I’m an ex-neuroengineer turned sci-fi pen monkey (turned melted heap of goo on the floor). More than anything, though, I’m a guy who simply could NOT get enough Star Wars, Lord of the Rings, and Indiana Jones as a kid, and it’s probably somewhere between those formative years and all the amazing books and movies I’ve gobbled down since that the writing bug seeped into my veins. Much as my writing has changed the way I read, this list constitutes 5 of the types of stories that made me fall so deeply in love with fiction (and good characters!) that I couldn’t help but eventually pick up the pen myself.
It’s kinda funny; I actually didn’t finish this book the first time around. I don’t even remember why. I tend to juggle a lot of books and sometimes get distracted, and to be fair, this book doesn’t necessarily start with much of a bang. But man, oh man, was I hooked on the journey once I sank my teeth into the seven pilgrims’ stories and really got going. The worlds are fantastically imagined, and the mysteries (of the Shrike and of everything else) kept me turning pages in the best way possible.
Love or hate the rest of the series, I’ll never forget my time with Hyperion. It stands in my mind as a shining example of what sci-fi worldbuilding can be on a similar level to what Frank Herbert accomplished in Dune (which absolutely deserves an honorary spot on this list but won’t be included because it’s getting enough love right now thanks to the cinematic release).
It’s possible this book should’ve been #1 on the list because, let me tell you, I think about this book a lot. It’s not JUST that this was the first book I read (outside of my steady childhood diet of Star Wars) that made me say, “Wow, sci-fi can do THAT?!” It’s that the gravity of Ender’s burden (and the skill with which Orson Scott Card brings his story to life) have stuck with me so firmly since I first read it that I can’t help but come back for another reading every few years or so.
I feel like this one is a classic for darn good reason. And if you’re an audio person, I highly recommend the performance by Stefan Rudnicki and crew in the 20th anniversary edition. Great stuff.
Orson Scott Card's science fiction classic Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut―young Ender is the Wiggin drafted…
This book was just fun. (And informative!) As my editor, Lisa Poisso, put it (paraphrased), “I’ve never seen an author manage to build so much narrative tension around something so simple as, ‘And now I have to push this button.’”
So yes, Weir continues to be awesome at making hard sci-fi fun and thrilling. What really stuck with me most, though, was the relationship the main character, Ryland Grace, forms with his unexpected interstellar buddy, the Eridian he dubs Rocky. The care and thought Weir puts into every aspect of their interactions… Those were the moments that got me. Never have I ever had so much fun watching a character think about how to solve problems. And who couldn’t use a bit more laughter and problem-solving in their life?
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
One of my favorite things in the world is listening to a good audiobook, start to finish, on a long road trip. Having moved back and forth across the country more times than I care to count, I’ve done this a fair number of times, and my favorite memory by far is the experience I had when listening to this book for the first time.
I’ve enjoyed most of Blake Crouch’s books for their tight pacing and titillating, mind-candy premises (in Dark Matter, it’s a neat mechanic for hopping alternate realities), but what really hit me with this one in particular was how monumentally hard this book drove home this feeling of losing (like literally losing) the one you love the most, and what you might do, what life you might choose, to find them again. It’s hardly ground that no one’s covered before, but without spoiling anything, I’ll just say Crouch took me on a journey and landed the punch in a way no one had landed it for me before. (Mmm, scrumptious gut punches. Thank you, Blake.)
You can listen to it in audio (if that’s your thing) and then give your special someone a big, big hug.
'Brilliant. . . I think Blake Crouch just invented something new' - Lee Child, author of the Jack Reacher series.
From Blake Crouch, the author of the bestselling Wayward Pines trilogy, Dark Matter is sweeping and intimate, mind-bendingly strange and profoundly human - a relentlessly surprising thriller about choices, paths not taken, and how far we'll go to claim the lives we dream of, perfect for fans of Stranger Things and Ready Player One.
'Are you happy in your life?' Those are the last words Jason Dessen hears before the masked abductor knocks him unconscious. Before he awakes to find…
This book took everything I’ve ever loved about sci-fi franchises like Star Wars, The Expanse, and The Hunger Games and somehow managed to jam it all together and turn it all up to eleven. (This one goes to eleven!)
At present, I have three more books left to read in this series (next up for me is Iron Gold), and that thought is just so darn exciting I could dance. (I won’t because I’m currently walking on an under-the-desk treadmill… But I could.)
For me, this book and the books that follow are a collective masterclass in worldbuilding, dramatic tension, and the fine art of using sci-fi to dissect how societies rise, fall, and function in between. The main character, Darrow, is basically a force of nature you can’t help but root for. And if you’re into audiobooks, Tim Gerard Reynolds’ narration of this series might well be my favorite audio performance of anything I’ve ever listened to. It’s phenomenal.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
At its heart, my book is a story about two outcasts fighting so hard to save a post-apocalyptic Earth from second-wave alien invasion that they sort of accidentally find their place in the world. Put another way, it’s a story about an irreverent sword-slinger who’ll do just about anything to recover his stolen exosuit, a magically-gifted arcanist who’ll do the same to find her missing brother, and the bloodthirsty alien invaders who’ve just had the misfortune of pissing off the wrong humans.
Red Gambit is the first entry in the 4-book Harvesters Series. If you enjoy fast-paced romps and characters who simply don’t know when to keep their mouths shut, you’ll probably have a good time with it!
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
