10 books like The War Against the BBC

What kind of dystopian author would I be if I hadn’t read 1984, the seminal novel about a surveillance society? I’ll be honest: the book drags a bit in the middle. However, Orwell’s shocking future—in which everyone is under constant observation—was so prescient that it still comes up in tech policy conversations about privacy and surveillance today. I also greatly enjoyed this British author’s knack for irony, such as his contradictory names for government departments. There is a Ministry of Truth that spreads propaganda and a Ministry of Love that uses fear to compel loyalty. Classic!

Life as a BBC Executive is like being a frog on a pond of lilies. You start off on a small lily leaf then you hop onto another get bigger ad infinitum until you either drown or become a prince. Mark Thompson is the latter. His last job was President of the New York Times, Roger Mosey is the former. He eventually ran out of BBC lilies to grace and is now head of a Cambridge College; firmly outside the tent ‘looking ‘in. His progress before had been large hops IRN Pennine Radio to BBC local radio to Network editing the World at One and Today. Then to the glamour bit TV-Editor of TV news then Head of Sport and the cherry on the cake-supremo of the 2012 London Olympics. That fortnight was the BBC at its’ supreme best. Roger was the pinnacle. From there the whole pond should… show more.

Will is the Kosygin of the BBC. He survived many changes of regime ending up close to the Britain Himalayan summit as Managing Director Television. Along the way, he made some good programmes and developed some innovations like using a small presentation studio to make the likes of The Old Grey Whistle Test. Later, his documentary features department in Kensington House was huge and productive. Will may have been the ace BBC politician but he was and still is very charming. I know he accosted me in the Waitrose oxford car park many years after I had left the BBC and that has led to a friendship of sorts. He is Oxford/Town Boy -through and through. A local lad whose headmaster in his Walton Manor primary school ‘helped’ him by hinting and more through the 11plus. It was up hills and career mountains from there. Will is ‘Old… show more.

Charlotte is a Guardian arts/feature writer whom Alan Rusbridger at the Guardian set off on a social anthropological expedition to New Broadcasting House in 2015. She was openly embraced by the then Director-General Tony Hall. It shows. What emerges is a bit too hagiographic for my liking. A Radio four listener’s view of the Corporation.

It is a snapshot of the upper reaches of the BBC with some history thrown in. Not sure she got close to the shop floor though.

Rosalind Thorne’s life as a gently bred woman is upended when her father abandons the family. Finding herself penniless, Rosalind manages to use her connections and considerable skill to help wealthy society women solve their problems, for a discreet payment. In the course of helping a client who wants to become a patroness of Almack’s, the invitation-only social club, Rosalind discovers the body of an acquaintance in the ballroom. The patronesses of Almack’s want Rosalind to hush up the death, while the victim’s sister wants her to find her brother’s killer. Rosalind proves adept at putting the pieces of a very complex puzzle together, at great danger to herself. I loved Rosalind’s determination and cunning as well as the sardonic portrayal of the ton’s countless social rules, spitefulness, and hypocrisy.

This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.

Captain Gronow shed some light on the darker aspects of the Regency period, which was a time before law enforcement as we know it. But it wasn’t all bad—the Bow Street Runners were the start of a new era of policing. I was fascinated by the story of how these first detectives came to be and how much truth was behind the myth, especially since the myth has become a popular one for fiction writers in recent years.

This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.