I grew up in Chicago in the waning days of Mayor Richard J. Daley’s machine, which politicized everything from schools to loading zones. Everyone—whether they were civil servants or small business owners—had to pledge loyalty to Da Boss, Hizzoner, or suffer the consequences. As a result, I’ve always gravitated to crime stories with a political element, one showing the effects of big conflicts on regular people. And I’ve written about the same.
Duncan Cochrane only wanted to be governor until his daughter was murdered six weeks before election day. Then all he wanted was revenge. He blames his own political ambitions. Still, his best shot at justice may be the bully pulpit of the campaign trail. He must win the election or accept that she has died in vain.
Before the U.S. entered the war in Vietnam, Graham Greene forecast its disastrous consequences. His love triangle, set amid the escalating conflict, perfectly captures the naiveté of American interventionism overseas. I love the subtext of the tale, which is narrated by an embittered British journalist. Although it’s never spoken, we intuit that he is addicted to opium and living the life of a dissolute expatriate. Fowler watches in horror as a U.S. diplomat tries to steal both the woman and the country he has adopted. He claims impartiality and indifference until he cannot any longer.
Graham Greene's classic exploration of love, innocence, and morality in Vietnam
"I never knew a man who had better motives for all the trouble he caused," Graham Greene's narrator Fowler remarks of Alden Pyle, the eponymous "Quiet American" of what is perhaps the most controversial novel of his career. Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas.
As young Pyle's well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But…
Even after reading dozens of news articles about the civil war in Bosnia, I didn’t understand it—until I read Dan Fesperman’s mystery novel Lie in the Dark, which explains the conflict in personal terms. His detective, Vlado, searches for one killer amidst a city full of them. Along the way, he learns that the war is being fought over more than just land or power. It indoctrinated me to the true aims of the war: the spoils.
The Zero captures the paranoia and confusion following 9/11, before we knew who attacked us or why. The story’s amnesiac investigator stumbles from one confusing clue to the next, much as we all did in those dark days. As he tries to piece together the truth from the literal scraps left behind at the World Trade Center, he also seeks insight into his own identity, and into the nation’s.
The breakout novel from a writer of extraordinary talent: In the wake of a devastating terrorist attack, one man struggles to make sense of his world, even as the world tries to make use of him
Brian Remy has no idea how he got here. It’s been only five days since terrorists attacked his city, and Remy is experiencing gaps in his life—as if he were a stone being skipped across water. He has a self-inflicted gunshot wound that he doesn’t remember inflicting. His son wears a black armband and refuses to acknowledge that Remy is…
One of the first political thrillers, and still one of the best, this tale is based on a true story about an anarchist devoted to blowing up the Greenwich observatory—if only his family will stop getting in the way. It portrays spies as not the superhumans of most thrillers but ordinary men bumbling through their private lives while trying to steer the public toward their grander schemes. A welcome antidote to the superhero model we see in James Bond and 24.
The Secret Agent is Joseph Conrad's dark satire on English society, edited with an introduction and notes by Michael Newton in Penguin Classics.
In the only novel Conrad set in London, The Secret Agent communicates a profoundly ironic view of human affairs. The story is woven around an attack on the Greenwich Observatory in 1894 masterminded by Verloc, a Russian spy working for the police, and ostensibly a member of an anarchist group in Soho. His masters instruct him to discredit the anarchists in a humiliating fashion, and when his evil plan goes horribly awry, Verloc must deal with the…
A social satire that perfectly captured the greed and arrogance of the 1980s. Sherman Helmsly is a master of the universe, a rich bond trader with a penthouse in New York, and a randy mistress—until he accidentally runs over a black boy in the Bronx. The result is a political scandal that reaches from the mayor’s office to the tabloids, with many memorable characters and acute parodies of the era. Those who lived in or followed the scandals of the city at the time—from Tawana Brawley to Ivan Boesky—will recognize several real people and stories in this fiction.
An exhilarating satire of Eighties excess that captures the effervescent spirit of New York, from one of the greatest writers of modern American prose
Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down.
Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
