100 books like A History of South Africa

Morris’s history of the rise and fall of the Zulu kingdom remains a classic. Trained as a journalist, Morris presents a vivid, lively, and compelling narrative, tracing the rise of Shaka’s Zulu kingdom, the outbreak of war in 1879, and the tragic aftermath of civil war and national disintegration. Although more recent scholarship casts doubt on some of Morris’s assertions, his book remains the starting point for understanding the Anglo-Zulu War of 1879.

Hamilton offers a thought-provoking monograph on the persistence of Shaka as a metaphor in South African history and politics and the changing representations of the famous Zulu king over time. Hamilton argues that the image of Shaka, contrary to most post-modernist interpretations, was not simply a colonial invention. Instead, she argues that Shaka’s image gained its durability and complexity from a mix of indigenous narratives as well as colonial ones.

Guy, a prolific historian of Zulu history, writes the definitive biography of John William Colenso, bishop of Natal between 1852 and his death in 1883. Throughout the last decade of his life, Colenso championed the rights of Africans in Natal and Zululand and became a major critic of Britain’s pre-emptive war against the Zulu kingdom. In particular, Colenso came to regard his former friend Theophilus Shepstone (Natal’s Secretary of Native Affairs) as a principal advocate for the Anglo-Zulu War, a conflict Colenso described as “most unjustifiable and wicked.”

Ian Knight is another mind in love with the gritty and colorful era of British colonialism. His book is surely the best and most comprehensive account of Lord Chelmsford’s ill-fated sortie into Zululand that led to one of Britain’s greatest military defeats.

In this age of the red coats with their white belts and Pith Helmets, and the famed Martini & Henry Rifle, Knight tells the story of the opening moves of the Zulu war from the perspectives of all the major officers and leaders on both sides.

This is one of those books that ends up heavily underlined in red as the campaign unfolds to embrace the great defeat at Isandlwana and the small compensating victory at Roarke’s Drift. I relied heavily on this book to rivet in the factual data while writing my own alternate history of this campaign, Zulu Hour. 

I admire Mandela’s strong character in overcoming what must’ve been his pursuit of a seemingly impossible goal. At the time, his fight was against the overwhelming strength of the people in power, who had no hesitation about using extreme force and imprisonment to prevent him from achieving his goals. 

This type of book taught me much about my own country, Zambia. It starts with the story of David Livingstone’s “discovery” of Victoria Falls, and many characters, including a choir of mosquitos, took me for a wild ride through colonial history, the struggle for independence, modern-day Zambia, and then into the future.

I had learned about some of the historical events in school, but many were revelations unearthed by Serpell’s meticulous research. I found the characters riveting, and the storytelling complex, creative, and exciting. Reading this incredible book has also made me richer in my knowledge of my home country. 

I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.

It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.

Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore. 

To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.

This was the first book I read on Shaka Zulu. The cover of the paperback version was enough to entice a curious twelve-year-old! More than that, it was my father’s book and had clearly meant something to him. But most of all, it tells the incredible story of an outcast who built an empire only to be assassinated by his own brother! Ritter recounts the myths and facts that surround Shaka, never shying away from the limitations of his evidence but painting a compelling biography.

I recommend this book as a happy medium between two extremes. It is unlike those works vilifying Shaka as a monstrous tyrant directly and indirectly responsible for a trail of death across almost a third of Africa. But it is equally different from those that sanctify Shaka as the leonine warrior-king who forged a nation that wields power to this day. There will always be… show more.

Who could resist a full account of the making of Stanley Baker’s 1964 epic? From the genesis of the idea through the evolution of the script, production in South Africa and Britain, the premier, and the reaction to the movie, this is a must-have book for all fans of the film. Hall mined film archives and interviews with the actors and filmmakers to reconstruct the story of the film. It is copiously illustrated in colour as well as black and white with location photographs, posters, and cartoons. A particular highlight is the exploration of ‘myths, gaffes, and spoofs’.