Here are 100 books that The Public Image of Henry Ford fans have personally recommended if you like
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As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables.
The book gives great insight into the role of organized efforts at persuasion in establishing and reinforcing much of what we think we know about mobilization for the war.
Business wanted credit for the success of war production, even though most of it was achieved in government owned, government operated (GOGO) or government owned, contractor operated (GOCO) plants. The public sector played a much larger role in planning, directing, and controlling the mobilization effort than business wished the American public to acknowledge.
During World War II, the United States helped vanquish the Axis powers by converting its enormous economic capacities into military might. Producing nearly two-thirds of all the munitions used by Allied forces, American industry became what President Franklin D. Roosevelt called "the arsenal of democracy." Crucial in this effort were business leaders. Some of these captains of industry went to Washington to coordinate the mobilization, while others led their companies to churn out weapons. In this way, the private sector won the war-or so the story goes.
Based on new research in business and military archives, Destructive Creation shows that…
As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables.
Natural rubber was the one strategic material for which the United States had effectively no domestic sourcing. In February 1942, the Japanese overran Singapore, and shortly thereafter seized control of all the rubber exporting sites in Southeast Asia, effectively depriving the U.S. of more than 95 percent of its supply.
The effects of the U.S. rubber famine on the U.S. economy and its military capability were dire. Much attention has been given to the U.S. development of a synthetic rubber industry, much less to the search for plant-based alternatives to Hevea brasiliensisas a source of latex.
Finlay’s narrative provides a fascinating and informative discussion of these efforts.
As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables.
This is a classic book on economic mobilization for the Second World War.
The range of Milward’s scholarship is impressive, he has thought deeply about important questions, and he is not afraid to take positions on controversial issues.
It’s relatively weaker on U.S. mobilization, accepting much of the received wisdom, and acknowledges the scarcity of available materials for the Soviet Union and Italy at the time he wrote. But it is useful in putting the U.S. effort in context, and particularly helpful in providing comparative details on the British and German efforts.
As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables.
The historiography of the Second World War is littered with stylized facts which are either wrong or only partly true.
One is that the U.S. economy was almost completely demilitarized during the 1930s. This is largely true insofar as ground and air forces are concerned. It was not true for the Navy. As a former undersecretary of the Navy Roosevelt had a soft spot for sea power. So did important leaders in the legislature.
The two Vinson-Trammel Acts passed in the 1930s allowed the US to build up to treaty limits. At the time of the Pearl Harbor attack, U.S. naval power ranked only slightly behind that of the Royal Navy, and ahead of the Japanese (although not in the Pacific).
Moreover, the U.S. possessed an industrial infrastructure and an experienced workforce in both government and private shipyards that was capable of rapidly building multiple ships. Heinrich provides an excellent…
I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.
Hashimoto was the Japanese sub captain of the I-58, who sank the USS Indianapolisshortly after it delivered the atomic bomb in the closing days of World War II. The story of the Indianapolis has been told in several excellent books including, “In Harms Way” and “Fatal Voyage” as well as the movie, “Jaws,” but never from the Japanese point of view. How Hashimoto and his crew survived the war is integral to this story which makes The Hunt for Red October seem like child’s play. And it’s all true!
What happened to Japan’s submarines and what sort of fight did they put up?
As far as Japan was concerned, the recent war was waged according to a rigid strategy. There was no detailed operational planning. It was a fight in which science had been ignored. In such circumstances the submarine, always highly vulnerable unless used intelligently, was inevitably sacrificed. Throughout the war the whole submarine fleet was in reality a special attack force in which, in the absence of scientific weapons, the crews were just so much human ammunition. Today we hear much about rearmament. If money is to…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.
Sarah Sundin’s love for the stories of World War II comes from family members who served during the war on the US Home Front and abroad. Her passion for research and travel has fueled her award-winning novels. The horrors of the war brought out the worst in humanity. Yet they also brought out the best in humanity, and those stories—of people who chose kindness and courage and right in trying times—are the stories that inspire us to choose kindness and courage and right in our own trying times.
This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.
A young girl, kidnapped on the eve of World War II, changes the lives of a German archaeologist forced into the Nazi Party and―decades later―a researcher trying to overcome her own trauma.
1940. Hanna Tillich cherishes her work as an archaeologist for the Third Reich, searching for the Holy Grail and other artifacts to bolster evidence of a master Aryan race. But when she is reassigned to work as a museum curator in Nuremberg, then forced to marry an SS officer and adopt a young girl, Hanna begins to see behind the Nazi facade. A prayer labyrinth becomes a storehouse…
I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.
This is the first book I’ve ever read written by a Japanese sub commander that describes submarine warfare from the Japanese point of view. Few Japanese sub commanders survived the war, so how Orita lived to tell the tale is just one of the many remarkable stories he recounts in his book. Not only does it read like a suspense thriller, you’ll have newfound respect for the suffering he and his crews went through. Bottom line: The Japanese version of Das Boot!
I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.
I thought I knew a thing or two about the history of World War II. Somehow, the battle for New Guinea escaped me, despite the role played by the American General, Douglas MacArthur. Significant as a turning point in the war and enabling MacArthur's return to the Philippines, the fight in New Guinea deserves mention in the same breath as the stepping-stone battles of the Pacific islands. The fighting was brutal and the conditions for both Japanese and Allied troops were horrid—trails ascending rugged mountains, supply-chain difficulties, diseases that diminished the abilities of troops to fight. I have been to New Guinea twice. Duffy captured the ruggedness of the land and his telling of the stories made me feel the place, the people, and their challenges.
A harrowing account of an epic, yet nearly forgotten, battle of World War II—General Douglas MacArthur's four-year assault on the Pacific War's most hostile battleground: the mountainous, jungle-cloaked island of New Guinea.
“A meaty, engrossing narrative history… This will likely stand as the definitive account of the New Guinea campaign.”—The Christian Science Monitor
One American soldier called it “a green hell on earth.” Monsoon-soaked wilderness, debilitating heat, impassable mountains, torrential rivers, and disease-infested swamps—New Guinea was a battleground far more deadly than the most fanatical of enemy troops. Japanese forces numbering some 600,000 men began landing in January 1942, determined…
Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.
There were so many things that I loved about this book, starting with its riveting first scene. When I teach classes about great beginnings, I stress the need to hook a reader in the first three pages. Goyer and Yorkey did that and more. They kept me hooked until the surprising denouement. Make no mistake. I would not have wanted to live in Europe during World War II, but Goyer and Yorkey’s collaboration is filled with so many fascinating details of life during that tumultuous and dangerous time along with an introduction to the fine art of safe cracking that I couldn’t put it down.
It is August 1944 and the Gestapo is mercilessly rounding up suspected enemies of the Third Reich. When Joseph Engel, a German physicist working on the atomic bomb, finds that he is actually a Jew, adopted by Christian parents, he must flee for his life to neutral Switzerland. Gabi Mueller is a young Swiss-American woman working for the newly formed American Office of Strategic Services (the forerunner to the CIA) close to Nazi Germany. When she is asked to risk her life to safely "courier" Engel out of Germany, the fate of the world rests in her hands. If she…
