Here are 100 books that Atlas of Classical History fans have personally recommended if you like
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I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
The Bronze Age was followed by the Iron Age. What caused this epochal shift? Eric Cline outlines just how cataclysmic the 12th and 13th centuries BC really were. Be prepared for fire, earthquakes, and a tide of war!
A bold reassessment of what caused the Late Bronze Age collapse
In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the…
I am a Professor Emeritus of Classical and Byzantine History, and I was fascinated by Attila and the Hun and Genghis Khan from early childhood when I decided that I would become a historian. I set out to write the history of the Eurasian nomads from their perspective, and so convey their neglected history to a wider readership.
Anthony has synthesized a vast literature on historical linguistics and archaeology to explain the origins of the first steppe nomads on the South Russian steppes in the fourth millennium B.C.
In my opinion, Anthony does an outstanding job of explaining the origins and distribution of the speakers of Indo-European languages whose migrations have defined the linguistic map from Ireland to India. Subsequent DNA analysis of the populations of Yamnaya steppe culture has confirmed his thesis based on linguistic evidence and archaeology.
I recommend this book as the fundamental work for any study of the early Indo-European-speaking nomads.
Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? Until now their identity has remained a tantalizing mystery to linguists, archaeologists, and even Nazis seeking the roots of the Aryan race. The Horse, the Wheel, and Language lifts the veil that has long shrouded these original Indo-European speakers, and reveals how their domestication of horses and use of the wheel spread language and transformed civilization. Linking prehistoric archaeological remains with the…
I was seven when our headmaster told us about Stone-Age people using stone tools and living in caves. This seemed so unlikely that I checked with my Dad before believing it, but after that, I loved history. I adored the idea of time machines: a day trip to Ancient Rome! A selfie with a saber-tooth! Writing allowed me to time-travel to whenever I liked and to use what I learned about how people lit and warmed their homes, cooked their food, and worshipped their gods. It was inevitable that I would write a time travel book, and it’s a real pleasure to revisit some books that inspired me.
I read this classic sci-fi way back when I was a teenager and I think, over the years, it has been a quiet, persistent influence on my own writing.
Two groups of time-travellers go back and forth along ‘the corridors of Time,’ fighting to influence history their way. The protagonist is taken from a prison cell to join one group and has to catch up with what’s going on as he’s taken to the future, the seventeenth century, and the Bronze Age.
What stayed with me most vividly was Anderson’s recreation of the Danish Bronze Age and the fact that the main character chooses to give up his own time in order to remain in the Bronze Age with the people he has come to love.
A young man from the twentieth century is recruited to fight in a war that rages throughout time in this classic science fiction adventure from a multiple Hugo and Nebula Award–winning master.
College student, ex-marine, and martial artist Malcolm Lockridge is in prison awaiting his trial for murder when he receives an unexpected visit from an extraordinarily beautiful woman named Storm. Claiming to be a representative of the Wardens, a political faction from two thousand years in the future, Storm offers the astonished young man a proposition: freedom in return for his assistance in recovering an unspecified lost treasure. But…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
This book will transport you straight back to the Crete of the Bronze Age. I felt I was taking every step with the characters. Each setting, whether it be the marketplace in the village, the palace, and the underground prison cells, is meticulously described. The society, bound by ritual and ruled by a queen and her priestesses who are constantly searching for signs of approval from the goddess, is utterly believable. It's a fascinating mix of actual history and myth, where the Gods and Goddesses are as real as they were to the people living in those times.
"The Year-God’s Daughter succeeds in bringing to life a very distant world and capturing a heady blend of archaeology, legend, myth and fantasy." Judith Starkston, author of Hand of Fire.
Award Honoree of the BRAG Medallion for outstanding fiction.
Book One, The Child of the Erinyes series. A Saga of Ancient Greece. Epic historical fantasy inspired by Ariadne, Theseus, and the Minotaur.
Step into the Bronze Age. . . .
Crete: A place of magic, of mystery, where violence and sacrifice meet courage and hope.
Aridela: Wrapped in legend, beloved of the people. An extraordinary woman who dances with bulls.…
I studied Mathematics – the art of solving a problem by making it as general as possible, then attacking it with a combination of different techniques. By profession, I am a technologist, but the problem that interested me wasn’t technical – I wanted to know why, when most people are basically well-meaning, the world was in such a mess! Early on in my career, I came to believe that better collaboration was part of the answer. Later, I saw how you also needed the right kind of communities. Along the way, I’ve learned a lot about psychology, biology, systems theory, learning theory, anthropology, history, management, economics, finance, and more. I’m still learning.
I can’t say how much I love this book. It explains everything we know intuitively about economics but find hard to justify. Hudson was one of the few who saw the 2008 crisis coming, and he is still one of the few who know what we must do now. Taking the discussion of David Graeber’s extraordinary 2011 book Debt: The First 5000 Years to the next level, Hudson shows how Bronze Age rulers understood economic instability better than we do. When people get into serious debt, their personal crises not only destroy their own lives but ripple outwards to derail society, by giving their creditors enough power to compete with governments. To avoid society being run into the ground, governments must start cancelling debts – as they did long ago.
In ...and forgive them their debts, renowned economist Michael Hudson – one of the few who could see the 2008 financial crisis coming – takes us on an epic journey through the economies of ancient civilizations and reveals their relevance for us today. For the past 40 years, in conjunction with Harvard’s Peabody Museum, he and his colleagues have documented how interest-bearing debt was invented in Bronze Age Mesopotamia, and then disseminated to the ancient world. What the Bronze Age rulers understood was that avoiding economic instability required regular royal debt cancellations. Professor Hudson documents dozens of these these royal…
From a young age, I have been obsessed with the Arabic language and culture. In 1959, I studied this language at Durham University, graduating Summa Cum Laude – including living with a Palestinian family in Jerusalem for a number of months. Then moving on to further studies in Arabic at Cambridge University, graduating with a First Class Honors degree. Over the next decades, I have made many trips to the Middle East, working on a number of projects, including stints in North Africa, Egypt, Lebanon, Syria, Jerusalem, Kuwait, and the Persian Gulf. Most recently, I served as the Arabic consultant on the Netflix TV series House of Cards.
The Palestinian writer, Nur Masalha, traces Palestine's thousands of years old heritage, uncovering cultures and societies of extraordinary depth and complexity that stretch back to the very beginnings of recorded history. Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine’s multicultural past has been distorted and mythologised by Biblical lore and the Israel–Palestinian conflict.
This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.
Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's multicultural past has been distorted and mythologised by Biblical lore and the Israel-Palestinian conflict.
In the process, Masalha reveals that the concept of…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
This is the vicarious traveler’s delight. ‘Sensory’ doesn’t quite cover the delightful descriptives in Lloyd’s ‘Ancient Turkey’. He takes you on a journey across the varied and beautiful landscape of Anatolia and though time as well - from prehistory through the Bronze Age when the Hittite Empire dominated and the legend of Troy was born, on to the time of King Midas and right up to the Greek and Roman periods.
"An elegantly written account of Turkey's history by one of the greatest living authorities on the subject. . . . The historically minded visitor would be well advised to pack this beguiling book."―British Archaeological News
Seton Lloyd's lively account of Turkey's early history is for the increasing number of people visiting the ancient sites of this fabled land. Written by an archaeologist who spent much of his life in the Near East, the book is not a conventional "guide" to the antiquities of Anatolia. It is instead Lloyd's attempt to share his profound interest in an antique land, its inhabitants,…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I like to think that I inherited much of this from my analytical “algebraic” mother, who was a nurse and tended to our family finances, and my holistic “geometrical” father, who was a carpenter. It’s probably no accident that my double major in college was in physics and philosophy...and, down the line, that I should develop a focused interest in human brain laterality, where the division between analysis and holism is so prominent.
This book, more than any other on the subject, surprised and fascinated me.
Its thesis is deceptively simple.
It suggests that the two hemispheres of the human brain were “strangers” to each other early in our evolutionary history (three millennia ago). The left hemisphere received the information from the right as a message from an unfamiliar source (an unseen “voice”).
Jaynes proposed that this was the basis for all religious experience. It was our intuitive right hemisphere that supplied the “voices” of the gods. True human consciousness only arose when this bicameral mind “broke down” and the “voice of God” was replaced with what had been speaking to us all along, the other more intuitive half of ourselves.
At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.
I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.
Wilbur Smith, who sadly passed in November 2021, trailblazed adventure writing. While The River God is perhaps his most memorable entry in his Ancient Egypt series, Warlock is stuffed with descriptions of military training and combat. I particularly enjoyed ‘The Red Road’ sequence – while not battle-focused, Mr. Smith took pains to unpack the various modes of fighting available to contemporary Bronze Age Egyptians.
Smith’s detailing of chariot-centered battle would satisfy everyone from engineers to historians - particularly in Warlock’s climax. Javelins and bows hurtling from hundreds of chariots makes for a unique style of combat that is difficult to acquire elsewhere – as is the struggles of engaging in mass military operations when surrounded by desert.
BOOK 3 IN THE BESTSELLING ANCIENT EGYPT SERIES, BY THE MASTER OF ADVENTURE, WILBUR SMITH
'Best historical novelist' - Stephen King
'A master storyteller' - Sunday Times
'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times
'No one does adventure quite like Smith' - Daily Mirror
A RULER DRIVEN BY GREED THE FUTURE OF EGYPT AT STAKE ONLY ONE MAN HAS THE POWER TO RESTORE BALANCE
In his long life, Taita has gone from slave to warlock, and now his wisdom and abilities are known throughout the kingdom. But even his immense skills cannot…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a…
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