Here are 100 books that The National Enquirer fans have personally recommended if you like
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Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
Speaking of Elvis, this biography, the second of two parts, is among the greatest of the late 20th century. We begin with Elvis entering the U.S. Army in 1958 and follow this increasingly lost soul through the years, his fame metastasizing into something unrivaled, incredible, enviable and wholly malignant. Guralnick captures the singular loneliness Elvis came to suffer, the slow suicide that was his Las Vegas residency, the exploitations of his manager, Col. Tom Parker, and a death so humiliating it finally made Elvis what he had longed to be for decades: Profoundly, squalidly human. None other than Bob Dylan called this Presley biography the one that “cancels out all others.”
Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, received unprecedented accolades. This concluding volume recounts the second half of Elvis's life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unraveling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis's relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking drama that places the…
The Beatles are widely regarded as the foremost and most influential music band in history and their career has been the subject of many biographies. Yet the band's historical significance has not received sustained academic treatment to date. In The Beatles and the 1960s, Kenneth L. Campbell uses The…
Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
I find WASP culture absurd and fascinating. I love that rich people, really rich people, have a fixation with stickers, slapping abbreviations for Martha’s Vineyard or Nantucket or East Hampton on their luxury vehicles even though said luxury vehicles, parked in said locales, really should say it all. Such is the taxonomy writ large in Lisa Birnbach’s seminal Preppy Handbook, which explores other WASP signifiers such as “the politics of monogramming,” the elevation of old clothes over new, and what your choice of private schools, charities and vacation spots says about you. Pairs well with Take Ivy, a cult photography book by the Japanese photographer T. Hayashida, who spent the early-to-mid 1960s photographing American preps on college campuses — with prep soon becoming the rage in the Japan’s hipster Ginza district.
Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
The New York Times called this memoir “The Hollywood Chainsaw Massacre!” and it still stands as one of the best. Phillips, who died New Year’s Day 2002, was a self-described “nice Jewish girl from Great Neck,” Long Island who loved the movies, movie stars — and books. She was sharp, unsparing, and became the first female producer to win an Oscar for Best Picture. The closest comp title, I think, is The Kid Stays In The Picture by the late Robert Evans, but Phillips does him better in eviscerating no one so much as herself. And this is someone who describes Rolling Stone Ronnie Wood as “very sweet, but . . . smells terrible,” before asking, “Why don’t the English like to bathe?” An observation that could get one canceled today.
“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times
Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This…
Anatomy of Embodied Education
by
E. Timothy Burns,
The vast mysterious terrain explored in this book encompasses the embodied human brain, the processes through which humans grow, develop, and learn, and the mystery of consciousness itself. We authors offer this guidebook to assist you in entering and exploring that terrain.
Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
Londoner Tina Brown alights in New York City and falls fast and hard for power-playing, the machinations of billionaires and politicos, the trappings of glamour and wealth and the city itself, whose rococo sensibility she brings to Vanity Fair, a magazine she rescues from irrelevance and turns into a monthly-must read. Brown generated national headlines with her high-low sensibility and indelible cover images (a naked and pregnant Demi Moore scandalized middle America, much to Brown’s delight). She also writes about her guilt as a working mother, the thrill of matching the right journalist to the right story, and her trepidation in fighting for the salary she knew she deserved. A witty and colorful document of the last moment magazines really mattered.
'Indiscreet, brilliantly observed, frequently hilarious' Evening Standard 'Hang on - it's a wild ride' Meryl Streep
It's 1983. A young Englishwoman arrives in Manhattan on a mission. Summoned in the hope that she can save Conde Nast's troubled new flagship Vanity Fair, Tina Brown is plunged into the maelstrom of competitive New York media. She survives the politics and the intrigue by a simple stratagem: succeeding.
Here are the inside stories of the scoops and covers that sold millions: the Reagan kiss, the meltdown of Princess Diana's marriage to Prince Charles, the sensational Annie Leibovitz cover of a gloriously pregnant,…
I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.
The book begins with short chapters on a couple of blues players—Harmonica Frank and the mysterious Robert Johnson, who allegedly sold his soul to the devil so he could play guitar—before moving to extended chapters on Elvis, and others.
Marcus’s project is to cross-reference American history with American music and to try and make sense of them both. It sounds like something an academic would get up to, and plenty of research went into the making of Mystery Train (at 224 pages, the Notes and Discographies section of the 2015 edition is considerably longer than the original book).
However, Marcus is one of the great rock writers, and he’s as keen on crafting unforgettable sentences as he is in explaining the meaning of rock and roll.
The perfect gift for music fans and anyone who loves artists like Elvis Presley, Randy Newman, Sly Stone, Robert Johnson, and Harmonica Frank.
In 1975, Greil Marcus’s Mystery Train changed the way readers thought about rock ’n’ roll and continues to be sought out today by music fans and anyone interested in pop culture. Looking at recordings by six key artists—Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley—Marcus offers a complex and unprecedented analysis of the relationship between rock ‘n’ roll and American culture. In this latest edition, Marcus provides an extensively updated and rewritten…
I am a writer, actor, and comedian. I began on the Second City mainstage in Toronto. I was a writer and an actor on the Canadian television series, Call Me Fitz and I won the Gemini Award and the Canadian Screen Award for Best Lead Actress in a Comedy Series for my work opposite Jason Priestley on that show. Let Me Be Frank is my first book and it brings together so much of what I love to write and read: feminism, women, history, underdogs, and humor.
As cliché as it sounds, I truly did laugh and cry my way through this excellent book of essays by actress and comedian Casey Wilson. Wilson is an excellent storyteller and someone who is just profoundly, naturally funny. But she does not shy away from some heartbreaking and emotionally raw material too, which, quite frankly, is my jam. I did that thing where you get both the book and the audiobook, so when you are walking the dog you can still be reading. I highly recommend following suit because Wilson is such a delight to listen to. I may have had to pull my car over while listening one day because it was not safe to drive whilst weeping uncontrollably.
The instant New York Times bestseller: Laugh-out-loud, deeply insightful, and emotion-filled essays from multitalented actress, comedian, podcaster, and writer Casey Wilson.
Casey Wilson has a lot on her mind and she isn't afraid to share. In this dazzling collection, each essay skillfully constructed and brimming with emotion, she shares her thoughts on the joys and vagaries of modern-day womanhood and motherhood, introduces the not-quite-typical family that made her who she is, and persuasively argues that lowbrow pop culture is the perfect lens through which to examine human nature.
Whether she's extolling the virtues of eating in bed,…
I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!
This is an accessible account of history through the lens of how “mistakes were made,” and how most of us aren’t told about them.
It is plain old-fashioned great fun to read about blunders in the worlds of business, sports, pop culture, even some of America’s epic military failures (so long as they happened long ago!). A great corrective to claims that the US is uniquely blessed with perfection.
Have you ever wondered what the biggest failures in American history are?
Which sports teams just can’t seem to catch a break and keep failing, over and over and over in the most disastrous manner?
What are some of the biggest failures in American pop culture?
In The United States of Epic Fails: 52 Crazy Stories and Blunders Through History That You Didn't Get Taught in School you’ll learn all about these embarrassing moments and many other American failures on an epic level.
Here you will find out:
What film almost destroyed a major studio and killed a movie genre?…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
Born in 1979, I’m part of the final gasp of Generation X. Klosterman uses pop culture trends and the rise of the internet and cellphones as framing for understanding how Generation X formed its view of the world and its place in it.
A fun musing on the profound changes to society and communication that took place over the decade of the 1990s, The Nineties reminds us that it wasn’t all that long ago that we got most of our news from the TV, magazines, or the newspaper, and that the 90s shaped my generation in a multitude of ways.
From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history.
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a…
I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
This is a book about the real-life effects of the work of the character in the first book I recommended.
I loved it because, as a journalist confronting for the first time in my career, large-scale distrust in agreed upon reality (“fake news”), the stories of societal crackup in post-Soviet, disinformation-addled Russia form the ultimate cautionary tale.
In the new Russia, even dictatorship is a reality show. Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the glittering, surreal heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship--far subtler than twentieth-century strains--that is rapidly rising to challenge the West. When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook…
I have been fascinated by Cleopatra ever since I learned that she used science to outwit one of Rome's most powerful men by inventing the world's most expensive cocktail (a pearl disintegrated in vinegar). As a professor of Classics at Montclair State University, I have the opportunity to study ancient historical and literary texts about Cleopatra, as well as monuments, inscriptions, and papyri. I use these primary sources in teaching an advanced ancient history course on Cleopatra to undergraduate students.
There are many books about the reception of Cleopatra in high art like Shakespearean drama and Renaissance painting, but Daugherty'sThe Reception of Cleopatra in the Age of Mass Media is a delightful exploration of Cleopatra in popular creations such as video games, graphic novels, and television.
The incredible variety of material and engaging writing style makes this book a perfect introduction to reception studies and a must-read for pop culture aficionados.
This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience.
Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime.…
