Here are 100 books that The Lost Notebook of Édouard Manet fans have personally recommended if you like
The Lost Notebook of Édouard Manet.
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As a youngster, my single mom’s bedtime stories did not come out of children’s books. They came out of real history—Hannibal and his elephants, the marauding Huns, or Captain Cook. It seemed preordained that I’d have a life-long love of history, that I’ve written three published historical novels, and am on the review team of the Historical Novel Society. My immersion in history and historical novels provides constant learning and pleasure.
This fictionalized, but mostly true, account covers enigmatic author J. D. Salinger’s little-known WWII years (1942-47). Salinger is conscripted by the US Counter Intelligence Corps. These hard-edged soldiers interrogate captives, seek out hidden danger (poisoned pretzels, booby-trapped toilet seats), and uncover traitors. Salinger absorbs deeply the carnage close to him. At war’s end, he has become “a guy made of glass” with a facial tic and trembling hand. In the novel’s last scenes, his older sister helps him set up in the suburban loft where he can live alone, write, and heal. J. D. Salinger’s time immersed in the horrors of War helps explain his reclusive life and out-of-the-mainstream but best-selling creations.
"Charyn skillfully breathes life into historical icons." -New Yorker
J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war-from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
I especially treasured how the author used Napoleon’s own young writing to tell the story of his life – as well as the disappointments at the end of his life, including his defeat, imprisonment on Saint Helena, and his separation from his young son.
Margaret Rodenberg made me appreciate Napoleon’s indomitable spirit – the man refused to give up despite daunting odds!
“Rodenberg inventively uses Bonaparte’s own unfinished novel to tell the story of the despot’s rise to power, which she juxtaposes against the story of his last love affair. Told creatively and with excellent research!” —Stephanie Dray, New York Times and USA Today best-selling author of America's First Daughter and The Women of Chateau Lafayette
“Beautiful and poignant.” —Allison Pataki, New York Times best-selling author of The Queen’s Fortune
With its delightful adaptation of Napoleon Bonaparte’s real attempt to write romantic fiction, Finding Napoleon: A Novel offers a fresh take on Europe’s most powerful man after he’s lost everything—except his last…
As a youngster, my single mom’s bedtime stories did not come out of children’s books. They came out of real history—Hannibal and his elephants, the marauding Huns, or Captain Cook. It seemed preordained that I’d have a life-long love of history, that I’ve written three published historical novels, and am on the review team of the Historical Novel Society. My immersion in history and historical novels provides constant learning and pleasure.
In 1909 Etorre Bugatti founded his auto brand. Through wars, different ownerships, and locations Bugatti has produced classic cars that today rival any in beauty, performance, and price. Look closely at recent models, and you will spot bas relief decorations of animals. These are inspired by Etorre’s brother, animal sculptor Rembrandt Bugatti. This novel presents the mostly true account of the sculptor’s last decade (1906-1916).
R. Bugatti is obsessed with wild beasts. He even keeps two antelopes in his apartment over a summer. The Great War is horrible for zoo animals and their admirers. The inhumanity of humans exacts the ultimate toll, and, at age 31, the sculptor takes his own life. Photographs of eight masterful Bugatti animal sculptures enhance the story. Though short, The Animal Gazer will appeal to any reader interested in the life and troubled times of a masterful, not widely-known, artist from a famous family.
Rembrandt Bugatti was the brother of the famous builder of luxury sports cars, Ettore. He made stunningly beautiful bronzes of wild animals that he spent days and weeks observing in the Paris and Antwerp Zoos. Sometimes he took the animals to live in his Paris apartment while he worked on his pieces.
Edgardo Franzosini's haunting short novel recreates the eccentric, orderly life of this strange genius, a gentle man who loved animals and created some of the most memorable sculptures of our time. His short life was ruined by the declaration of war in August 1914. As the Germans drew…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
As a youngster, my single mom’s bedtime stories did not come out of children’s books. They came out of real history—Hannibal and his elephants, the marauding Huns, or Captain Cook. It seemed preordained that I’d have a life-long love of history, that I’ve written three published historical novels, and am on the review team of the Historical Novel Society. My immersion in history and historical novels provides constant learning and pleasure.
On March 24, 1946, then-current world chess champion, Alexandre Alekhine, is supposed to be getting ready to defend his title against a Russian challenger. But, at age 53, Alekhine lies dead in his seaside hotel room in Estoril, Portugal. Alekhine appears to have been eating dinner alone in his room. A local doctor soon certifies he choked on a piece of meat.
Born in Moscow, handsome, married four times, master of multiple languages, widely travelled, Alekhine was caught behind enemy lines during World War II. To stay alive, he played for both Stalin and high-level Nazis. He drank to excess, smoked heavily, suffered from angina. Did he die of a heart attack, a stroke, choking on food, murder by the KGB, or partisans for his apparent sidling up to Nazis? Sceptics and chess fans have wondered. Maurensig recounts the chess master’s last days and summarizes the many aspects of a…
On the morning of March 24,1946, the world chess champion Alexander Alekhine - "sadist of the chess world," renowned for his eccentric behaviour as well as the ruthlessness of his playing style was found dead in his hotel room in Estoril, Portugal. He was fully dressed and wearing an overcoat, slumped back in a chair, in front of a meal, a chessboard just out of reach. The doctor overseeing the autopsy certified that Alekhine died of asphyxiation due to a piece of meat stuck in his larynx and assured the world that there was absolutely no evidence of suicide or…
I am an author, film composer, guitarist, multimedia artist, and perfumer. As a music journalist, I’ve written extensively for many major U.S. and international guitar publications before launching the website, The Guitar. My music has been featured on National Public Radio and worldwide at major U.S. and international art and design museum festivals. Part of being a writer is about expressing one’s curiosity through constant delving and engaging in the ongoing process of discovery. What compels me is the attempt to understand the inspiration that drives an artist to create a distinctively beautiful melody, fragrance, or artwork—one that grabs your attention with a mesmerizing, transfixing, and soulful quality.
Frey’s book is a vivid account of the fin-de-siecle French painter who was born into aristocracy but did not fit in, due to hereditary dwarfism. Lautrec devoted himself to studying painting in Paris, where he fell in with the cabaret theatre and dancehall crowd, along with its contingent, shadier side of sundry misfits, whom he embraced wholly. In the milieu that permitted a laundress (La Goulue) to become a can-can star, Lautrec put himself on the map with his spectacular cabaret posters. I chose this book because though I do not draw portraits, I can relate to my enjoyment of capturing artistic photographs of musicians.
Debauched aristocrat, cabaret painter or accidental dwarf: Julia Frey's definitive biography uses meticulous research to strip away the myth of Toulouse-Lautrec and reveal for the first time the tortured man beneath. 'The book deals seriously and sensitively with Lautrec's progress as an artist, his academic training and the audacious use he put it to. Equally, readers in search of the ooh-la-la side of Paris during the Belle Epoque won't feel short-changed. Almost everyone from Manet to the young Picasso crosses the stage. It is of course a tragic story, but a triumphant one also' George Melly, Mail on Sunday
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir.
The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.
This was the time of the last of every day berets, blue…
The enchanting memoir of an artist?s liberating sojourn in France during the sixties?and the friendship that transformed her life
While in her late twenties, Marjorie Price leaves the comfort of her Chicago suburb to strike out on her own in Paris and hone her artistic talents. Dazzled by everything French, she falls in love with a volatile French painter and they purchase an old farmhouse in the Breton countryside. When Marjorie?s seemingly idyllic marriage begins to unravel, she forms a friendship with an elderly peasant woman, Jeanne, who is illiterate, has three cows to her name, and has never left…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
