78 books like The Serial Killer's Wife

I loved this book so much! This is a fun, twisted novel about a lost soul who's desperate to find her way in the world.

The hero/antihero of the book is Florence Darrow, a young woman who wants to be somebody one day. She wants to be special. She wants to be great. For her, that takes the form of dreaming of becoming a bestselling novelist. She'll do anything to achieve that dream. Anything.

Maybe this shows my own moral failings as a human being, but I totally related! So when she... well, I won't say what she does because that would be a spoiler. But when she does some very bad stuff, I'm with her all the way. Couldn't stop turning the pages.

When I was a kid, I used to love W. Somerset Maugham short stories. Often they were about two strangers, usually men, meeting in a remote colonial outpost, and one of the two would then proceed to tell the other a strange, violent, heartbreaking, life-altering story that had happened to him or that he had witnessed. Mouth to Mouth, which I loved, reminded me of those stories.

I listened to it on audiobook, and the narration is pitch-perfect. This novel is about two men who meet at an airport when their plane is delayed. They go into a lounge, where one of them, a rich art dealer named Jeff, proceeds to tell the other his life story.

It’s gripping. I sat in my car after I got home so I could listen to the last twenty minutes.

This book is a gripping and timely thriller that examines mental health issues, including ADHD, in ways that feel extremely realistic and informative.

The main character lives near a cliff renowned for being a suicide spot, and her husband has talked several people out of jumping. He's a hero. But does he also have a dark side?

This is a book with more twists than one usually gets in a thriller, but they don't feel cheap—they all feel earned. The writing in this novel is excellent, with just the right touch of humor and chapter endings that pull you along.

I enjoyed this novel about a serial killer's daughter. The main character is flawed but very rootable, and the ending took me by surprise.

I especially admired the way all the different strands of the plot came together. The author laid out some good cookie crumbs for the reader to follow, and I missed several of them in a way that was very satisfying when they were revealed to me. I also liked that the main character gets a happy ending that I found very believable.

I lost my mother, gosh, about twenty years ago and the idea of being able to time travel back and see her once more is irresistible. What makes this book even more special is that she goes back and meets her mother as an adult at a time when she would have been a child. She even meets her younger self. How amazing would that be? It raised so many thoughts in my mind. What would I tell my younger self, and would there be a way to save my own mother’s life? It’s both a fascinating concept and compelling story. I think anyone who has lost a parent will resonate with its beauty. The ending itself truly took my breath away. 

Linwood Barclay is adept at dreaming up quirky characters. Find You First frequently switches between points of view, but there is no confusion because the characters are distinct and interesting.

On the face of it, this is a tale of two men with too much money. Tech billionaire Miles donated sperm as a student and wishes to trace his natural children. Meanwhile, sleazy Jeremy, a Jeffrey Epstein-style character, is trying to silence his victims. However, the real stars are two sparky young women, Chloe and Nicky. Chloe, suddenly confronted by the father she never knew, joins forces with Miles to find out why his other kids are being killed. Fifteen-year-old Nicky is the victim who fights back. When the disparate strands of the story come together, these ladies kick butt.

With a tight cast of characters, I was intimately drawn into the distressing and mysterious predicament of young heroine, Bess Bright.

Set in Georgian London, Bess has been forced to give up her baby, but when she returns to the home to reclaim her, she discovers she has already been taken. Bleak and tense, this book however resolves into an uplifting tale where characters are treated with compassion and justice is achieved. A mother’s love has the power to transform the bitterest of beginnings. Historical fiction at its best. 

A sexy romance, a strong female lead, a hot hero…and a psychopathic serial killer. What more can a romance reader with a craving for thriller plots want? Patrick, book one in the Risking Love series by Callie Carmen, covers all the above elements that make a great thrilling romance. I’m a huge fan of strong women, and though Jaq, the protagonist, is being pursued by a serial killer, she never lets her guard down. She is a woman with a strong voice, which does not falter, and Patrick makes a great love interest—he’s a protective man who gives us plenty of sizzle. The author did a great job at giving readers a spine-chilling view into the mind of a serial killer. 

This book blew my mind when I first read it. In my opinion, it is one of the most visceral, scary, and under-rated serial killer novels of all time. Published in 1986 in the midst of America’s much-hyped real and fictional serial killer ‘epidemic,’ Killer on the Road stands out as a first-person serial-killer narrative, as well as putting forward a new kind of character (for the 1980s) – the homosexual serial murderer. In this novel, Ellroy delves into the phenomenon of motiveless serial murder from the perspective of the killer on a subversive journey through a hellish suburban America. From the prologue to the epilogue the reader is presented an interior world-view saturated with violence and nightmarish insights into the psychopathology of a disturbed killer. 

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting.