Fans pick 100 books like The Boiling Cauldron

Ian Knight is another mind in love with the gritty and colorful era of British colonialism. His book is surely the best and most comprehensive account of Lord Chelmsford’s ill-fated sortie into Zululand that led to one of Britain’s greatest military defeats.

In this age of the red coats with their white belts and Pith Helmets, and the famed Martini & Henry Rifle, Knight tells the story of the opening moves of the Zulu war from the perspectives of all the major officers and leaders on both sides.

This is one of those books that ends up heavily underlined in red as the campaign unfolds to embrace the great defeat at Isandlwana and the small compensating victory at Roarke’s Drift. I relied heavily on this book to rivet in the factual data while writing my own alternate history of this campaign, Zulu Hour. 

Originally published as Rope of Sand in South Africa in 1995, this is a brilliant overview of the story of the Zulu from the days of their rise under Shaka to the tragedy of the Bhambatha Rebellion in 1906. No one knows the Zulu sources better than John Laband, who has written extensively on the war. He weaves Zulu oral tradition and contemporary European accounts into a vivid narrative of Zulu history. Full coverage is given to the Anglo-Zulu War but what I particularly value is the wider context of the contest between Briton, Boer, and Zulu that shaped the course of South African history.     

Together with John Laband, the late Paul Thompson did an enormous amount to bring to light African perspectives on the war. Originally published in a limited edition in South Africa, this is a study of the Natal Native Contingent raised by the British as auxiliaries from African tribes and groups hostile to the Zulu. Poorly armed, they were blamed unjustly by contemporaries for the British defeat at Isandlwana and roundly blamed thereafter for atrocities associated with the aftermath of subsequent British victories. Thompson’s work is a valuable reminder of the often forgotten part played by Africans in the defeat of their fellow Africans by imperial forces.   

Who could resist a full account of the making of Stanley Baker’s 1964 epic? From the genesis of the idea through the evolution of the script, production in South Africa and Britain, the premier, and the reaction to the movie, this is a must-have book for all fans of the film. Hall mined film archives and interviews with the actors and filmmakers to reconstruct the story of the film. It is copiously illustrated in colour as well as black and white with location photographs, posters, and cartoons. A particular highlight is the exploration of ‘myths, gaffes, and spoofs’.   

This is a serious piece of research recounted in an easily readable form. Ian Knight chronicles the historical context within which the Zulu military complex evolved. He outlines the effects it had on Zulu society. He examines the customs, the development of weapons, and concomitant tactics that allowed a small clan to grow into the dominant power across a vast swathe of southern Africa. Knight details military life and lists all known regiments and commanders. While this book satisfies a purist’s hunger for detail, it never fails to be informative and interesting for the more casual reader. I enjoyed it for the details that proved so useful to the writing of my own novel but I also admired it as an example of how to write a scholarly work without excluding the layman.

Morris’s history of the rise and fall of the Zulu kingdom remains a classic. Trained as a journalist, Morris presents a vivid, lively, and compelling narrative, tracing the rise of Shaka’s Zulu kingdom, the outbreak of war in 1879, and the tragic aftermath of civil war and national disintegration. Although more recent scholarship casts doubt on some of Morris’s assertions, his book remains the starting point for understanding the Anglo-Zulu War of 1879.

This is a big book, thoroughly researched but accessibly written. Morris has a military background and sees things from a strategic perspective. He wrote this book at almost the same time as Ritter’s biography of Shaka but his focus was subtly different. He seeks to evaluate not just Shaka’s nation-building but what followed, most especially the Anglo-Zulu war that culminated in the destruction of the Zulu military at Isandhlwana. As such, this book serves as a perfect companion piece to Ritter’s work. I enjoyed the immersive nature of Morris’s account as it spanned most of the nineteenth century. It gives telling insights into the British Empire’s strengths and weaknesses and does the same for the Zulu state that built on Shaka’s innovations. This book helped me set Shaka’s story in a wider context and for that alone it deserves a place on this list.

Hamilton offers a thought-provoking monograph on the persistence of Shaka as a metaphor in South African history and politics and the changing representations of the famous Zulu king over time. Hamilton argues that the image of Shaka, contrary to most post-modernist interpretations, was not simply a colonial invention. Instead, she argues that Shaka’s image gained its durability and complexity from a mix of indigenous narratives as well as colonial ones.

I discovered Fynn’s edited diary when I was researching my own novel, as Fynn was a character I wished to include in my historical novel. He was one of the very first white settlers of the Natal region of what became South Africa. Remarkably, he became a confidant and adviser to Shaka and kept a diary that covers 1824 to 1836. It proves a useful record of the physical and political state of the region and its customs. Most tellingly, it is an eye-witness account of Shaka at a time when he is extending his hegemony over the region. I love the fact that the man writing these words actually spoke with Shaka, a man known to us by a single-line drawing. While Fynn is, quite clearly, imbued with the attitudes of his time, his diary proved to me how valuable first-hand accounts can be in piecing together and… show more.

Molope’s twitter profile features my favourite Toni Morrison quotation (one I want used in my obit, when the day comes), so I had to buy this novel.

Its core is about doing, or not doing, the right thing. I loved the writing, the moral complexity and the exploration of strangeness from the point of view of Naledi, a young teen, living in post-apartheid South Africa. She has moved from the bottom, a place of outhouses and rocks, to the top, a place of fountains and statues, and then discovers her brother is also a stranger. But then she warns us early that the township Marapong is a place you arrive at after "experiencing that unnerving feeling of being lost in a strange country with a strange language.”