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When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
Write about Abraham Lincoln’s intimate life? I wouldn’t dare, but I’m thrilled Louis Bayard did.Courting Mr. Lincoln catches America’s icon at his pivot from aw-shucks buffoon to fast-track politician. Joshua Speed, Lincoln’s roommate who’s in love with him, applies social veneer, teaching him to dress and dance, and where to rest those spidery arms during dinner. The friends’ touching love never crosses into sexual on the page. Yet, intimacy flows through Bayard’s extraordinary writing. We, too, inhabit Lincoln’s long torso, flailing elbows, and head crammed in a too-small top hat. Alas, a society matron pushes Lincoln “toward destiny,” requiring marriage with Mary Todd. Melancholy Lincoln, snared in grasping love, moves on to save our nation. Because of this book, I’ll always consider Abraham Lincoln a beautiful man.
When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's short list to be president. A country lawyer living above a dry goods shop, he is lacking both money and manners, and his gift for oratory surprises those who meet him. Mary, a quick, self-possessed debutante with an interest in debates and elections, at first finds him an enigma. "I can only hope," she tells his roommate, the handsome, charming Joshua Speed, "that his waters being so very still, they also run deep."
It's not long, though, before she sees the Lincoln…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
I wrote my book because I love historical fiction that explores the person behind the myth. In that genre, Becoming Madame Maois a tour de force. It’s no beach read, but who expects the Communist Revolution to be easy? Personally, I’ll never forget this portrait of Madame Mao—a poor girl who claws to the top, discarding lovers and husbands, performing opera, promoting and denouncing communism, and holding life-long grudges. Frankly, I’ve seldom felt so shocked, riveted, and immersed in a person, culture, and history. Her rocky, passionate relationship with Chairman Mao and the power she wields staggered me. While it’s not for the faint of heart, I highly recommend this best-in-genre book, especially to those who admireThe Sympathizer, by Viet Thanh Nguyen.
From the national bestselling author of Red Azalea: “Extraordinary . . . Min lets [Madame Mao] be seen as never before. Bottom line: riveting” (People).
In a sweeping, erotically charged story, Anchee Min creates a finely nuanced portrait of one of the most fascinating, and vilified, women of the twentieth century.
Madame Mao is almost universally known as the “white-boned demon”—ambitious, vindictive, and cruel—whose bid to succeed her husband led to the death of millions. But Anchee Min’s story begins with a young girl named Yunhe, the unwanted daughter of a concubine who ignored her mother’s pleas and refused to…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
This memoir reads like historical fiction and influenced my perspective on Napoleon. As its title proclaims, it’s not so much about the writer, Betsy Balcombe, but about Napoleon himself. Upon arrival on St. Helena, the British billeted the exiled, depressed emperor on her father’s estate. Fourteen-year-old Betsy, who spoke French, treated him like a favorite uncle, teasing and playing tricks on him. Unlike other contemporaneous memoirs I’ve read, Betsy’s doesn’t demonize or glorify Napoleon. Rather, her recollections provide the most extensive, reliable account of the real Napoleon, a lonely human hiding behind the vestiges of power. Look for the version with the excellent introduction by J. David Markham who puts the history in context.
Young Elizabeth Balcombe, or Betsy to friends and family, found life on the remote island of St Helena intolerably dull. Most fourteen-year-olds would. Her father had been posted to that unforgiving station in the Atlantic and, being a family man, he took his family with him.
Life was bleak in Balcombe's bungalow on the fringe of James Town. But then, in October 1815, the situation was transformed by the arrival of an unusual visitor. Napoleon Bonaparte, one-time master of Europe, now prisoner and exile, stepped ashore. The Balcombes, like all the islanders, were amazed. And even more so when Napoleon,…
I have lived almost all my adult life in France, and have spent that whole time wondering what makes the French so French. One of the answers is their attitude to their own history. The French have got a lot of upheaval to process: at least five revolutions since 1789, and two World Wars fought on their soil, including a Nazi occupation that they still haven’t digested. I didn’t start writing about the French until I’d been living in France for about 10 years – I didn’t want to write like a tourist, and it took me that long to unweave the first strands of their DNA. I’ve never stopped writing about them since, half a dozen Merde novels and as many non-fiction books later.
A bit of a cheat, this one. It’s probably my favourite French novel, precisely because it is timeless and seems to ignore everything about French history. I don’t think there’s one mention or symptom of the Revolution, no scar of the First World War, no French over-intellectualizing. It’s just nature and humankind going head-to-head in a brutally realistic, but starkly beautiful, Provençal landscape. By the way, I don’t like the English title – Regain means regrowth, the first signs of recovery. Personally, I’d prefer a title like Signs of Life. And this novel is all about a tiny hamlet in southern France that is on the verge of death. Only one man of working age remains amongst the ruined houses; the fields are fallow; there are no women. Then a tinker comes through, dragging his unwilling, abused femme with him. She catches the lone male peasant’s eye, cosmic chemistry occurs,…
Aubignane is a village in Provence; or, rather, it was, for it has long been dying. The only inhabitants remaining are the old blacksmith, the well-digger s widow and Panturle, the hunter. Now the blacksmith and the widow abandon the village, the latter promising she will find Panturle a wife. He is not made for solitude and gradually he becomes morose almost to the point of madness. Then a woman comes to the village as if by some supernatural path. She is all it takes for Panturle to start digging the land again and planting wheat, a second harvest. The…
I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.
Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night.Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journeyis not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees…
Celine's masterpiece-colloquial, polemic, hyper realistic-boils over with bitter humor and revulsion at society's idiocy and hypocrisy: Journey to the End of the Night is a literary symphony of cruelty and violence that hurtles through the improbable travels of the petit bourgeois (and largely autobiographical) antihero, Bardamu: from the trenches of WWI, to the African jungle, to New York, to the Ford Factory in Detroit, and finally to life in Paris as a failed doctor. Ralph Manheim's pitch-perfect translation captures Celine's savage energy, and a dynamic afterword by William T. Vollmann presents a fresh, furiously alive take on this astonishing novel.
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.
Chronicles the remarkable story of a World War I soldier who was discovered wandering in France with no memory of his identity and who was the focus of twenty years of court battles when he was "claimed" by hundreds of families whose fathers, husbands, sons, and brothers had been lost in combat. 20,
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.
Set before and during the Great War, Birdsong captures the drama of that era on both a national and a personal scale. It is the story of Stephen, a young Englishman, who arrives in Amiens in 1910. His life goes through a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experience of the war itself.
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.
From the moment my grandmother told me that books were not created by magic, but that real people write books (I was five years old) I knew that I wanted to become a writer—as surely as did Anne in Anne of Green Gables. Themes of the joy, the complexity, and responsibility of friendship and family, of working together despite great challenges to overcome obstacles for purposes beyond ourselves, and of doing that while sometimes working through stages of grief all resonate with me, are all part of my life. The books I’ve recommended, as well as the books I’ve written, contain those themes.
I love this group of very different women from Smithfield College who band together amid the Great War and set sail to nurse in war-torn France.
Armed with good intentions but few practical skills and little knowledge of what they’re getting into, nothing is as they imagined—not the lodging, the lack of welcome, the unimagined obstacles, or the many differences in personalities that challenge them. Still, they buckle down to learn critical skills by doing, overcome countless obstacles while surviving dangerous characters and circumstances, work through their own personality clashes and prejudices, and accomplish more than they or anyone expected.
The gift and beauty is that in banding together to accomplish the impossible they develop deep and lasting friendships. Band of Sisters is rich in inspiration desperately needed in our time.
"A crackling portrayal of everyday American heroines...A triumph." - Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
A group of young women from Smith College risk their lives in France at the height of World War I in this sweeping novel based on a true story-a skillful blend of Call the Midwife and The Alice Network-from New York Times bestselling author Lauren Willig.
A scholarship girl from Brooklyn, Kate Moran thought she found a place among Smith's Mayflower descendants, only to have her illusions dashed the summer after graduation. When charismatic alumna Betsy Rutherford delivers…
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