Here are 100 books that The Murderers Among Us fans have personally recommended if you like
The Murderers Among Us.
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I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.
I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
Simon Hammelburg is a Dutch author, journalist, and songwriter. During the seventies, he started his career as a news broadcaster with AVRO Broadcasting (Radio & TV) in Holland. He worked as an anchor as well as a travelling journalist. In the eighties, he became the United States Bureau Chief for Dutch and Belgian radio and television, as well as several newspapers and weeklies. He specialized in the psychological aftermath of the Shoah (Holocaust).
A child survivor of the Holocaust, Durlacher long believed that he was the only person still alive from a group of 89 boys assigned to the Birkenau extermination camp in 1944. After he learned that he was wrong, he set himself the task of confronting his past by locating some of the others. As in many other Holocaust memoirs, the prose here is spare, and the lack of detail can be a little confusing. For example, the reader is thrown into the author's search without a description of the process that led him to take his journey. But some psychological truisms emerge in this gray travelogue that, while not fresh, are worth ruminating over.
What the author, a professor of sociology at the University of Amsterdam who died in 1996, finds is that even though the survivors shared a common experience, how they have coped with their wartime suffering differs.…
Having thought himself to be the sole survivor of the group of eighty-nine boys assigned to Auschwitz-Birkenau Men's Camp B II D in 1944, Gerhard Durlacher was stunned to discover that he was not alone. He sets off to track down his fellow survivors and find out why such a relatively large percentage of them survived. A remarkable and unique document, The Search ends in a reunion of the "Birkenau boys" in Israel in May 1990 where they finally unravel the mystery surrounding their selection and subsequent survival. The tragic truth is crueller than any of them could have imagined.
Simon Hammelburg is a Dutch author, journalist, and songwriter. During the seventies, he started his career as a news broadcaster with AVRO Broadcasting (Radio & TV) in Holland. He worked as an anchor as well as a travelling journalist. In the eighties, he became the United States Bureau Chief for Dutch and Belgian radio and television, as well as several newspapers and weeklies. He specialized in the psychological aftermath of the Shoah (Holocaust).
The Lasting Significance of Etty Hillesum’s Writings brings together the work of 33 experts from all over the world to shed new light on the life, works, inspiration, and vision of the Dutch Jewish writer Etty Hillesum (1914-1943), one of the victims of the Nazi regime. Hillesum’s diaries and letters illustrate her heroic struggle to come to terms with her personal life in the context of the Holocaust. This volume revives Hillesum's research with a comprehensive rereading of her texts but also by introducing new sources about her life. With the current rise of interest in peace studies, Judaism, the Holocaust, inter-religious dialogue, gender studies, and mysticism, this book is invaluable to students and scholars in a wide range of disciplines.
The Lasting Significance of Etty Hillesum's Writings contains the proceedings of the third international Etty Hillesum Conference, held in Middelburg in September 2018. It brings together the work of 33 experts from all over the world to shed new light on life, works, inspiration and vision of the Dutch Jewish writer Etty Hillesum (1914-1943), one of the victims of the Nazi regime. Hillesum's diaries and letters illustrate her heroic struggle to come to terms with her personal life in the context of the Holocaust. This volume revives Hillesum research with a comprehensive rereading of her texts but also by introducing…
Simon Hammelburg is a Dutch author, journalist, and songwriter. During the seventies, he started his career as a news broadcaster with AVRO Broadcasting (Radio & TV) in Holland. He worked as an anchor as well as a travelling journalist. In the eighties, he became the United States Bureau Chief for Dutch and Belgian radio and television, as well as several newspapers and weeklies. He specialized in the psychological aftermath of the Shoah (Holocaust).
This novel is the story of an Eastern European Jewish man (Max), who is imprisoned by the Nazis during WW2 and by the Soviets immediately after. His story is amazing and is being told to famed Nazi hunter and the author of this book, Simon Wiesenthal, in the 1960's. Wiesenthal's involvement surrounds the Nazi camp commander who persecuted Max and his fiancée. The Nazi, Werner Schulze, resurfaces as a German plant manager twenty years after the war and Wiesenthal must decide whether or not he has sufficient evidence to prosecute him.
Officially, I’m an award-winning author and specialist in the fields of psychology, trauma, and spirituality. I’m also a professionally trained therapist, clinical ethicist, and researcher. Ultimately, I’m an ardent believer that the same life that brings us joy also (sometimes) brings us pain. More importantly, that every aspect of life has a role to play in making us who we are today and who we’ll be tomorrow. We don’t always have control over the events in life, but the script we live by is ours to write—and write it we must, as only we can. I’m also a three-time heart attack survivor.
If you think you know yourself, think again. The sole (or really soul) purpose of Simon Wiesenthal’s book is to reawaken the conscience: Would you offer forgiveness to a dying young Nazi SS soldier for the brutal murder of Jews in which he participated, and that was consuming his conscience?
This question, at the heart of this book, is one Wiesenthal faced when he was in the concentration camps—to which he responded no. For decades, he wrestled with conflicting feelings about his decision, and in this poignant page-tuner, he inspires readers to consider the same.
What particularly grabbed me was not only the eloquent writing and storytelling (the first part is a memoir) but also its coupling with the spectrum of responses from nearly 30 theologians, spiritual leaders, scholars, writers, and statesmen who offer their own feelings on the question of forgiveness (part two).
A Holocaust survivor's surprising and thought-provoking study of forgiveness, justice, compassion, and human responsibility, featuring contributions from the Dalai Lama, Harry Wu, Cynthia Ozick, Primo Levi, and more.
You are a prisoner in a concentration camp. A dying Nazi soldier asks for your forgiveness. What would you do?
While imprisoned in a Nazi concentration camp, Simon Wiesenthal was taken one day from his work detail to the bedside of a dying member of the SS. Haunted by the crimes in which he had participated, the soldier wanted to confess to--and obtain absolution from--a Jew. Faced with the choice between compassion…
I’m a German History professor who focuses on the Holocaust, but I’ve been educating myself on the topic since 5th grade, when a friend suggested some children’s literature on the Holocaust. So, I guess this is a topic that has interested me for some thirty years now. I can’t stop asking why, I can’t stop reading, and I can’t stop educating, especially as Holocaust denial and antisemitism are on the rise. History, in general, can teach us so much about who we are and who we have the potential to become. The Holocaust is a prime example of what happens when humanity fails to achieve its potential.
One of the most difficult facets of Nazism for my college students to grasp is that the Nazis had a sense of ethics and morals. It’s easy to look at the horrors of Nazism, rightfully condemn the Nazis as monstrous, and congratulate ourselves on having the moral and ethical fiber that would never allow us to engage in such atrocities. The thing is, though, that so much of the evil committed in this world is committed by people who think they are doing what’s right. Koonz’s examination of Nazi morals is an uncomfortable read but a necessary one. It forced me and it forces my students to confront the unpleasant truth that evil also has a sense of “moral” and “immoral.”
The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders.
Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging…
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
In Villa Air-Bel, I wrote about an extraordinary man, Varian Fry. A journalist sent to France in 1940 with a list of 200 artists to save, he expected to stay 2 weeks. He stayed 15 months, establishing the Emergency Rescue Committee. By the time the Vichy police expelled him, he’d saved 2,000 people. Who has the courage to put their lives on the line for strangers? In The Betrayal of Anne Frank: A Cold Case Investigation, I recorded how five people risked their lives to hide the Frank family until they were finally betrayed. Two of the helpers were sent to concentration camps. It takes courage to resist Fascism. Would I/ we have that courage?
This is the real-life biography of a little-known Canadian from Nova Scotia, Winthrop Bell.
Bell worked as a spy for British MI6 in Germany. Bell understood that Hitler, an insignificant minion, rose to lead the Nazi Party because he served as a tool for extreme and powerful Nationalists who fashioned the genocidal program—the Holocaust.
As Winthrop Bell pursues the truth, the twists and turns of his often dangerous life are fascinating.
The thrilling true story of Agent A12, the earliest enemy of the Nazis
In public life, Dr. Winthrop Bell of Halifax was a Harvard philosophy professor and wealthy businessman. As MI6 secret agent A12, he evaded gunfire and shook off pursuers to break open the emerging Nazi conspiracy in 1919 Berlin. His reports, the first warning of the Nazi plot for WWII, went directly to the man known as C, the mysterious founder of MI6, and to prime ministers. But a powerful fascist politician quietly worked to suppress his alerts. Nevertheless, his intelligence sabotaged the Nazis in ways only now…
I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.
This autobiography showed me that a tale of survival against the odds, in the most dangerous of times, can also be highly entertaining. To avoid deportation to the death camps, Jewish teenager Lothar Orbach assumes a fake Aryan identity and launches into a precarious underground existence in the heart of the Nazi empire, living off his wits, dodging the authorities and mixing with various shady characters. In my favourite episode, he and his hustler pal Tad meet two sex-starved teenage sisters, the daughters of a prominent Nazi family living in the elegant house of a deported Jewish professor. As the parents are away, Lothar and Tad move in and fulfil the girls’ lusty desires in return for homecooked meals…until the day they stuff two suitcases with food, clothes, alcohol and jewellery, and scarper back underground. Marvellous.
Now in book form, this is the intensely moving first-person account of "the Auschwitz Memoirist's extraordinary manuscript" described in Philip Roth's Patrimony: A True Story.
This is the true story of a young man born at the wrong time in the wrong place. Lothar Orbach's family proudly traces its German heritage back to the fifteenth century, but that is no help to a Jewish boy coming of age in Hitler's Berlin.
At the center of this world gone mad is Lothar, outwardly a cagey, amoral street thug, inwardly a sensitive, romantic youth, devoted son, and increasingly religious Jew, clinging to…
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
As one of the most distinguished writers of Jewish fiction, Cynthia Ozick is known for her work that is both linguistically spellbinding and profoundly thought-provoking.
After reading her two-part novella, The Shawl and Rosa, I believe that it stands out as one of her finest. It tells the story of two women whose survival during World War Two is painfully intertwined, to the point that they cannot separate their horrific experiences from the way they view each other. This penetrating psychological portrait of the devastating effects of victimhood is unparalleled in Jewish literature.
