18 books like Zulu Rising

Morris’s history of the rise and fall of the Zulu kingdom remains a classic. Trained as a journalist, Morris presents a vivid, lively, and compelling narrative, tracing the rise of Shaka’s Zulu kingdom, the outbreak of war in 1879, and the tragic aftermath of civil war and national disintegration. Although more recent scholarship casts doubt on some of Morris’s assertions, his book remains the starting point for understanding the Anglo-Zulu War of 1879.

Hamilton offers a thought-provoking monograph on the persistence of Shaka as a metaphor in South African history and politics and the changing representations of the famous Zulu king over time. Hamilton argues that the image of Shaka, contrary to most post-modernist interpretations, was not simply a colonial invention. Instead, she argues that Shaka’s image gained its durability and complexity from a mix of indigenous narratives as well as colonial ones.

Guy, a prolific historian of Zulu history, writes the definitive biography of John William Colenso, bishop of Natal between 1852 and his death in 1883. Throughout the last decade of his life, Colenso championed the rights of Africans in Natal and Zululand and became a major critic of Britain’s pre-emptive war against the Zulu kingdom. In particular, Colenso came to regard his former friend Theophilus Shepstone (Natal’s Secretary of Native Affairs) as a principal advocate for the Anglo-Zulu War, a conflict Colenso described as “most unjustifiable and wicked.”

Okay, he was my dissertation advisor. Sorry! But Thompson’s is a concise, perceptive, and readable one-volume history of the great country, a splendid introduction. Born and raised in South Africa, the late Thompson was a Rhodes Scholar before seeing extensive service in World War II. Like so many talented South Africans from many fields, he went into exile around 1960 when the apartheid regime moved toward a no-holds-barred stranglehold on all opposition. This was his last book, and in it he distills a lifetime of research, teaching and experience. The fourth edition has an update and new preface by Lynn Berat.

If the Age of the Dreadnoughts fires your imagination, this book certainly fired mine. It is the most authoritative book written on the Battle of Jutland and the British Naval Command in WWI.

Beyond a mere recounting of who commanded and what ships were involved, this book takes a deep dive into the naval strategy of the time, how and why ships were built, and how they were sailed and fought, down to tactical details that end up determining decisive battle outcomes that changed the naval history of WWI.

Learn everything from orders of battle, ship handling, and turn by decisive turn in the swirling battle that defined an era at sea—Jutland. Gordon let me shovel in the historical coal to support my books, one that also touched on an alternate outcome of the battle of Jutland. 

If earlier European History in the dashing “Age of Napoleon” draws your interest, I again offer the clear master of the subject, David Chandler.

Beginning with Young Bonaparte’s apprenticeship in the art of war as an Artillery officer, you learn the battle experience that led Napoleon to one day assert that: “God is on the side of the one with the best artillery.” Chandler then recounts Napoleon’s Meteoric rise after the battles of Arcola and Rivoli and his exotic excursion to Egypt. Then, with the crown on his head placed there by his own hand, Napoleon Bonaparte became a living terror on the battlefields of Europe with an understanding and art of war that befuddled one adversary after another.

This book was essential in guiding the writing of my book, Field Of Glory. (Volume #1 in my Keyholder series visiting an alternate History Waterloo.)

Originally published as Rope of Sand in South Africa in 1995, this is a brilliant overview of the story of the Zulu from the days of their rise under Shaka to the tragedy of the Bhambatha Rebellion in 1906. No one knows the Zulu sources better than John Laband, who has written extensively on the war. He weaves Zulu oral tradition and contemporary European accounts into a vivid narrative of Zulu history. Full coverage is given to the Anglo-Zulu War but what I particularly value is the wider context of the contest between Briton, Boer, and Zulu that shaped the course of South African history.     

Isandlwana and Rorke’s Drift have overshadowed the other battles of the war. By way of contrast, Huw Jones provides a detailed study of the British No. 4 Column commanded by Sir Evelyn Wood and its actions at Hlobane and Kambula in March 1879. Like Isandlwana, Hlobane was a disaster, which was mitigated the next day by the repulse of the main Zulu army at Kambula. The Utrecht District, from which Wood operated, was also a key area in which British, Boer, and Zulu interests clashed. Jones’s book deserves to be much better known as a fine study of the political complexities of the region in question before and during the war, as well as providing expert analysis of the military operations there.  

Together with John Laband, the late Paul Thompson did an enormous amount to bring to light African perspectives on the war. Originally published in a limited edition in South Africa, this is a study of the Natal Native Contingent raised by the British as auxiliaries from African tribes and groups hostile to the Zulu. Poorly armed, they were blamed unjustly by contemporaries for the British defeat at Isandlwana and roundly blamed thereafter for atrocities associated with the aftermath of subsequent British victories. Thompson’s work is a valuable reminder of the often forgotten part played by Africans in the defeat of their fellow Africans by imperial forces.   

Who could resist a full account of the making of Stanley Baker’s 1964 epic? From the genesis of the idea through the evolution of the script, production in South Africa and Britain, the premier, and the reaction to the movie, this is a must-have book for all fans of the film. Hall mined film archives and interviews with the actors and filmmakers to reconstruct the story of the film. It is copiously illustrated in colour as well as black and white with location photographs, posters, and cartoons. A particular highlight is the exploration of ‘myths, gaffes, and spoofs’.