Here are 100 books that Tools for Tantra fans have personally recommended if you like
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I was born in New York, live in London, have an Indian name, and a Polish grandmother. I’ve lived and worked worldwide, running yoga centers in New York, London, New Delhi, and the Himalayas; I’ve also worked as a spice merchant, magazine editor, and pilgrimage leader. My incentive in writing is to inspire people to practise yoga and meditation – and my books tend to be practical as well as theoretical. In addition to teaching and writing, I’ve spent extensive time doing personal practice in the Himalayas, and I hold an MA degree in Traditions of Yoga and Meditation from SOAS (School of Oriental and African Studies), University of London.
This is my go-to book whenever I need to clarify yoga concepts in my mind, for the purpose of my own personal practice and/or for my teaching. I find that it guides and connects me to subtle inner energies that most other books only mention. Dr. Frawley explains complex terms in simple, but precise language. He seems to really know what he is writing about from first-hand experience, as well as in theory.
I was born in New York, live in London, have an Indian name, and a Polish grandmother. I’ve lived and worked worldwide, running yoga centers in New York, London, New Delhi, and the Himalayas; I’ve also worked as a spice merchant, magazine editor, and pilgrimage leader. My incentive in writing is to inspire people to practise yoga and meditation – and my books tend to be practical as well as theoretical. In addition to teaching and writing, I’ve spent extensive time doing personal practice in the Himalayas, and I hold an MA degree in Traditions of Yoga and Meditation from SOAS (School of Oriental and African Studies), University of London.
I constantly refer to this book in my teaching and personal study of Patanjali’s Yoga Sutra. The word ‘sutra’ means ‘thread’ and Zambito definitely helps me to untangle the webs that many books on the subject seem to weave.
This book expertly defines and delineates the technical, meta-psychological, and meditative premises of the classic text on yoga. It breaks down each verse, explains each word, and also gives 12 well-known translations for each individual sutra.
Defines and delineates the technical, metapsychological, and meditative premises of the philosophical and practical fields of Yoga. This title provides tools for English-speaking students to immerse themselves in the Yoga-Sutra of Patanjali, allowing them to make the path of yoga intimately their own.
I was born in New York, live in London, have an Indian name, and a Polish grandmother. I’ve lived and worked worldwide, running yoga centers in New York, London, New Delhi, and the Himalayas; I’ve also worked as a spice merchant, magazine editor, and pilgrimage leader. My incentive in writing is to inspire people to practise yoga and meditation – and my books tend to be practical as well as theoretical. In addition to teaching and writing, I’ve spent extensive time doing personal practice in the Himalayas, and I hold an MA degree in Traditions of Yoga and Meditation from SOAS (School of Oriental and African Studies), University of London.
I purchased my original copy of this text many years ago; it has been my constant companion ever since. I’ve since learned that the Bhagavad Gita was the one book that Thoreau had with him during his time at Walden Pond – and this was back in the 19th Century.
Written prior to the commercialization of yoga, Sivananda's translation of the Gita is pure and traditional. He caters to serious yoga practitioners; the text is not watered down nor does it push any sectarian agenda. The comments are filled with deep insights from a person who is widely acknowledged to have been one of India's great spiritual teachers of the 20th century.
The Bhagavadgita is one phase of the Tripod of Indian philosophy and culture, the other two phases being the Upanishads and the Brahmasutras. While the Upanishads lay the foundation of the loftiest reach possible for humanity and the Brahmasutras logically elucidate the intricate issues involved in the Upanishads, the Bhagavadgita blends together the Transcendent and the Immanent features of the Ultimate Reality, bringing together into an integrated whole knowledge and action, the inner and the outer, the individual and the society, man and God, all which are portrayed as facets of a Universal Operation, presenting entire life and all life…
I was born in New York, live in London, have an Indian name, and a Polish grandmother. I’ve lived and worked worldwide, running yoga centers in New York, London, New Delhi, and the Himalayas; I’ve also worked as a spice merchant, magazine editor, and pilgrimage leader. My incentive in writing is to inspire people to practise yoga and meditation – and my books tend to be practical as well as theoretical. In addition to teaching and writing, I’ve spent extensive time doing personal practice in the Himalayas, and I hold an MA degree in Traditions of Yoga and Meditation from SOAS (School of Oriental and African Studies), University of London.
Although technically not a yoga book, I have included it on my list, as the majority of modern yoga practitioners are women. I found this book to be both groundbreaking and inspirational. Northrup is a holistic physician who explains not only the physical workings of the body, but also how many health problems can relate energetically to such yoga concepts as the chakras.
This is a very large book that is obviously not meant to be read cover to cover. I keep it on my shelf and dip into it from time to time to get a deeper understanding of the chemistry, anatomy, and physiology of the human body.
The New York Times bestselling guide to physical and emotional wellness for women of all ages—fully revised and updated for 2020
“A masterpiece for every woman who has an interest in her body, her mind, and her soul.”—Caroline Myss, Ph.D., author of Anatomy of the Spirit
“I recommend Women’s Bodies, Women’s Wisdom to all women and also to all men who want to understand and nourish the women in their lives.”—Deepak Chopra, M.D., author of Ageless Body, Timeless Mind
Emphasizing the body’s innate wisdom and ability to heal, Women’s Bodies, Women’s Wisdom covers the entire range of women’s health—from the…
I’m a musician with a singular mission: to discover and present the beauty I’m uniquely positioned for. You may not expect a concert pianist to co-write a song with a man he would never meet, much less write an illustrated storybook about it. But given how I’ve learned to use my voice, I didn’t hesitate to become a first-time author with an illustrated storybook. May these recommendations help you find your voice as well.
‘What good is your voice, and what’s the use in finding it?’ Those are tough questions for anyone to answer, but especially for an artist. At first, I just loved making music and saw that others did too, but couldn’t give a compelling reason why it was worthwhile. For the Life of the World finally equipped me to articulate that reason.
“Beauty is never ‘necessary,’ ‘functional,’ or ‘useful,’” Fr Schmemann writes. “And when, expecting someone whom we love, we put a beautiful tablecloth on the table and decorate it with candles and flowers, we do all this not out of necessity, but out of love.”
Your voice exists to beautify the world—to show those who hear it that someone cares for them. I can scarcely think of anything more worthwhile.
In For the Life of the World Alexander Schmemann suggests an approach to the world and life within it, which stems from the liturgical experience of the Orthodox Church. He understands issues such as secularism and Christian culture from the perspective of the unbroken experience of the Church, as revealed and communicated in her worship, in her liturgy the sacrament of the world, the sacrament of the Kingdom. Of what life do we speak, what life do we preach, proclaim, and announce when, as Christians, we confess that Christ died for the life of the world? In For the Life…
I'm a Conservative Rabbi who served Temple Sholom in Bridgewater NJ from 1975-2015. I'm currently the Rabbi of Beth Judah Temple in Wildwood New Jersey. I've always been intrigued with the Haggadah and its origins, and for almost 50 years I've hosted the Passover seders at my home. I always wanted to search for just the right Haggadah that I could use to make the experience fun and participatory for all. Because of my passion for wanting to give participants at my seder a positive experience, I decided to write my own Haggadah, I've written several including Seder in Motion: A Haggadah to Move Body and Soul coauthored with my wife Leora Isaacs.
A Family Haggadah is a favorite of mine, and we have used it on many occasions when my children were younger. This Haggadah is a sequel to the successful My Very Own Haggadahthat was created for kids 3-7. The author has drawn on her experience as a parent, religious school director, and family educator to create just the right blend of text and commentary, tradition and innovation. It includes interesting questions for discussion as well as Passover facts and games to play. The transliteration is also invaluable in making the traditional Hebrew accessible to all.
With just the right blend of text and commentary, the popular A Family Haggadah, with new full-color art, is the haggadah of choice for families with young children to use at their Passover seders. Hebrew prayers and songs include English translations and transliterations.
I'm a Conservative Rabbi who served Temple Sholom in Bridgewater NJ from 1975-2015. I'm currently the Rabbi of Beth Judah Temple in Wildwood New Jersey. I've always been intrigued with the Haggadah and its origins, and for almost 50 years I've hosted the Passover seders at my home. I always wanted to search for just the right Haggadah that I could use to make the experience fun and participatory for all. Because of my passion for wanting to give participants at my seder a positive experience, I decided to write my own Haggadah, I've written several including Seder in Motion: A Haggadah to Move Body and Soul coauthored with my wife Leora Isaacs.
This Haggadah is perfect for families that want to include all of the traditional sections of the seder without spending a lot of time in discussion and study of text. Nicely illustrated and fully transliterated, the Haggadah also includes interesting facts as well as thought questions throughout. For example, the Haggadah explains that in theHa Lachma anya section (let all who are hungry eat) early in the seder that the language of Aramaic is used. This is a reminder that when we welcome the stranger, we invite our guest in the language he or she will understand
Hosting your first seder? This haggadah and planning guide will help you every step of the way. Everything you need for a meaningful yet concise seder perfect for families of all ages.
I'm a Conservative Rabbi who served Temple Sholom in Bridgewater NJ from 1975-2015. I'm currently the Rabbi of Beth Judah Temple in Wildwood New Jersey. I've always been intrigued with the Haggadah and its origins, and for almost 50 years I've hosted the Passover seders at my home. I always wanted to search for just the right Haggadah that I could use to make the experience fun and participatory for all. Because of my passion for wanting to give participants at my seder a positive experience, I decided to write my own Haggadah, I've written several including Seder in Motion: A Haggadah to Move Body and Soul coauthored with my wife Leora Isaacs.
This Haggadah is a Haggadah that is ideal when there are younger children at the seder. What makes the Haggadah unique are its puppets (included with the book) which need to be prepared and assembled prior to the seder. Many parts of the seder are set up as a script of a play, where parts can be given out to read. There are also original fun songs to sing. When my children were younger, I used this Haggadah with enormous success, and still have the puppets which I hope to use now with my grandchildren!
I do what I do for completely self-interested reasons. I am a woman, wife, and mother; a history professor specializing in the Catholic Church and gender; and a Christian (Episcopalian). I used to compartmentalize those roles. I was a Christian at church, a secular scholar at work, etc. It was exhausting. I was frustrated by conflicting messages about gender and faith from my family, profession, and religion. I wanted to be true to all aspects of my identity in all situations, but how? History is full of people who’ve questioned and adapted at the intersections of gender and religion. I learn from their journeys and add another piece of the puzzle.
In this inspiring collection, Catholic and Protestant women from nations such as Peru, Korea, South Africa, Australia, and Iceland reveal how women are already leading in a variety of Christian denominations worldwide.
Authors explain their religious communities’ history, ministries, and understandings of gender and religion. Then each shares a religious rite created by the women of their Christian community. The diverse rituals reflect Christianity’s ability to adapt to the needs of believers, meeting them “where they are.”
Examples include the incorporation of indigenous elements in worship; use of the body through dance/artistry; and attention to gendered concerns such as domestic violence, poverty, and reproductive rights. These women’s leadership and rituals are not separate from mainstream Christianity. They are part of it.
A great idea book for people looking to incorporate gender more inclusively into worship.
With its focus on narratives, its attention to contextual and material realities, and its collection of women-identified liturgies in global context, Dissident Daughters claims prominence within the growing literature on women's ways of worship. This book not only introduces liturgical texts, but focuses on the communities that create and celebrate these liturgies. Dissident Daughters gives voice to the women activists in these communities who show how their communities came into being; how social, cultural, and political realities shaped them and their liturgies; and how they envision their lives in and as communities of faith. In drawing the different narratives together,…
I became a climate activist and later a researcher after my sister and her family lost their home in the Black Saturday fires of 2009 in Victoria. Their bravery and survival is a daily reminder for me, that climate change is upon us, and we are fighting for our lives as well as our children and future generations. Because my research has been focused on colonialism and race their story has opened many questions for me around the history of colonialism and whether it was coal-fired. I’m thinking about what it means for settlers to lose their homes on stolen land, and whether this recognition could prompt us to rethink land ownership, custodianship, and coexistence.
This compilation, describing the founding of a new religion that is queer, science-fiction, and climate justice is a mindblowing assemblage of collage artworks by Deborah Kelly, liturgies by author S. J. Norman, poetry and essays.
It features interviews with Kelly and collaborators, photography of the workshops and portraits of followers, regalia, exhibitions, dances, and processions. For those despairing about climate change, this collection is a provocation, an exhortation, and a diversion.
It has been a salve to have by my side as I daily absorb the unfolding climate catastrophe and try and understand and respond to the deepening exclusions and marginalisations and discriminations it entrenches.
