toward nuclear weaponry and present-day anti-nuclear activism, the result was a book that takes readers through the night and aftermath of a break-in at one of the most secure facilities in the country and a look at the moments and forces in history that shaped the people involved.

This follow-up to his definitive The Making of the Atomic Bomb covers it all—the people, the physics, and the politics. Richard Rhodes does his research, no question.

The book’s very breadth makes it less engrossing than some books with a narrower focus. Nevertheless, it’s a must for an “H-bomb library.”

Love is probably not the term I would use for this book. I am glad that Annie Jacobsen wrote it, and I think anyone interested in the real threat of nuclear war should read it. There are moments in it—particularly one very consequential decision that the U.S. president makes—that are highly implausible and have generated criticism from people who have devoted their careers to nuclear deterrence.

However, it is worth noting that no one actually knows how the leader of a nuclear-armed state would react to the news of an incoming nuclear attack because that scenario has never happened before. I think it is worth emphasizing this book’s subtitle: “A Scenario”—which is not “The Scenario” or “All Scenarios.” There are many scenarios that do not end as definitively as in Jacobsen’s scenario.

I include this book in the topic of reducing the risk of nuclear war because it so vividly… show more.

You can’t approve of Ursula Kuczynski, codename ‘Sonya’.

She was a spymaster, bomb-maker, and secret agent for the Soviet Union. Her work helped the Soviets build the atom bomb. But you can’t help being intrigued by this devoted wife and mother-of-three who rode her bicycle across the countryside to gather scientific information and used her children’s teddies to smuggle radio parts.

Ursula’s story, told by Macintyre in forensic, referenced detail, is astonishing. This cool, clever woman fooled everyone. I’m fascinated by the photographs, too; one of her cuddled up with her children in the garden, another of her in Berlin selling communist literature from a book barrow. They added to the feeling of alarm; so much went on in clear view.

It’s hard to overstate just how influential Marc Trachtenberg’s A Constructed Peace, and really all of his writing, has been on my thinking. I constantly return to its pages and find fresh insights each time. I’m drawn in by the writing style, but the substance is even more impressive. The book—examining British, French, Soviet, West German, and U.S. policy—was what first opened my eyes to the centrality of Germany and debates on nuclear control in the origins and evolution of the Cold War. U.S. efforts to offset the Soviet challenge and reduce the U.S. continental commitment by reviving West Germany and then essentially providing it with nuclear weapons contributed to some of the Cold War’s most dangerous crises.

In 1958 Edward Teller, the father of the H bomb, and the United States Government wanted to explode six mega-ton bombs, forty miles from an Inupiat village on the coast of the Bering Sea in arctic Alaska. Project Chariot was to be the first in a line of proposed projects using nuclear bombs for creating info structure. The explosions were intended to create a deep-water port. Read how a small Inupiat village, a handful of scientists, and a few conservationists took on the US government and won, in the process, birthed the modern conservation movement in the United States. Well written, informative, inspirational, and a joy to read.

The author of this book was also a Crossroads participant and today is regarded as one of the foremost experts on the effects of ionizing radiation. His book is a collection of interviews with atomic veterans of tests in the Pacific and Nevada. I am grateful to Dr. Grahlfs for agreeing to write the Foreword to my Crossroads memoir.