59 books like A Lowcountry Heart

Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.

Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world. 

It’s 2005, and it’s my first day at The Daily Telegraph. I still couldn’t believe they had hired me as a cadet journalist. The smile I was wearing–from ear to ear–suddenly vanished when the Chief of Staff walked over and said, ‘Phelpsy, a bus has just crashed in Egypt. We have been told that there may have been some Australian tourists on board. Punch out 500 words and give it to me in an hour.’ 

I turned to my computer screen, looked down at my keyboard, and suddenly realized that I had no idea what I was doing. I’d never had any writing training, and my experience was limited to the gibber I had been submitting to the paper (for free) for the past year in the hope of landing a job. After ten minutes of writing a word or two, deleting them, and then doing it again, I… show more.

While some writing books offer nuts and bolts–the so-called rules of writing–this book from Pulitzer Prize winner Annie Dillard teases the writer with essays that make you think.

We are invited into the world of writing with metaphor and we learn by comparison. Like the story of the inchworm stuck in the long grasses, frozen to the tall blades. Perhaps you should just jump, Dillard quips, and put yourself “out of your misery.”

True, writing can be miserable at times, but also, it can be wonderful. I like this book because it is a way to experience what it feels like to be a writer through the craft of prose. 

I was drawn to this book by the title but also the subtitle: The intermingling of fishing and writing in a novelist’s life.

As a fly fisherman and writer myself, I have often thought about the connection between fishing and writing, and more particularly, the similar experiences that come from both, so when I learned about this book, I had to read it. Craig Nova does not disappoint.

Fishing is about good stories, and Nova tells them in this book, but he also reveals how fishing and writing have common needs, such as the need to be in the moment.

He also is honest about the challenges of being a writer and he uses the stream to remind us that when, as he says, “the literary weather is going to take a turn for the worst, what is needed, more than anything else, is the ability to calm down.” 

This book is part of a series, but this particular one captured my heart. Cara’s niece, Linnea, is like Jess in so many ways. Having just graduated college, she joins the turtle team that works with the turtle hospital, learns to surf, and of course, falls in love. She also sets out to find her own calling and when she does, it requires sacrifices she did not know she would have to make. It is the pain we all feel when we discover our path does not align with those we love. Mary Alice Monroe has such a strong connection to nature and it comes through in all her books, particularly here when she describes life at the beach and those turtles, oh, those turtles...  

Set in the emerald cove of Florida’s Panhandle, Three Shots to the Wind by Sherry Harris is the third book in the cozy Chloe Jackson, Sea Glass Saloon Mystery series.

The characters in this series are realistic and likable and embody that sense of community that cozy mystery readers long for. A fun premise with an ex-fiancé winding up dead and her current love interest a prime suspect.

A precise, thoughtful, and unromantic blues scholar, Barry Lee Pearson was also a friend of, and occasional booking agent for, DC-area acoustic blues legends like John Jackson and Cephas & Wiggins.

Jook Right On, which I was delighted to blurb and use in my own teaching, offers a series of compact autobiographical testimonies—“blues stories”—on a wide range of topics from a wide range of blues people. 

“Wordsmiths by trade,” Pearson writes in his brilliantly incisive introduction, “these storytellers bring to their tales qualities also found in blues musical performance and philosophical perspectives characteristic of the blues tradition such as improvisation, ironic humor, ambivalence, and a life-affirming sense of hope in the face of adversity.”

Constitutionally immune to cliches, Pearson brings you closer to the blues musician’s perspective than any writer I know.  

I’ve been assigning The World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book. 

Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.

“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.

This quintessential historical fiction book on Old Florida was both a nominee of the Pulitzer, and the Nobel Prize in Literature. Rich in history and unforgettable characters, the story follows the MacIveys, as they scrap out a living as dirt farmers, beginning in the mid-1800s, through the 1960s. Not hurricanes, the Civil War, freezes, or near-starvation can staunch the family’s resilience, ultimately allowing them to build a great fortune. This novel truly touches my heart as my family came from Georgia, with little in their pockets, in the early 20th century, seeking to fulfill their own dreams. This is writing at its best, steeped in rich and authentic detail, making this a novel that will live on through the ages.

Carl Hiaasen’s Florida-set books are dark, clever, and ever so funny, with his perfectly drawn characters being eccentric, shady as hell, or just plain whack-a-doodle.

Sometimes all three at the same time. Most of his books are standalones but his one recurring character, the sidekick to lots of the books’ protagonists, is Clinton Tyree, the ex-governor of Florida. Tyree was one of the few honest men to hold that office, until one day, sick of the corruption, he simply vanished into the Everglades.

He appeared later as Skink, a one-eyed man at one with nature who dined on roadkill and engaged in the occasional act of ecoterrorism. He’s frequently the protector of Florida’s downtrodden. In Stormy Weather, he befriends Bonnie Lamb, an unhappy honeymooner, and kidnaps her new husband.