40 books like Wooden Leg

David Grann’s Killers of the Flower Moon gives the viewer a window into a piece of Native American culture in 1920s Oklahoma as well as the inner workings of the brand-new FBI under its narcissistic and despotic head J. Edgar Hoover.

For me, the heart of the story is the Osage people and their struggle to prosper in the face of racism, corruption, and murder. That’s not to say that Grann doesn’t do a brilliant job with the FBI investigation into the killings. 

I loved the absolutely unique blend of history, culture, deep spirituality, practical philosophy, politics, humor, and memoir. I have read few books that ever became as personally meaningful as this one.

It was difficult not to recommend Black Elk Speaks or Fools Crow, two similar books, but Lame Deer was more provocative, and the direct introduction to Indigenous ritual, healing, and worldview was simple yet profound.

I loved the way Lame Deer shared stories that transported me into his world, his experience, and ceremonies and knowledge that are rare to learn about. It’s not exactly written in politically correct language, but it remains an important book to read.

Buffalo Bill made a movie on the rez about Indians? Geronimo had a Cadillac? Indian rhythms are all over 20th-century classical music? Philip Deloria has a knack for showing us how Indian people usually defy what the media says they are—they turn up in funny places, do remarkable things, and achieve extraordinary results. Many of the Indians in this book aren’t found on the reservation, a reminder that Native people have traveled far and wide to do astonishing things when the spirit of adventure calls.

Thankfully, not all Indian stories are written or recounted by men. Irene Stewart, born at the base of Canyon de Chelly in 1907, grew up in the shadow of her father, a medicine man who had her kidnapped and taken against her will to boarding school. She survived three of those schools, including Haskell Institute, where she learned to bob her hair, studied home economics, and later became a Presbyterian. But this is no simple tale of assimilation. Like many of her schoolmates, she remained attached to tribal ways and remained true to Navajo tradition even while transforming herself for the world beyond the rez. 

This is the story of Jack Crabbe. Jack was reared by both white and Cheyenne folks.

His story is a masterpiece and describes the destruction of Native Americans along with their way of life (including the bison they relied on). According to Jack, he even participated in the Battle of Little Big Horn and was the only white man who survived.

I recommend this book to anyone who is interested in American history and who wants to read about it in an entertaining way. There’s no way to disguise the hateful way European settlers wiped out native tribes and/or enslaved Natives and Blacks, but at least this is an engaging account thereof.

Buffalo Calf Road Woman is a riveting historical account based on true events.

This compelling narrative portrays the remarkable Cheyenne woman known for her valor in both the Battle of the Little Bighorn and the Battle of the Rosebud. Buffalo Calf Road Woman's courage shines through as she fearlessly charges into chaos, rescuing her brother from certain death.

The book immerses readers in the harsh realities of pioneer migration, showcasing the devastating consequences to the native tribes. I was captivated by the raw power of the storytelling and inspired by the unwavering bravery of Buffalo Calf Road Woman.

And these opening lines! “The end of the world began that day. Not slowly or quietly, not piece by piece or by degrees, but as a calamity that brings another and another and another." A powerful, thought-provoking novel. 

Women and Warriors of the Plains is about the frontier adventures of a newly-married young woman and her camera in the early 20th Century. Settling on the Northern Cheyenne Indian reservation in Montana, Julia Tuell went on to capture portraits and photojournalistic depictions of Native Americans living off the land and going about their everyday lives, including the Northern Cheyenne and the Rosebud Sioux Tribe of the Lakota nation. Many of Tuell’s photos taught me to compose my paintings in a more natural way.

Colt is more of a guy in a bad situation. Nevertheless, he isn’t so nice and when he takes a job of being Cheyenne’s fake boyfriend for pay, you wonder how he will steal your heart. The more you get to know him, the more you become his biggest fan. Even when he’s messy, you can’t help but yell at the book, asking him when is he gonna wake up and learn because he already has you sucked into his web of love.

From Sand Creek by Acoma Pueblo citizen Simon Oritz is one of my favorite books because in a little over 90 pages of poetry constructed in concise, elliptical form it captures the history of America that is largely erased from official narratives: the history of foundational American violence at home and abroad. Perhaps this narrative is becoming more visible now, particularly with the rise of films about this largely marginalized history. At its roots, this is the history of Native American genocide, epitomized by the massacre of peaceful Southern Cheyenne and Arapaho Natives by the Colorado Volunteers at Sand Creek in 1864.

I was transfixed by Kelman’s story, masterfully, sympathetically narrated. It’s populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.

Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.

The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.