100 books like The Court-Martial of George Armstrong Custer

An atypical Western, I loved its unusual, yet believable plot.

A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.

Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.

I love to believe that potential exists within me.

The West used to begin in Ohio. Some of my ancestors moved there around 1816. Their experiences must have been very similar to those of the Lucketts family depicted in The Trees by the masterful writer, Conrad Richter.

The trees so closely grown and tall, one could not see through them or over them. They had to be toppled. Children got lost in the trees while playing; some never made it back to their homes. Lost forever.

The rich narrative, reminiscent of pioneers’ old diaries the novelist read prior to writing, fills the reader’s ear with character, honesty, pathos, and heart. Richter won the Pulitzer Prize for The Town, the third novel in his Heartland Trilogy. But the trilogy’s first book, The Trees, is my favorite.

Perhaps Arizona’s most widely recognized event, the thirty seconds of gunfight at O.K. Corral in Tombstone isn’t the main emphasis in Epitaph. That belongs to Russell’s engrossing depictions of the intensely personal relationships between the Earp brothers, their girlfriends and wives, their routines, and addictions.

As I found out in researching for my novel, if you get the accurate facts about the personalities and actions of the good and the bad people, who actually lived in the Old West, you’re well on the way to writing a novel.  

John Philip Clum started the newspaper in Tombstone and called it Epitaph, because “No tombstone is complete without its epitaph.” To complete your reading about the Old West, include Epitaph.

Bass Reeves, a real individual, was a slave in Texas and, as personal attendant and crack shot, accompanied his owner, an officer in the 11th Texas Cavalry Regiment, into battle during the Civil War.

The lyrical and colorful narrative closely resembles Bass Reeves’s speech and thoughts, so that one flows into the other. That’s fine writing. Thompson reveals in meticulous detail behavioral traditions between owner and slave and between the slaves themselves that reflect the injustice rife at that time.

This is the first novel in a trilogy, and I’m eagerly awaiting the next two books.

I bought this book in Chicago and read all 151 pages on a flight back to Dallas. Soldier Boy is a young adult fiction book that grabbed me from the first-page description of a bare-knuckle fight between the teenage protagonist, Johnny “the Kid” McBane, and an unnamed palooka in a gritty Chicago gambling house. McBane joins the Army to escape some hoodlums, and the story never lets up as it takes him to the frontier and eventually the Little Bighorn. I’ve many read many fictionalized accounts of the Little Bighorn. This is the best. Soldier Boy is a great read but also an excellent insight into the experience of many underage soldiers in the frontier Army. The ending will stay with you long after you finish the book.

I loved this book enough to read it twice. In fact, felt compelled to read it twice because of Connell’s amazing portrayal of Custer and dozens of other figures, both American and Native American, both well-known and obscure.

The battle of the Little Bighorn lasted only a few hours but had an amazing impact, and Connell tells the story with remarkable originality.     

James Donovan combined impeccable research with an engaging style to produce the best book about the Battle of the Little Bighorn. The battle is the subject of more books than just about any other fight in American history, but Donovan’s has set a new standard. I referred to the book regularly while writing my biography of Custer. You can’t really begin to understand a complex battle like the Little Bighorn without a seasoned guide. But Donovan doesn’t just explain the battle. He writes in a way that gives his book the feel of a novel rather than a dry recitation of facts. A Terrible Glory will take you on an exciting ride and teach you everything you need to know about Custer’s Last Stand.

When I first heard about Custer’s Trials, I thought it was almost sacrilegious to write a biography of the Boy General without a full, descriptive chapter on the Last Stand. Stiles instead covered the battle in an epilogue about the Court of Enquiry into the conduct of Maj. Marcus Reno at the Little Bighorn, where he was Custer’s second in command. Nevertheless, Stiles’ book is an engrossing psychological portrait of Custer that puts his life in the context of his times. Stiles addresses the changes in American culture—moving toward a modern, industrial society—that shaped the lives of the Civil War generation. You’ll not only get a new view of Custer from reading Custer’s Trials, you’ll get a better understanding of the development of the United States.

I know I’m going old school here with this memoir by the widow of General George Armstrong Custer. The Little Bighorn tragedy looms large throughout, but it happens completely off the page. Elizabeth “Libbie” Custer makes a conscious effort to show her husband in life rather than death, and in this way she illuminates the equally dramatic life experiences of so many military families on the American frontier.

I couldn’t believe how many similarities there are between being a military spouse in the 1870s and being one today. There is the unique drama of living in a sort of satellite USA, either on a military base or in the American Embassy community abroad. Army spouses form fast friendships and are forced to rely on each other when there are so few cultural touchstones or friends and family nearby. These relationships become even more vital when their spouses are unreachable for… show more.

The iconic mythology of the American Wild West–of cowboys and Indians, sunset shootouts, one-horse frontier towns–wasn’t something created after this tumultuous period of history, but actually during it. And no single figure of the day did more to popularize these images than William “Buffalo Bill” Cody, a scout and showman who became one of the most famous people on earth in the late 1800s.

Historian Louis Warren's mind-blowing biography of Cody shows this larger-than-life figure as a bundle of contradictions. Here’s just one example. By our standards today, Cody’s glorification of white settlers pushing aside Native inhabitants would be revolting and racist. But the showman employed hundreds of Lakota Sioux in his Wild West show, even including Sitting Bull–the same man who had earlier defeated Custer at Little Bighorn.