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An Underground Guide to Sewers.
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I've been obsessed with the material aspects of places - and the infrastructures that make them work - since I was a really young boy! (I remember, aged around 7, sitting on a bridge over the M6 motorway near Preston watching the traffic). This obsession was channeled into studying Geography, becoming a qualified urban planner, and completing a Ph.D. on how digital technologies effect urban life. A preoccupation with the subterranean realms of cities is also long-standing; it drove the 'Below' parts of my 2016 book Vertical: The City From Satellites to Bunkers. (I must admit I suffer from both claustropobia and vertigo! So, sadly, a lot of my work is necessarily desk-based!)
This book was pivotal in sparking my fascination for the secretive and mysterious worlds beneath cities.
It is the definitive guide to the vast assemblage of underground spaces, infrastructures, and nooks and crannies beneath the streets of London.
The coverage of the book is remarkable and will really help readers that are new to the theme to appreciate the huge range of spaces and infrastructures that lurk hidden far beneath London’s streets.
The book opened my eyes to culverted and hidden rivers; to sewers, water, and hydraulic pipes and tunnels under the Thames; and to underground transport systems, hidden power and communications grids, and labyrinths of bunkers.
Most important for me were the book’s amazing array of maps, lithographs, and photographs.
A revised edition of a guide covering the latest underground developments in London, such as the substation beneath Leicester Square, underground railways and glass fibre communication together with a gazetteer of places open to the public.
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
I enjoy Ackroyd's novels as well as his biographies, the former almost always being set in London which he, as a noted flaneur, loves. London Under is not fiction, though it often references the literature and mythologies which have grown up around certain places and landmarks within London, from its earliest incarnation before it was even a city to the present day. Ackroyd chronicles how the London of one time reappears and impacts upon the London of another time, one stratum intruding upon another and shows how the world below mirrors and reflects the world above. This is not unlike how I wanted the clandestine and criminal world to mirror and reflect the above ground and above-board world in my novel Plague.
In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface.
There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd's book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue…
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
OK, this isn't focused on the subterranean, but it does touch frequently upon underpasses and tunnels and is a personal journey, passing through the parts of London where the 'Ginger Line' - the London Overground railway - runs. Sinclair uses his experiences to illuminate the changing city, a jumping-off point for explorations of places, their past, and present. His journey is bound up with writers and artists of all kinds. He, like Ackroyd, has an eye for the bizarre, but Sinclair has a sense of danger, real and modern, while Ackroyd summons the haunting past.
Iain Sinclair explores modern London through a day's hike around the London Overground route.
Echoing his journey in London Orbital over a decade ago, Iain Sinclair narrates his second circular walk around the capital. Shortly after rush-hour and accompanied by a rambling companion, Sinclair begins walking along London's Overground network, or, 'Ginger Line'. With characteristic playfulness, detours into folk history, withering assessments of the political classes and a joyful allegiance to the ordinary oddball, Sinclair guides us on a tour of London's trendiest new transport network - and shows the shifting, changing city from new and surprising angles.
I've lived and worked in London for most of my adult life and am perpetually astonished, amazed, and fascinated by the city around me. It's histories, small and large, are a constant delight and surprise for me, and its hidden places of enchantment fire my imagination. So, when I came to write my first novel, for Claret Press, there was no other place where it could possibly be set and I chose central London which I knew very well and had layer upon physical layer of history. Given that it was a crime thriller, it had to use those hidden places, which mirrored the surface world, as part of the plot. Walk with me along one of London's lost rivers on my website.
The System is the third book in the Baroque Cycle which begins with Quicksilver and continues with The Confusion. The whole Cycle is a rip-roaring, wildly inventive, and massively ambitious saga, ranging from the mid-seventeenth to the early eighteenth century, spanning the globe and casting an amazing set of characters from Leibnitz and Newton, to King George, Thomas Newcomen and William Teach the pirate. It's astonishing and has some of the best subterranean London episodes I've ever read, including an escape from Newgate Prison which takes in the Bank of England, a Roman Temple, and a medieval privy. Read all three books and hang on to your hats, it's a thrilling ride.
Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle.
The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies?
Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and…
I fell in love with the Arcata Marsh and Wildlife Sanctuary thirty years ago, when I first moved to town. At the time, I was working as a field biologist, and I loved to hang out at the marsh and birdwatch—I’d see everything from pelicans to peregrine falcons. Later I shifted from field biology to science writing, and some of my first articles were about how the Arcata Marsh serves both as a wildlife habitat and a means of treating the city’s sewage. I learned about the grassroots movement that created the marsh, and the global history of wetlands loss. I’ve been hooked on wetlands ever since.
While researching my book, I learned about the sewers of Victorian London. The hideous load of pollution they carried stank unbearably, caused epidemics, and later inspired the invention of modern sewage treatment. This mystery novel takes us into the dank hell of those sewers. A fictional war veteran named William May roams this subterranean world as a surveyor for engineer Joseph Bazalgette, a real-life figure responsible for redesigning London’s sewer system and saving thousands of lives. Reading this novel is as close as one can get to that time and place.
A mystery that offers “a gripping and richly atmospheric glimpse into the literal underworld of Victorian England—the labyrinthine London sewer system” (Publishers Weekly, starred review).
Clare Clark’s critically acclaimed The Great Stink “reeks of talent” as it vividly brings to life the dark and mysterious underworld of Victorian London (The Washington Post Book World). Set in 1855, it tells the story of William May, an engineer who has returned home to London from the horrors of the Crimean War. When he secures a job transforming the city’s sewer system, he believes that he will be able to find salvation in…
I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.
First of all, Drood is a fantastic trip into the macabre. And, because I love to weave actual truths into my stories, either real-life experiences or real encounters, I am fascinated that Simmons based his novel on the last five years of Charles Dickens's life. Whether this is entirely speculation or otherwise, this novel draws on the character found in Dickens's last and unfinished novel, The Mystery of Edwin Drood. Simmons does precisely what I hope to do with my stories; draw the reader into my world and leave them wondering what parts were based on unexpected truths.
On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens--at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world--hurtled into a disaster that changed his life forever. Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research ...or something more terrifying?Just as…
I’m a trained microbiologist who received my doctorate from the University of Washington and who has long been fascinated by the natural world—whether microscopic or gigantic, within us or all around us. For more than 20 years, I’ve also been an award-winning science writer who has written for publications like The New York Times, Nature, Wired, and Scientific American. Ever since I wrote about the incredible ability of fecal transplants to cure a deadly bacterial infection, I’ve been obsessed with books that explore how the seemingly gross or ordinary things we often dismiss as lacking value have the power to transform both us and the planet.
This superb book was one of the first to raise the issue of how poorly we’ve considered our waste and what to do with it, and it was a big inspiration for me.
It’s thoughtful and incredibly well-researched, packed full of amazing historical details, and provides a compelling case for how and why we should get our shit together—literally. I learned so much from this book, and it really encouraged me to keep digging and exploring how we might reimagine our human output. Just an excellent read and a compelling case for change.
Produced behind closed doors, disposed of discreetly, hidden by euphemism, shit is rarely out in the open in 'civilized' society, but the world of waste - and the people who deal with it, work with it and in it - is a rich one.This book takes us underground to the sewers of New York and London and overground to meet the heroes of India's sanitation movement, American sewage schoolteachers, the Japanese genius at the cutting edge of toilet technology and the biosolids lobbying team. With a journalist's nose for story and a campaigner's desire for change, Rose George also addresses…
I’m a trained microbiologist who received my doctorate from the University of Washington and who has long been fascinated by the natural world—whether microscopic or gigantic, within us or all around us. For more than 20 years, I’ve also been an award-winning science writer who has written for publications like The New York Times, Nature, Wired, and Scientific American. Ever since I wrote about the incredible ability of fecal transplants to cure a deadly bacterial infection, I’ve been obsessed with books that explore how the seemingly gross or ordinary things we often dismiss as lacking value have the power to transform both us and the planet.
One of the many things that astonished me about Lina’s lovely book is that although I put off reading it until I had finished my own book, for fear of too much overlap, I need not have worried.
She deftly uses different yet compelling examples for an exciting read that convincingly makes the case for giving a crap about crap. She also uses her own family’s history and experience as immigrants to provide some surprisingly moving scenes in support of her larger points.
Even after all the poop-related research I had done, I learned plenty more, which was a nice revelation: something that I thought I knew still had the ability to surprise me in profound ways.
The average person produces about four hundred pounds of excrement a year. More than seven billion people live on this planet. Holy crap!
Because of the diseases it spreads, we have learned to distance ourselves from our waste, but the long line of engineering marvels we've created to do so-from Roman sewage systems and medieval latrines to the immense, computerized treatment plants we use today-has also done considerable damage to the earth's ecology. Now scientists tell us: we've been wasting our waste. When recycled correctly, this resource, cheap and widely available, can be converted into a sustainable energy source, act…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Only one night with a handsome stranger in London? This has been my dream forever, and once I read this blurb, I immediately one clicked.
Sandi Lynn made me feel like I was literally living this, and I found it almost impossible to drag my eyes away. I wanted this book to continue forever, and if you haven't read it already, you need to.
Have sex with a stranger in a foreign country. It was on my list. It was something I’d never done before and I wasn’t sure if I could go through with it. But I did. Don’t tell him anything about yourself. No names. No personal information. Nothing. It’s all about the thrill. The mystery man. Keep him a stranger. That one night was the best night of my entire life. He was sexy, intense, and made me feel things I had never felt before. The next morning, the thrill was over and he was gone before I woke up. What…
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